Bizarre courtship for ‘Sara’ at Epilogue

By John Lyle Belden

“Getting Sara Married” plays out like a rom-com by way of the Twilight Zone, but if you roll with the absurdity, it’s a lot of fun.

In this comedy by Sam Bobrick, directed by Veronique Duprey at Epilogue Players, Sara (Monya Wolf) is a busy New York defense attorney and, as the title hints, single. She enjoys her solitary lifestyle and has no interest in marriage whatsoever.

Thus her Aunt Martha (Molly Kraus) takes it upon herself to engage in some unusual matchmaking. She has Brandon (Vince Pratt), the handsome professional she has selected for Sara, bonked on the head by “jack of all trades” Noogie (Brian Nichols) and delivered, unconscious, to Sara’s apartment. Need we mention Martha might not be entirely sane?

Shocked, Sara scrambles to prevent needing a defense lawyer herself. Brandon awakes, and after an amusing bout of amnesia, sorts out who he is, but not why he’s in a strange woman’s home — which he is impressed with, by the way. He grabs a quick bite before leaving, but is taken down by a just-remembered food allergy.

How is Brandon going to explain all this to his fiance, Heather (Rachel Kelso)?

Set just before smartphones took over the world, we only see Martha at the stage edge, on the other end of her landline — sometimes getting work from her favorite chiropractor (Alex Dantin) — presented charmingly by Kraus with unflagging confidence. 

Wolf ably takes us along on Sara’s emotional roller-coaster. Pratt plays a bit of a confused goof, but not dumb, so we can see the qualities that got Brandon chosen for this odd adventure. Nichols as eager-to-please Noogie is a likable mook, and I’m not just saying that so I don’t have to keep looking over my shoulder. Kelso has an interesting arc with Heather, a woman who — though initially infuriated — comes to understand the situation. Dantin seems to enjoy being the strong, silent type.

Hilarious with an odd charm, the show has four more performances, Thursday through Sunday, Feb. 20-23, at Hedback Corner, 1849 N. Alabama St. near downtown Indianapolis. Call 317-926-3139 or visit www.epilogueplayers.com.

BCP’s ‘Bonnie & Clyde’ here to steal your heart

By John Lyle Belden

Is it a “spoiler” if you already know the ending?

The musical “Bonnie & Clyde” – through June 25 at Buck Creek Players – opens with our titular characters dying from a rain of bullets on a Louisiana road in 1934. But this historical fact is not what is important in this show by Ivan Menchell and Don Black with music by Frank Wildhorn of “Jekyll & Hyde: The Musical.” We aren’t given the gore of their story; this play is an exploration of what made a young man and woman from Texas into the Romeo and Juliet of Depression-era crime.

Bonnie and Clyde musical publicity shot
Joseph Massingale and Annie Miller as Clyde Barrow and Bonnie Parker in the musical “Bonnie & Clyde” presented by Buck Creek Players.

After the opening tableau, we turn back to see a boy – young Clyde Barrow (Jordan Anness), a child of the West Dallas slums, become a career criminal at 12 and aspire to outshine the Roaring Twenties’ outlaws. We also meet a girl – young Bonnie Parker (Lauren Sciaudone), whose family’s hard times landed her and her mother in West Dallas, but she still plans to make it big one day in Hollywood.

These kids grow to be adults (Joseph Massingale and Annie Miller) in a world of dust and hard times – at one point our couple robs a bankrupt bank. Clyde is the only one who takes Bonnie’s dreams seriously, so they fall in love so deeply that even his stays in jail can’t keep them apart. As she joins him on his “jobs,” Bonnie gives up on the movies and aspires to fame in the pages of true-crime magazines and having her poetry published.

Meanwhile, Clyde’s brother, Buck (Levi Hoffman), gets in on the action with even his upstanding wife Blanche (Miranda Nehrig) drawn into the Barrow Gang. On the other side of the law, Deputy Ted Hinton (Jonathan Krouse), who had long been in love with Bonnie, joins in pursuit of the outlaws with Sheriff Smoot Schmid (James Hildreth) under the lead of Texas Ranger Frank Hamer (Kurt F. Clemenz).

The story presented neither demonizes nor glorifies the people involved, or their actions, but puts them in the context of their times and the contradictions that surrounded them – including the murderous thieves staying true to their families, going to meet them at the risk of their own safety. Some license is taken with the story, but it does stay surprisingly true to recorded events. A small video screen above the stage shows photos from the era, including mugshots, to underscore the truth of these scenes.

While rakishly handsome Massingale and charming beauty Miller excellently hold the center of the show in both voice and acting (and some resemblance to their real-life counterparts), supporting roles also shine. Nehrig’s Blanche telling Buck “You’re Going Back to Jail” is a wonderful highlight and an excellent example of the musical’s use of humor to balance the drama. Krouse gives us a heartbreaking glimpse of what Bonnie could have had in steadfast Ted. Molly Kraus is also noteworthy as Bonnie’s mother, Emma.

Director D. Scott Robinson’s passion for the show (which had a brief run on Broadway) is evident in the finished product.

Being a volunteer non-profit, BCP could “afford” to have the large enthusiastic cast and crew necessary to this musical, all “pros” in their own way. The effective yet elegantly simple stage set includes an exceptional replica of the front end of Clyde’s V-8 Ford, hand-built by set designer Aaron B. Bailey.

But the car’s fenders are clean and free of bullet holes. This is the story before that moment; a story of love and hard decisions in difficult times, the slow and steady progress of justice, and of running from the inevitable when the best you can hope for is to reach the end of the road together.

Find Buck Creek Playhouse at 11150 Southeast Ave. (Acton Road Exit off I-74); call 317-862-2270 or see www.buckcreekplayers.com.