Executive dysfunction in holiday parody

By John Lyle Belden

As we settled in for a long winter’s viewing of “The North Wing,” an original Christmas musical presented by Defiance Comedy at the IndyFringe theatre, Molly North, assistant to the show’s writer and director, Matt Kramer, said this is like if “The West Wing” creator Aaron Sorkin had (presumably under the influence of something) decided to write about the Santa Claus Workshop at the North Pole, and add music.

Well… there is a “walk-and-talk” scene, so we’ll go with that.

Since Burl Ives is dead and Josh Gad costs too much, we have the lovely Paige Scott as our narrator, Jeff the Snowman, ironically with a warmer heart than her other role, Mrs. Claus. The former is charming, literally disarming, and proud to be “a waste of resources.” The latter seems to take pleasure in being naughty – which could be a problem in this setting.

Clay Mabbitt is Thomas the Human (not the one shipped off to New York, that’s another musical), the leading assistant to retiring Head Elf, Mr. Hinkle-Twinkle (Ben Rockey, one of a number of Elfin roles) who apparently learned to speak English by watching “It’s a Wonderful Life.” After another Christmas Eve in which holiday spirit is down, the old man steps down and, before Thomas can be promoted, Mrs. Claus announces an outside hire: Janet (Meg McLane) the human former executive of a Toy Corporation, who has lots of ideas for improving things at The North Wing.

Imminent changes with only 364 Days Until Christmas have elf executive assistant Beatrice (Shelby Myers), Phil the Elf (Austin Hookfin), and random Elves (Rockey and Robin Kildall) very worried. It doesn’t help that Judy Sparkles of North Pole News (Kelsey VanVoorst) reports that disaster is inevitable. It’s enough to drive one to drink – with libations served by Blumpkin the reindeer bartender (VanVoorst in antlers and red nose).

As befits a story inspired by real-world political intrigue, this all gets really silly, really fast. And there are songs. And dancing (choreography by Emily Bohannon). And romance. And, of course, the traditional plots to destroy/save Christmas.

To rescue the holiday, there is a quest for the next must-have toy, which brings – at 164 days to Christmas – the arrival of Binky the Toy Tester (Kildall). Will the thingamajig pass muster? Will it matter?

This cast works together smoothly, and I was particularly impressed with Myers’ performance. The more dramatically inclined Mabbitt makes a great straight man to set up fellow goofballs. Scott’s ability to switch between clown and villain is fun to watch.

As we’ve come to expect from Defiance, this show is full of gut-splitting hilarity and features a number of improv veterans, so expect anything. Also as usual, there’s a bit of ribald innuendo, but aside from the “Naughty” edition 7:30 p.m. Friday and Saturday, there is a “Nice” more all-ages version at 3 p.m. Sunday (Dec. 9-11).

See their style of wacky comedy that sells out Fringe festival shows, now in two full acts, at IndyFringe Basile Theatre, 719 E. St. Clair St., Indianapolis. Get tickets at indyfringe.org.

IndyFringe: The Ballad of Blade Stallion

This is part of IndyFringe 2022, Aug. 18-Sept. 4 (individual performance times vary) in downtown Indianapolis. Details and tickets at IndyFringe.org.

By Wendy Carson

Matt Kramer and the troupe at Defiance Comedy have brought us another kooky laugh-fest for our enjoyment. From the opening scene of “The Ballad of Blade Stallion” – in which yoga balls are bounced upon to simulate spaceships – you know to expect a silly great time.

Having been hired to retrieve the only copy of some very important secret plans (Who doesn’t make a copy?) as well as a kidnapped girl, Astria (Emily Bohannon), Blade Stallion (*sting* “Blade Stallion!”) sets off to get his paycheck.

Stallion (Zack Joyce) was not aware of the choreography included in his theme song, but manages to make it through that obstacle, only to find that he must also babysit two young children once he gets to his ship.

Cobalt (John Kern) and Skye (Rachelle Martin) are not only familiar with his legend, they feel he might even be “Space Jesus.” As much as Stallion hates telling stories, he manages to control the kids somewhat by telling them his backstory.

We learn he was raised by witches, as well as the origins of his Space Nemesis, The Dandelorian (Clay Mabbitt). This chapter also introduces us to his fellow Space Pirate Academy graduates: cyborg Ann Droid (Meg McLane), with whom he shares a sordid love; and Bando (Kelsey VanVoorst), an anthropomorphic feline who may or may not have his best interests at heart.

Add to this a lot of crazy songs, improbable plot twists, the entire cast milking every bit of humor out of the entire script, and some bizarre characters thrown in, and you have another typically hilarious Defiance show.

Witness the marvel that is “The Ballad of Blade Stallion (Blade Stallion!)” at the District Theatre, 5:30 p.m. Thursday and 8:45 p.m. Saturday, Sept. 1 and 3.

IndyFringe: The Breakfast Clue

This is part of IndyFringe 2021, Aug. 19-Sept. 5 (individual performance times vary) in downtown Indianapolis. Details and tickets at IndyFringe.org.

By Wendy Carson

Defiance Comedy brings us annother hilarious Fringe show. Blending the movies “The Breakfast Club” and “Clue” with about a half a dozen song parodies, they give us a delightful sendup of ’80s comedies.

It turns out that all of the charcters are in detention because they were being blackmailed. Someone is going to die, and they group must solve the mystey before they end up in detention forever,

Shelby Myers delights as Allison P. Cock, the weird and kind of sexy basket case. Emily Schaab sparkles as Claire Scarlett, the Princess doing whatever it takes to keep herself on top, Pat Mullen seems perfectly cast as the nerdy Anthony Michael Mustard. John Kern brings an endearing fragility to his character of Jock Estevez. While Clay Mabbitt’s portrayal of John Jacob JingleHeimerPlum falls a bit flat at first, it does perk up very near the end. And of course, who could forget the enimetable Rob Johansen as the zany principal trying to keep this group in line.

Come to the show to find out who was killed and why. Just remember, there’s no crying over skimmed milk. Performances at the District Theatre.

Walken in a winter wonderland

By John Lyle Belden

For those wanting a little something different during the holidays, Defiance Comedy presents a horror thriller in the form of a comedy musical, “Silent Fright.”

It’s Christmas Eve on the North Pole, and with Santa away on his annual duties, the elves are vulnerable to an evil spirit that stalks the workshop. It possesses their souls, making them mindless zombies which take on a voice that sounds like (a bad impression of) Christopher Walken. 

Ryan Ruckman is our traditional Narrator, who should have warned his other role, party elf Jingle Jams — but apparently these stories don’t work that way. Shelby Myers is Trinket, Santa’s assistant, who is in a relationship with chef elf Butterscotch (Chad Woodward), but things are getting too serious. Totally not serious is Kelsey VanVoorst as Candy Sparkles, the friendship elf. Not being taken seriously is Meg McLane as Pipette, the science elf; she’s a bit green (literally).  And John Kern is old elf Chutney Frostbottoms, just three years from retirement (so, yeah, he’s doomed). 

Director Matt Kramer wrote the play and songs, which go for a full two acts, so this isn’t just one of Defiance’s Fringe shows. But it has all the goofy humor you’d expect from the creators of Fringe hits “Volleybrawl” and “Autumn Takes a Tumble.”

Come for the comedy, stay for the weird voice work. Performances are Friday and Saturday evenings, Dec. 6-7 and 13-14, and a matinee Dec. 15, at the IndyFringe Theatre, 719 E. St. Clair Street. Get info and tickets at www.indyfringe.org; follow @DefianceComedy on social media.

IndyFringe: VolleyBrawl

This show is part of the 15th Annual Indianapolis Theatre Fringe Festival, a/k/a IndyFringe, Aug. 15-25, 2019 on Mass Ave downtown. Info, etc., at www.IndyFringe.org.

By Wendy Carson

Welcome to the 2019 Championships of the extremely underground sport of VolleyBrawl.

This year’s lineup is sure to be thrilling and we begin with a rousing match between “Sugar and Spike” (a pair of lunch ladies) and “Clark & Nancy” a couple who seem out of their league as well as out of their wits. While the game seems pretty routine at first, we find out soon that this is literally a duel to the death (all players wear collars that deliver a lethal shock upon losing).

We then meet some of our other teams: “Orphan Twin Force” (a goofy pair of orphans with strange supernatural powers fighting in honor of their Sensei); “Aceholes” (two stereotypically cartoonish Russians); “The Cowpokes” (a couple of yokels in Cowboy hats); “Team Tiffany” (think 80’s style pop-tarts); and “Top Gunz” (every 80’s macho movie cliché in one).

Add to this “Zeros 2 Heroes” which is made up of a very douchey guy trying to make time with his partner (who is definitely NOT an undercover cop who has spent the last three years infiltrating the sport in order to avenge her dead husband who was also undercover investigating the game but got to close and was killed).

The whole show overflows with silliness and 80’s references abound. Musical numbers are tight and enjoyable. Even the volleyball gets its own song during the Memorial Montage to athletes lost on the way to the finals.

In the hands of a less skillful cast, this show would be just okay. However, Matt Kramer and Defiance Comedy have recruited a stellar cast and together they make this one of the funniest offerings of the Festival.

Remaining performances are Friday and Sunday evenings at the IndyFringe Theater, 719 E. St. Clair.

IndyFringe: ‘Autumn Takes a Tumble’

This show is part of the 14th Annual Indianapolis Theatre Fringe Festival, a/k/a IndyFringe, Aug. 16-26, 2018 on Mass Ave downtown. Info, etc., at www.IndyFringe.org.

By John Lyle Belden

Defiance Comedy presents “A F*@#ing Fairytale” — that’s right, with many, many F-words. IT IS NOT FOR CHILDREN. (Though the cast do act quite immature.)

Remember all the nice wonderful characters Betsy Norton has played around Indy? Pfft, “F” that! She’s a total bitch in this one, reveling in her misbehavior as the title character. But a bonk on the head brings her to Fairyland, where she is told she must change her ways or the good fairies there will die.

They are so totally screwed.

There are songs — despite Autumn’s best efforts to stop them — with titles like “Fairy Bangin'” (yes, it’s about what you think it’s about), and a plot involving meeting weird characters and going up a road to a castle that in no way rips off a popular film, I’m sure. If you have a sophomoric sense of humor, like I do, you’ll enjoy this ensemble, who are actually way too talented for sh!t like this, provide one of the most outrageous, hilarious hours of entertainment at the Fringe.

The performance I went to was packed, so expect big crowds at the remaining shows, Wednesday, Friday and Saturday at the IndyFringe Basile (mainstage) Theatre, 719 E. St. Clair St. (just east of the Mass Ave. and College intersection).