Virginia Vasquez

IndyFringe: ‘Broadway’s Leading Ladies: A Tribute’

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This show is part of the 14th Annual Indianapolis Theatre Fringe Festival, a/k/a IndyFringe, Aug. 16-26, 2018 on Mass Ave downtown. Info, etc., at www.IndyFringe.org.

By John Lyle Belden

Presented by Dustin Klein and Tom Alvarez and their Magic Thread Cabaret, “Broadway’s Leading Ladies” is a rousing revue sung by local divas Shelbi Berry, Rayanna Bibbs and Virginia Vasquez.

From the moment the trio get to “work” on a hit from “Hamilton,” we are treated to one powerful performance after another. You’ll want Vasquez to “Gimme, Gimme” more, see Berry “Defying Gravity,” and be reassured that Bibbs is “…Not Going.” Yes, as the latter song says, you’re gonna love them.

Kudos also to the three-piece band of Klein, Greg Gegogeine and Greg Wolff, as well as Austin Schlenz for his on-stage assistance.

No tables at this cabaret, on the third floor of the Firehouse union hall (748 Mass Ave.), but we don’t care — they would only get in the way of the standing ovation.

At Civic, ‘tale old as time’ feels fresh

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By John Lyle Belden

The Booth Tarkington Civic Theatre captures Disney magic with its production of the Broadway version of “Beauty and the Beast,” running through New Years Day at The Center for the Performing Arts in downtown Carmel.

Virginia Vasquez makes a wonderful Belle, strong in voice and character, while Will Carlson’s Gaston is excellently villainous, selfishly devious without being either too buffoonish or too scary for the many youngsters in the audience. Alex Smith as Gaston’s toady Lefou gets a little over-the-top, but still manages to charm. Will Tople blusters his way through as the Beast, winning our hearts while singing out his.

The enchanted artifacts of the castle show a lot of personality as well. As Cogsworth, Tom Beeler is in his element (acting-wise, at least; I don’t know if he likes wearing clock-cases), and David Brock lights up the room as Lumiere. Ragen Sanner as Mrs. Potts and Aiden Alexander Shurr as Mrs. Potts and Chip are heartwarming. Lauren Leigh cleans up as Babette, and Susan Bollek Smith as Mme. De La Grande Bouche has her stuff together.

It’s been years since I saw a stage production of “Beauty and the Beast,” and even longer since seeing the Oscar-nominated animated film. This was a nice reminder of the additional songs and bits added for the musical. In fact, the whole show had the feeling of something fresh, and while familiar, worth revisiting.

If you have a young person you want to get hooked on the magic of live theatre, by all means, bring him or her to this show. I noticed at the matinee I attended that many had done just that, including a few Belle-gowned little princesses in the audience. After the performance, the actors came out in character (Tople in re-transformed Prince mode) to greet the fans.

So be their guest: Call 317-843-3800 or visit www.civictheatre.org or thecenterpresents.org.

John L. Belden is Associate Editor of The Eagle (Indianapolis-based LGBTQ newspaper), where a brief version of this review is also published.

Review: Civic Theatre continues ‘Tradition’

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By John Lyle Belden

The popular musical “Fiddler on the Roof” has a few nights left, Wednesday through Saturday at the Booth Tarkington Civic Theatre in The Center for the Performing Arts in downtown Carmel.

Directed by Michael J. Lasley with musical direction by Brent Marty, the story of a poor Jewish man confronting changes in society in Russia at the turn of the 20th century still maintains its power in this latest production of a show that has seen many local stages – not to mention Broadway runs and a 1971 movie.

Tobin Strader is an entertaining narrator as Tevye, the dairyman blessed with five headstrong daughters. Marni Lemons is an excellent complement as his wife, Golde. We also get great performances from Laura Muse, Virginia Vasquez and Daniela Pretorius as their eldest daughters, and Troy Johnson, Tanner Brunson and Joseph Massengale as the girls’ suitors.

One of the more interesting cast members is the title character – the Fiddler – a living metaphor performed by Erin Jeffrey. She appears throughout in various scenes as emphasis is needed, proficiently playing her instrument.

Praise is also due to choreographer Anne Nicole Beck, as scenes with various numbers of the cast of more than 30 players flow smoothly, naturally, and at times breath-takingly (yes, the “bottle dance” is included, involving five dancers).

Whether you’ve seen “Fiddler on the Roof” a dozen times or never at all – and really, you should at least once – the Civic production is well worth the ticket. Call 317-843-3800 or see civictheatre.org or thecenterpresents.org.

(Review also published at The Word)