Review: Corny cornchip mystery by CRP

By John Lyle Belden

Years ago, I worked on a production line of a manufacturer of tortilla products. Though not too bad if you don’t mind smelling like a corn chip after work, the shifts were as long and monotonous as you’d imagine. And I guess that for those working in the executive offices, things were about as dull.

Until they’re not.

Casey Ross’ “Tortillo” imagines such a scenario, in which a corporate drone at a corn chip company could use some excitement in his life – and with a mysterious phone call, he gets it in spades.

Dave (Robert Webster Jr.) could care less about the new ranch flavor of Tortillo stacked chips (like if Pringles made Doritos) but would rather pine for hot co-worker Juniper (Lisa Marie Smith). Steve (Matt Anderson) is all to eager to help Dave score, giving him an excuse to offload all his work on shy but faithful intern Patrick (Davey Pelsue). But during an evening of watching Steve’s 15 seconds of fame on TV, he and Dave get a call from a malevolent voice, telling them to “mind your own masa.”

Naturally, they freak out over the vague threat, but not enough to do anything. The next day, after overeager employee-of-the-month Ted (Tristan Ross) drops off a sample of the new-flavored chips, they make a discovery that will make you think twice before popping open your next can of Tortillos.

What ensues is a bizarre mystery of corruption and revenge with odd and shady characters – and just who is that “John” guy (Brian Kennedy) anyway? He looks familiar – all flavored with dark hilarity like only Casey Ross’ pen can deliver.

Under the expert direction of Tristan Ross (no relation to Casey) this madness flows excellently through two acts. This was originally a 50-minute Fringe show, and hits the same plot beats, but the two Rosses have ensured that it doesn’t feel “padded out.”

The fun and snacks end Sunday at the IndyFringe building’s Indy Eleven stage. See IndyFringe.org or the Casey Ross Productions website or Facebook page for details and tickets.

Review: ‘Spoonful’ has unexpected depth

Elloit (Mauricio Miranda, front, left) and his cousin Yazmin (Elysia Rohn, right) deal with the death of the woman who raised them, among other issues, while the ghost of an Iraqi Elliot killed (Sunny Arwal) haunts in the background in a scene from "Water By The Spoonful," presented by Wisdom Tooth Theatre Project at the IndyFringe Theatre in downtown Indianapolis. -- Wisdom Tooth photo
Elloit (Mauricio Miranda, front, left) and his cousin Yazmin (Elysia Rohn, right) deal with the death of the woman who raised them, among other issues, while the ghost of an Iraqi Elliot killed (Sunny Arwal) haunts in the background in a scene from “Water By The Spoonful,” presented by Wisdom Tooth Theatre Project at the IndyFringe Theatre in downtown Indianapolis. — Wisdom Tooth photo

By John Lyle Belden

Wisdom Tooth Theatre Project likes to present thought-provoking plays, and “Water by the Spoonful” definitely digs into your noggin.

Director Ronn Johnston confessed he “fell in love” with this drama by Quiara Algria Hudes. “I was thinking, ‘Oh, it’s about addiction,’” he said, “but then I found it was so much more than that.”

Marine veteran Elliot (Mauricio Miranda) and his cousin Yazmin (Elysia Rohn) find themselves dealing with the death of her mother and his aunt, the woman who raised them. It doesn’t help that he is also shadowed by the ghost of a man he killed in Iraq (Sunny Arwal).

Meanwhile, Elliot’s biological mother, Odessa (Dena Toler), has become “Haikumom,” the admin for an online forum for fellow recovering crack cocaine addicts. She keeps the peace as the harmony between her, Chutes&Ladders (Butch Copeland) and Orangutan (Tracy Herring) is disturbed by Fountainhead (Scott Russell), a man clearly not being honest with anyone, especially himself.

What is presented as a simple family and relationship drama gains a number of layers as our characters deal with their demons, confront truths and test how far they would truly go for each other – to the hospital? To Japan? And are some acts truly beyond forgiveness, beyond redemption? These questions, and how the characters struggle to answer them, echo beyond the play’s curtain call.

The title refers to events in Elliot’s childhood that led to his being raised by his aunt, and a lifesaving act that takes place one small spoonful at a time – a process those in recovery understand all too well.

This cast is strong and believable. Toler is beautifully tragic; Miranda keeps Elliot’s emotions at a low boil throughout, helping us feel his pain; Russell makes us dislike, then admire his conflicted character; Copeland and Herring get us rooting for their unlikely yet inevitable friendship; Atwal is the glue of the plot; and Rohn perfectly embodies the person who is involved in the story, yet feels like a bystander because she is not an addict herself.

“Water by the Spoonful” has two more weekends at the IndyFringe Basile Theatre, 719 E. St. Clair St., Indianapolis. Get tickets at indyfringe.org or wisdomtooththeatreproject.org.

Back to the routine

Now that IndyFringe is done and September is here, we’ll resume the weekly look-aheads.

This weekend we have just one stage opening: the two-weekend run of “The Prince and the Pauper” by Center Stage Productions at Southport Presbyterian Church.

There is also an encore performance of an IndyFringe favorite, “Jason Adams is a God Damn Mind Reader,” 7:30 p.m. Friday and Saturday at the IndyFringe Theatre, 719 E. St. Clair St. in downtown Indy, by the intersection of Mass Ave., St. Clair and College Ave. If you didn’t see one of the sold-out Fringe performances, and are not offended at the show’s title, then by all means go see this wild mix of comedy and mental magic.

This weekend is also Labor Day, and you can wear your white shoes one more time to Indy LaborFest Saturday in the heart of Downtown Indianapolis for free, all-ages fun.

However you do it, enjoy your weekend!

IndyFringe 2015 Wrap-Up

We had a great time at this year’s IndyFringe. Though we didn’t see all the shows, we saw quite a few, so, here in one place are the links to all our reviews, for anyone wanting to look one up:

“4.48 Psychosis” by Savage at Last

“4Square” by AV Productions

“Acting My Age” by Matt Holt

“The Adventures of Les Kurkendaal” by Les Kurkendaal

“Auditioning for Swan Lake” by Lou Ann Homan

“The Best of Indy Magic Monthly” by Magic Taylor’d for You (Taylor Martin)

“Breakneck Hamlet” by Tim Mooney

“Bromance” by Farewell Tour Productions

“Cabaret of Puppetry” by Peewinkle Studios

“Ca-Ching” by Nomads Collective

“Camp Summer Camp” by Defiance Comedy

“Cocooned in Kazan” by Royal Kung Foolery

“The Comedy Magic of Oscar Munoz” by Oscar Munoz

“Dancing in the Mist” by RibbetRepublic

“Drosselmeyer’s Magical Bedtime Story” by No Exit Performance

“The Eulogy” by Michael Burgos

“Fruit Flies Like a Banana” by Fourth Wall

“Ghost Story” by Peter-John Byrnes

“Growing Up All Over Myself” by Mat Alanso-Martin

“Hannibal: LIAR!” by Chris Hannibal

“Hell’s Fourth Ring: The Mall Musical” by Casey Ross Productions

“Home Grown Originals” by Band O’ Leers

“An Indian Comedian: How Not To Fit In” by Krish Mohan

“I’m Not Gay” by Submatter Press

“Interrupting the Sermon” by First Hand Theatrical

“The Invisible Man” by What’s in a Name? Company

“Jason Adams is a God Damn Mind Reader” by Jason Adams

“Kill the Column” by MamaProductions

“Laughing Sober” by Rick Garrett

“A Little Business at the BIG TOP” by David Gaines

“Men’s Room” by MayDay Productions

“Mom?” by Box of Clowns

“Mr. Boniface, the Wise” by KT Peterson

“My Sister Diane” by Jim May

“Not My Baby!” by Dreadmelon Productions

“The Not So Secret Origin of Captain Ambivalent” by Captain Ambivalent

“ODDyssey” by Blair Godshall

“Orange is the New Black Keys” by ComedySportz Indianapolis

“Sarge” by Clifton Performance Theatre

“The Secret Book of Jesus” by Maximum Verbosity

“Shakespeare’s Ear” by Early Music in Motion

“The Shout” by In the Mix

“The Sibling Staircase” by Sally Perkins

“Speedthru” by Eclectic Pond

“Threads” by Tonya Jone Miller

“Tipped and Tipsy” by Jill Vice

“Top Shelf: Our Last American Tour – Again” by Betty Rage

“The Traveling Tap Dance Super Show” by TapMan Productions with Circle City Tap Company

“Ulysses Grant: A Fluxkit Opera” by Stephen Rush

“Up Yours, Indianapolis” by The Fleece Academy

“VELOUR” by Schedule C Productions

“Whisper in My Good Ear” by Vintage Players

“Who Run The World: A Madwomen’s Cabaret” by Main Street Artists

“The Wizer of Odd” by Gift of Gab

“Working Titles” by Jeremy Schaefer

“The Yellow Wallpaper” by Earlham Theatre Department

Fringe review: Tipped & Tipsy

By Wendy Carson

In “Tipped & Tipsy,” Jill Vice puts on a whirlwind one-woman performance in the story of Candy, the bartender at Happy’s Bar, and her regular customers.

Among the patrons we meet Pat, the homeless, alcoholic ex-boxer; Ace, the muscle-headed, tough guy who has a crush on her; and Rico, the disco ladies-man, who is also “The owner of this place.”

She shifts from one person to another with such ease you almost forget that she is alone onstage inhabiting these characters. Everyone’s stories are woven together into a rich tapestry portraying the family dynamic that comes from people habitually sharing the same space.

Like a shot of tequila, the results are more bitter than sweet, but the brutal honesty of these lives and their reasons for seeking out alcohol to help numb them to their failures is a revelation to behold.

The show is certain to be a buzz-worthy crowdpleaser. However, while the intimate venue of Theatre on the Square’s second stage highlights the story perfectly, once the word gets out, you might not be able to get a table, so reserve your seats quickly.

Oh, and don’t forget to always TIP YOUR BARTENDER.

Fringe review: Not My Baby!

By Wendy Carson

In “Not My Baby!” by Dreadmelon Productions at the IndyFringe Basile Theatre, A man is on death row for killing a police officer. He and his family are doing everything they can to get his sentence overturned. The twist: The police officer in question was a K-9 who looked like just another dog and was attacking the man’s sister. The simplest solution would be for his sentence to be commuted to life with no parole, but since the Governor is eyeing a run for the Presidency, his “Hard on Crime” platform prevents him from showing any compassion to this man’s plight. While the helplessness of all involved overweighs the plot, the family dynamic is what this show is really about.

G-maw adds some much needed comic relief as the matriarch of the clan. However, the true standout of the bunch is little Adeesa. With her Jester’s hat of a hairstyle and idiot-savant shifts from utter nonsense to brilliant clarity, she provides insight on the true path of salvation for all the characters in this comic drama.

While it’s true that the specter of death and tragedy hangs solidly over everyone, the overall love and hope displayed by this troubled group makes the whole story resonate with everyone. Despite the dour subject matter, there is a good amount of comic relief to prevent the audience from being overwhelmed.

While I will admit that this show had not been one of my first choices to see at the Fringe this year, I am grateful to no end that it made it onto my schedule. I look forward to seeing more productions from this group and expect them all to be gracing more of our community stages in the future.

Fringe review: My Sister Diane

By John Lyle Belden

In “My Sister Diane: A Story of Hope, Humor and Hospice,” Jim May warms us up with a little about his Catholic boyhood (including how “genuflecting” spelled backwards is pronounced) and his life as a professional storyteller.

Then he relates the story of an autumn 14 years ago, when, while working on a new telling of “Noah’s Ark,” he is struck by a flood of another sort, no less devastating: His sister, the sibling he had been closest to growing up, has cancer. He and other family members fly out to see her, and talk with doctors who reveal that there is little to no hope for remission or cure. Then, the tale turns to the soothing miracle of hospice, as Diane gets to fade away in comfort with the people she loved.

A story that should have left us all in weeping puddles on the floor instead becomes uplifting and inspiring in May’s masterful hands. Instead of mourning, we celebrate the passing of a beautiful soul with one who truly loved and admired her. And for those with end-of-life decisions on their minds, the narrative provides an excellent overview of hospice care.

Fringe review: Mr. Boniface the Wise

By Wendy Carson

Zany doesn’t even begin to describe the characters in “Mr. Boniface, the Wise,” by KT Peterson, playing in the IndyFringe Basile Theatre. In fact, the titular character, Mr. Boniface — a goat-man who lives in the youngest child’s wallpaper and tells her what to do – is the most normal one on display.

We have: the aforementioned youngest child, Gerty, who may be either schizophrenic or just a clairvoyant genius; Angora, a certified scientific genius, who is so bored with the level of education at her school, she has been expelled for her little pranks against the other students; Inga, their harried, narcoleptic mother who is determined that Angora get back into school so that she can succeed at fulfilling her scientific potential; and Mr. Capshaw, Angora’s science teacher, who is madly in love with her and her brain – so much so, that they plan to fake their own deaths and run of to Wisconsin so that she can be part of a pig-cloning team.

Needless to say, hilarity ensues throughout the show as everyone tries to get what they want, and it seems that only Mr. Boniface will persevere.

While Mr. Boniface’s Presidential bid was never revealed to any of us during the play (the actors are distributing campaign stickers around the festival), I hope to eventually hear more of his platform as he seems to be one of the more reasonable possibilities for the 2016 ticket.

So, for a wacky, fun time enjoy this little insight into a family that will make yours look totally normal.

Fringe review: Home Grown Original

By John Lyle Belden

Let us simplify your expectations. Ironically, “Home Grown Originals,” at the IndyFringe Basile Theatre, stretches the concept of a “Fringe show” by not being edgy or avant garde or having some odd agenda. It’s straightforward: a group of eight friends playing some really good Hoosier-made music.

Alex “Tunesmith” Murphy recently wrote a bunch of songs, then recorded them with his ensemble, the Band O’Leers. Now he presents these rockabilly-country-blues tunes on the IndyFringe Basile stage, featuring vocals by Murphy, Tim Spradlin and Lori Ecker.

It’s an entertaining crowd-pleasing set, featuring oughta-be-hits like “Kiss Me Like You Mean it,” “Future Ex-Wife” (feel free to sing along on the chorus) and “You’re only Human if you Try.” If guitars and a corny joke or two are your bag, head on over and give them a listen.

The CD of the songs is also available, featuring vocals by local legend Karen Irwin.

Fringe review: Auditioning for Swan Lake

By John Lyle Belden

In “Auditioning for Swan Lake” at the IndyFringe Indy Eleven Theatre, storyteller Lou Ann Homan starts us off with an Estonian fairy tale, which alone is nearly worth the price of admission, and helps set the theme of this story of stories about dance.

Homan always wanted to be a dancer, but she grew up Baptist. When an AARP bulletin says that the three ways to preserve memory as you age are learning a new language (took that in high school), learn an instrument (piano, got that covered) and learn to dance (oops!), she seeks to express her inner ballerina. She finds an adult class, and after a few months has the desire to try out for a local production of “Swan Lake.” Where lack of raw talent or actual ability might fail her, she’s sure to persevere with her knack for telling stories – right?

No matter what her ballet judges thought, Homan wins us over with her true tales of how she “almost danced” on skates, how a Saturday night dance helped save her son’s life, and how sometimes what you need isn’t in the flash cards. If you’re in the mood for stories spun with heart and humor, this is definitely a show to check out. Wearing a tutu is optional, but she’ll have hers on.