Civic: Here we go again!

By John Lyle Belden

It’s hard to imagine anyone not knowing about the musical “Mamma Mia!” Between the popular film (which recently launched a sequel) and the various touring productions through the years since it premiered on Broadway in 2001, practically everyone with an interest in this show has seen it. And it stands as one of those theatre experiences people eagerly go to again and again, perhaps bringing along children or hold-outs unfamiliar with its goings-on.

Since rights recently became available for local productions, it is naturally popping up — now “Mamma Mia!” is at the Booth Tarkington Civic Theatre, Center for the Performing Arts in downtown Carmel, through Oct. 19.

Directed and choreographed by Anne Beck, this edition of the musical — featuring an engaging romantic comedy plot, and twenty-two hits by 70s-80s superstars ABBA — takes advantage of its large stage and generously-sized volunteer cast to really go big on the singing and dancing, while simultaneously embracing the show’s use of simple sets, employing a couple of small set pieces and a rotating center stage that is put to effective use. 

Thanks to Meryl Streep and Pierce Brosnan’s efforts on the big screen, the karaoke nature of the musical doesn’t require perfect singers, still Civic didn’t skimp on the talent. Becky Larson stars as Sophie Sheridan, a girl who invites three men to her wedding, knowing only that one of them is her father. Her mother, Donna, is portrayed wonderfully by Kara Snyder, while her best friends and “Dynamos” are fun roles for Civic favorites Laura Lockwood as cougarish Tanya and Marni Lemmons as free-spirit Rosie. Our three possible papas are sharply played by Clay Mabbitt as Sam the architect, Ethan Mathias as “Headbanger” Harry the banker, and Parrish Williams as Bill the travel writer. Joseph David Massingale is more than a handsome face as the prospective groom, Sky.

Also great are Cameron Hicks and Nate Schlabach as Sky’s buds, Pepper and Eddie; Jessica Linxwiler and Julia Ammons as maids-of-honor Ali and Lisa; and supporting ensemble Matthew Altman, Tanner Brunson, Sydney Chaney, Tyler Hartman Derry, David Johnson, Jonathan Katter, Emily Lantz, Dani Morey, Miles Morey, Kipp Morgan, Jacquelyn Rae, Emily Schaab, Caitlin Stacy, and Tiffany Whisner.

Taken as a whole, this show is so much fun. There are moments fraught with possible heartbreak (and sad songs), but it all ends well, of course. We all have our favorite scenes — such as the frog-dance of “Lay All Your Love on Me,” or Tanya strutting her stuff in “Does Your Mother Know” — and there’s always the “Megamix” at the end with the outrageous costume reveal and bonus track (“Waterloo”). 

Civic is “having the time of their lives;” it would be a shame to miss the party. Get tickets and information at 317-843-3800, civictheatre.org or thecenterpresents.org.

Once upon a time, at Footlite…

By John Lyle Belden

Off to the blog
To post a review;
The show was great,
You should see it, too…

Footlite Musicals adds to this summer’s entertainment with its young adult production of Stephen Sondhiem’s “Into the Woods.”

As many know, thanks to the recent film, this musical mashes up several popular fairy tales, which all happen in or near a particularly enchanted forest – The Woods. To this mix of Red Riding Hood, Jack (of Beanstalk fame), Cinderella and Rapunzel are added the fairytale-adjacent Baker and his Wife. A Witch, the Baker’s neighbor, offers to reverse her curse that made them childless, but it will require items possessed by characters in other stories.

So, it’s “off to the Woods” for lots of wacky interactions as each person’s narrative winds toward its well-known conclusion. But then comes the Second Act, when we find that “happily ever after” is the true myth – and you didn’t think that killing a giant would come without consequences, did you?

This is the part
Where John heaps praise
Upon the folks
Who walked the stage…

Given the production values and level of talent in high school and college theater programs across the state, it’s not a detriment to note this is a “student” production, but rather sets the bar higher given the cast’s young energy and dedication. In fact, I’ve seen some of these faces on stage before, and look forward to seeing many on the boards again.

Notables include: Tara Sorg, whose look and delivery as the Baker’s wife reminded me of Broadway’s Joanna Gleason. Kyle Cherry as the Baker was like the movie’s James Cordon, but more talented. I’d note that Paige Brown – our Witch – reminded me of Lady Gaga at her fiercest, but in the future I might compare stars to her. If this play were just the Red Riding Hood story, it would still be worth the ticket as Hannah Bullock as Red has great stage charisma, and, well, we had to kill the Wolf, Christian Condra (recently seen in “Priscilla”), as he was not only eating people but stealing the show. As for Jack, Noah Fields plays that impulsive little brother you want to smack some sense into, but love anyway.

Erin Elliott and Halle Catlow shine as Cinderella and Rapunzel. Zachary Hoover and Joseph Massingale are charmingly haughty as their Princes – providing great comic moments in their “Agony.” Shout-outs for the maternal madness of Ellen Vander Missen as Jack’s Mother, Alyssa Klingstein as Granny, and Olivia Ash as Cinderella’s stepmom. And then there’s Josh Vander Missen as a leaf-covered Mysterious Man, an interesting character to be sure.

The “older kids” involved are director Kathleen Clarke Horrigan, who has a knack for these summer shows, and her assistant Ed Mobley, who filled in as the musical’s Narrator on opening night.

The young crew, which include some cast members, built an excellent stage set, which even gets graced by live horse (a beautiful Arabian, Inshal Amir).

While I suspect there’s a backstage bet on which of the Witch’s finger-sparks misfire, and – sorry Disney happy-ending fans – the show does get a bit dark, this is overall a fun production and perhaps the best staging of “Into the Woods” I’ve seen. Even my partner Wendy – who doesn’t really like Sondheim’s ode to Grimm stories – admits this is a great show.

The show was good,
This post is done,
Now get a ticket
And join the fun…

Two weekends remain, July 5-8 and July 12-15, at Footlite, 1847 N. Alabama St. near downtown Indy; call 317-926-6630 or visit www.Footlite.org.

BCP’s ‘Bonnie & Clyde’ here to steal your heart

By John Lyle Belden

Is it a “spoiler” if you already know the ending?

The musical “Bonnie & Clyde” – through June 25 at Buck Creek Players – opens with our titular characters dying from a rain of bullets on a Louisiana road in 1934. But this historical fact is not what is important in this show by Ivan Menchell and Don Black with music by Frank Wildhorn of “Jekyll & Hyde: The Musical.” We aren’t given the gore of their story; this play is an exploration of what made a young man and woman from Texas into the Romeo and Juliet of Depression-era crime.

Bonnie and Clyde musical publicity shot
Joseph Massingale and Annie Miller as Clyde Barrow and Bonnie Parker in the musical “Bonnie & Clyde” presented by Buck Creek Players.

After the opening tableau, we turn back to see a boy – young Clyde Barrow (Jordan Anness), a child of the West Dallas slums, become a career criminal at 12 and aspire to outshine the Roaring Twenties’ outlaws. We also meet a girl – young Bonnie Parker (Lauren Sciaudone), whose family’s hard times landed her and her mother in West Dallas, but she still plans to make it big one day in Hollywood.

These kids grow to be adults (Joseph Massingale and Annie Miller) in a world of dust and hard times – at one point our couple robs a bankrupt bank. Clyde is the only one who takes Bonnie’s dreams seriously, so they fall in love so deeply that even his stays in jail can’t keep them apart. As she joins him on his “jobs,” Bonnie gives up on the movies and aspires to fame in the pages of true-crime magazines and having her poetry published.

Meanwhile, Clyde’s brother, Buck (Levi Hoffman), gets in on the action with even his upstanding wife Blanche (Miranda Nehrig) drawn into the Barrow Gang. On the other side of the law, Deputy Ted Hinton (Jonathan Krouse), who had long been in love with Bonnie, joins in pursuit of the outlaws with Sheriff Smoot Schmid (James Hildreth) under the lead of Texas Ranger Frank Hamer (Kurt F. Clemenz).

The story presented neither demonizes nor glorifies the people involved, or their actions, but puts them in the context of their times and the contradictions that surrounded them – including the murderous thieves staying true to their families, going to meet them at the risk of their own safety. Some license is taken with the story, but it does stay surprisingly true to recorded events. A small video screen above the stage shows photos from the era, including mugshots, to underscore the truth of these scenes.

While rakishly handsome Massingale and charming beauty Miller excellently hold the center of the show in both voice and acting (and some resemblance to their real-life counterparts), supporting roles also shine. Nehrig’s Blanche telling Buck “You’re Going Back to Jail” is a wonderful highlight and an excellent example of the musical’s use of humor to balance the drama. Krouse gives us a heartbreaking glimpse of what Bonnie could have had in steadfast Ted. Molly Kraus is also noteworthy as Bonnie’s mother, Emma.

Director D. Scott Robinson’s passion for the show (which had a brief run on Broadway) is evident in the finished product.

Being a volunteer non-profit, BCP could “afford” to have the large enthusiastic cast and crew necessary to this musical, all “pros” in their own way. The effective yet elegantly simple stage set includes an exceptional replica of the front end of Clyde’s V-8 Ford, hand-built by set designer Aaron B. Bailey.

But the car’s fenders are clean and free of bullet holes. This is the story before that moment; a story of love and hard decisions in difficult times, the slow and steady progress of justice, and of running from the inevitable when the best you can hope for is to reach the end of the road together.

Find Buck Creek Playhouse at 11150 Southeast Ave. (Acton Road Exit off I-74); call 317-862-2270 or see www.buckcreekplayers.com.