A king’s journey, from fun with Falstaff to hostilities with Hotspur

This Show is part of Bard Fest, central Indiana’s annual Shakespeare festival. Info and tickets at www.indybardfest.com.

By John Lyle Belden

While I can heartily recommend any of this year’s Bard Fest shows, the one that has the most elements of Shakespeare’s storytelling is the oft-overlooked “Henry IV, Part 1,” presented by First Folio and directed by Glenn L. Dobbs. It combines comedy, drama, adventure, and a bit of actual British history in a rather entertaining package.

It is a story of the misspent youth of “Bonny Prince Hal” (Matthew Walls), the man who would eventually become the legendary King Henry V, as well as the struggle by his father, Henry IV (Abdul Hakim-Shabazz), to maintain a united kingdom.

Hal has his fun with best friend Ned Poins (John Mortell) as they jest with famed drunkard Sir John Falstaff (Matthew Socey) and his minions, cowardly Bardolf (Jonathen Scoble) and berserker Peto (Missy Rump). From these scenes we get a lot of laughs, and are treated to some of the Bard’s more colorfully-written insults.

Meanwhile, the King has to deal with a plot led by Henry Percy (Matt Anderson), known as Hotspur for his fiery temper, aided by relatives Worcester (Sara Castillo Dandurand) and Mortimer (Eric Mannweiler), the Scottish Earl of Douglas (Andy Burnett), and Welsh rebel Glendower (David Mosedale). On Henry’s side stand Sir Walter Blunt (Eli Robinson), Lord Westmoreland (Brian Kennedy), and eventually Hal, the Prince of Wales himself, having sworn off his prior foolishness.

The decisive battle that ensues gives the narrative a sense of completion, especially in Hal’s arc from boy to man, but leaves sufficient details to be resolved in the more serious “Henry IV, Part 2.” Still, this play easily stands alone.

Our cast inhabit the roles naturally — perhaps Socey is just an alias for Falstaff? Hakim-Shabazz is appropriately noble, Walls slips easily into Hal’s many modes, and Anderson can play a villain like no other. Also notable are Afton Shepard as Percy’s bitter wife (as well as a sweet “working girl” at the tavern), and Michelle Wafford as a Welsh lady betrothed to a man she loves but whose language she can’t understand, and especially as the in-charge Hostess of the Boar’s Head Tavern.

Remaining performances are 8 p.m. Thursday, 8 p.m. Saturday (with talkback afterward) and 1 p.m. Sunday at the District Theatre, 627 Massachusetts Ave.

IndyFringe: Fairy Godmother & Associates

This show is part of the 15th Annual Indianapolis Theatre Fringe Festival, a/k/a IndyFringe, Aug. 15-25, 2019 on Mass Ave downtown. Info, etc., at www.IndyFringe.org.

By Wendy Carson

Things are looking very bleak for Fairy Godmother & Associates. They have no clients, her magic is misbehaving, and the Wolf (Big Bad, her landlord) is literally at her door demanding that if she doesn’t pay him the past due rent by midnight, she’s out on the street. Even her Associate, Sebastian the mouse, doesn’t have any ideas.

Luckily, her past client, Red (as in Riding Hood) brings her into the 21st century by setting up an online ad for her matchmaking services. In no time, a wealthy new client, Prince Charming, hires her. He is desperate to find a beautiful woman who dropped her mirror and needs her to become his bride by midnight or he may lose his crown.

While she tries to get him to understand that the search could take time, he will have none of it. He wants her and he doesn’t have time to wait — he is British, after all.

Red helps her place and ad on Facebook and while she is overwhelmed by the magnitude of responses, she does find the mirror’s owner, Ella. A meeting that evening is arranged and everything is going to work out perfectly.

But before you can say “Bibbity Bobbity Boo-Hoo” everything goes awry. Will the Prince find his bride? Will the Fairy Godmother get her money in time? Will everyone live happily ever after?

You will have to catch the show to find out. Just remember this: “Never screw with the Woman holding the Magic Wand!”

Lisa K. Anderson delights as the ever optimistic Fairy Godmother. Her spunky demeanor keeps the show light as a feather.

Kyle Kellam does an amazing job at bring the big and bad to his over the top portrayal of the wolf as a sleazy manipulator who is always on the hunt to fill either his belly or his bed.

The versatile Matt Anderson gets a chance to over-emote to the extreme as the vapidly self-centered Prince Charming.

Sabrina Duprey shows some range with her varied portrayals of Ella and her Evil Stepsisters.

The cast is rounded out by Carl Cooper who pulls double duty as the imposing voice of Ella’s enchanted mirror and the ever faithful associate, Sebastian the mouse (Squeak, Squeak, Squeak).

A Head Gap Production by Enid Cokinos, find this fairy tale at the Fringe building, 719 E. St. Clair with performances Thursday through Saturday (Aug. 22-24).