‘Omigosh,’ these kids are good

By John Lyle Belden

When you see a comedy performed by kids, for kids, about a kids’ summer camp, you expect something, well, campy. With KidsPlay Inc.’s “Camp Omigosh,” by Wade Bradford, directed by Amy Studabaker, you get that and more, an experience one could say is out of this world.

KidsPlay (for those unfamiliar) is the Greenfield-based non-profit theatre program open to children in grades 3 to 8 (any school or homeschooled) who make up the entirety of the cast – learning stagecraft for free – while volunteer family and community members help in all aspects of the show.

The weirdness starts on the bus to camp, as Connor (Asher Ortman), who is also our Narrator, tries to make friends by swindling them. Tasha (Nora Smith) is not impressed, but somehow finds herself holding his hand in the long, dark tunnel to the campground.

Camp Omigosh itself, on the banks of Lake Whattheheck, turns out to be a dump. New owner Miss Warren (Molly Wallace) sets the activity schedule around the kids fixing the place up, which excites carpentry and engineering enthusiast Parker (Oliver Lederman). To assist, there are some deaf-mute girls from Sweden (Gigi Gunn, Callahan Horan, Kyndall Watkins) led by Ulah (Ellie Stearns).

Staff include Ms. Greenblatt (Kayte Reasoner) who combines her love of arts and crafts with being Camp Nurse; Coach Dunbom (Bella Latdrik), who views playing dodgeball as a life skill; Mr. Hobbes (Bennie Vaughn), who lives to dance; and the Starbucks-addicted bus driver, Ms. Finkle (Aria Studebaker).

Rich girl Kimberly (Abby Marler) thought she was going to an elite performing arts camp and is furious. The others all seem happy enough to be there, though, especially BFF’s Tessa and Vanessa (Josie McConnell and Essie Ortman), who seem to share both a brain and a passion for animals.

And what’s a summer camp without a ghost story? There have been sightings of a mysterious figure (Caroline Goldstein) – could it be the spirit long missing (and presumed dead) Billie Wilson? Why are campers’ personal objects floating away into the woods? Also, aren’t the Silent Swedes just a bit too creepy? Things just get spookier and weirder until our kids find themselves in a more complex and dangerous situation than any of them (or frankly, us in the audience) ever expected.

The cast also include – in various roles such as campers, aliens, and robots –  Audra Speicher, Vivian Goldstein, Tanner Pipkin, Trinity Bricker, Lilliana Grzelak, Sawyer Froman, Piper Grzelak, Elliott Holmes, Sydney Daniels, Quinn Felver, Harrison Studabaker, and Jack Joyner as the “First Contact Alien.”

Several also perform in the traditional KidsPlay opening dance number – a clever take on a “camp” classic – along with Evalynn Connelly, Tegan Keller, and Piper Orr.

The production is funny, entertaining, and a nice showcase of young talent. We are always impressed with even the younger actors who already show stage presence and range, like fourth-grader Lederman, or fifth-grader Marler in taking her arc from spoiled brat to feisty heroine (who, in a comic high-point, defeats… herself!).

The polish of experience starts to show with principal players such as Asher Ortman, Smith, the duo of Stearns and Essie Ortman, and those playing adults like Wallace, Latdrik, Aria Studebaker, Reasoner, Vaughn, and Joyner. The “Swedes” display quality clown/mime work, and we even get some puppetry with Daniels, Felver, and Harrison Studabaker.

This being the Spring Show, these are the final KidsPlay performances for the program “graduates,” eighth-graders who move on to high school stages and possible Young Artist opportunities in area theatres. This year, there are just Bella Latdrik and Jack Joyner. You know when you notice a young girl or boy on stage stealing scenes? That was these two in past KidsPlay productions. Here’s wishing them the best going forward.

Head out to “Camp Omigosh!” Performances are Friday through Sunday, May 2-4, at the H.J. Ricks Centre for the Arts, 122 W. Main St. (US 40) in downtown Greenfield. Get very affordable tickets at crazylakeacting.com or the box office.

IndyFringe 2015 Wrap-Up

We had a great time at this year’s IndyFringe. Though we didn’t see all the shows, we saw quite a few, so, here in one place are the links to all our reviews, for anyone wanting to look one up:

“4.48 Psychosis” by Savage at Last

“4Square” by AV Productions

“Acting My Age” by Matt Holt

“The Adventures of Les Kurkendaal” by Les Kurkendaal

“Auditioning for Swan Lake” by Lou Ann Homan

“The Best of Indy Magic Monthly” by Magic Taylor’d for You (Taylor Martin)

“Breakneck Hamlet” by Tim Mooney

“Bromance” by Farewell Tour Productions

“Cabaret of Puppetry” by Peewinkle Studios

“Ca-Ching” by Nomads Collective

“Camp Summer Camp” by Defiance Comedy

“Cocooned in Kazan” by Royal Kung Foolery

“The Comedy Magic of Oscar Munoz” by Oscar Munoz

“Dancing in the Mist” by RibbetRepublic

“Drosselmeyer’s Magical Bedtime Story” by No Exit Performance

“The Eulogy” by Michael Burgos

“Fruit Flies Like a Banana” by Fourth Wall

“Ghost Story” by Peter-John Byrnes

“Growing Up All Over Myself” by Mat Alanso-Martin

“Hannibal: LIAR!” by Chris Hannibal

“Hell’s Fourth Ring: The Mall Musical” by Casey Ross Productions

“Home Grown Originals” by Band O’ Leers

“An Indian Comedian: How Not To Fit In” by Krish Mohan

“I’m Not Gay” by Submatter Press

“Interrupting the Sermon” by First Hand Theatrical

“The Invisible Man” by What’s in a Name? Company

“Jason Adams is a God Damn Mind Reader” by Jason Adams

“Kill the Column” by MamaProductions

“Laughing Sober” by Rick Garrett

“A Little Business at the BIG TOP” by David Gaines

“Men’s Room” by MayDay Productions

“Mom?” by Box of Clowns

“Mr. Boniface, the Wise” by KT Peterson

“My Sister Diane” by Jim May

“Not My Baby!” by Dreadmelon Productions

“The Not So Secret Origin of Captain Ambivalent” by Captain Ambivalent

“ODDyssey” by Blair Godshall

“Orange is the New Black Keys” by ComedySportz Indianapolis

“Sarge” by Clifton Performance Theatre

“The Secret Book of Jesus” by Maximum Verbosity

“Shakespeare’s Ear” by Early Music in Motion

“The Shout” by In the Mix

“The Sibling Staircase” by Sally Perkins

“Speedthru” by Eclectic Pond

“Threads” by Tonya Jone Miller

“Tipped and Tipsy” by Jill Vice

“Top Shelf: Our Last American Tour – Again” by Betty Rage

“The Traveling Tap Dance Super Show” by TapMan Productions with Circle City Tap Company

“Ulysses Grant: A Fluxkit Opera” by Stephen Rush

“Up Yours, Indianapolis” by The Fleece Academy

“VELOUR” by Schedule C Productions

“Whisper in My Good Ear” by Vintage Players

“Who Run The World: A Madwomen’s Cabaret” by Main Street Artists

“The Wizer of Odd” by Gift of Gab

“Working Titles” by Jeremy Schaefer

“The Yellow Wallpaper” by Earlham Theatre Department

Fringe review: A Little Business at the BIG TOP

By Wendy Carson

What can one say to describe the sheer genius of David Gaines? He manages to convey rich stories and delightful characters without uttering a word. His use of sound and mime create more elaborate drama and comedy than you would believe possible.

That talent is on brilliant display in “A Little Business at the BIG TOP,” playing on the Theatre on the Square main stage, in which he plays all the characters at a circus.

If you saw the amazing whirlwind that was his past show, “7(x1) Samurai,” or even are new to his talents, do not miss this opportunity. It truly is a delight for all ages. The two young children sitting near me at Saturday’s performance were entirely rapt by the whole thing (and they had been hesitant to see it when they found out it was a mime show).

Again, see this amazing show! You might regret missing out on the experience.