Civic: Here we go again!

By John Lyle Belden

It’s hard to imagine anyone not knowing about the musical “Mamma Mia!” Between the popular film (which recently launched a sequel) and the various touring productions through the years since it premiered on Broadway in 2001, practically everyone with an interest in this show has seen it. And it stands as one of those theatre experiences people eagerly go to again and again, perhaps bringing along children or hold-outs unfamiliar with its goings-on.

Since rights recently became available for local productions, it is naturally popping up — now “Mamma Mia!” is at the Booth Tarkington Civic Theatre, Center for the Performing Arts in downtown Carmel, through Oct. 19.

Directed and choreographed by Anne Beck, this edition of the musical — featuring an engaging romantic comedy plot, and twenty-two hits by 70s-80s superstars ABBA — takes advantage of its large stage and generously-sized volunteer cast to really go big on the singing and dancing, while simultaneously embracing the show’s use of simple sets, employing a couple of small set pieces and a rotating center stage that is put to effective use. 

Thanks to Meryl Streep and Pierce Brosnan’s efforts on the big screen, the karaoke nature of the musical doesn’t require perfect singers, still Civic didn’t skimp on the talent. Becky Larson stars as Sophie Sheridan, a girl who invites three men to her wedding, knowing only that one of them is her father. Her mother, Donna, is portrayed wonderfully by Kara Snyder, while her best friends and “Dynamos” are fun roles for Civic favorites Laura Lockwood as cougarish Tanya and Marni Lemmons as free-spirit Rosie. Our three possible papas are sharply played by Clay Mabbitt as Sam the architect, Ethan Mathias as “Headbanger” Harry the banker, and Parrish Williams as Bill the travel writer. Joseph David Massingale is more than a handsome face as the prospective groom, Sky.

Also great are Cameron Hicks and Nate Schlabach as Sky’s buds, Pepper and Eddie; Jessica Linxwiler and Julia Ammons as maids-of-honor Ali and Lisa; and supporting ensemble Matthew Altman, Tanner Brunson, Sydney Chaney, Tyler Hartman Derry, David Johnson, Jonathan Katter, Emily Lantz, Dani Morey, Miles Morey, Kipp Morgan, Jacquelyn Rae, Emily Schaab, Caitlin Stacy, and Tiffany Whisner.

Taken as a whole, this show is so much fun. There are moments fraught with possible heartbreak (and sad songs), but it all ends well, of course. We all have our favorite scenes — such as the frog-dance of “Lay All Your Love on Me,” or Tanya strutting her stuff in “Does Your Mother Know” — and there’s always the “Megamix” at the end with the outrageous costume reveal and bonus track (“Waterloo”). 

Civic is “having the time of their lives;” it would be a shame to miss the party. Get tickets and information at 317-843-3800, civictheatre.org or thecenterpresents.org.

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IPAI & StageQuest put a new shine on ‘Pippin’

By John Lyle Belden

The Indiana Performing Arts Initiative, a program of Claude McNeal Productions, presents, with StageQuest Theatricals, the Roger Hirson and Stephen Schwartz musical “Pippin.”

StageQuest’s Ty Stover directs this version of a surreal take on a Medieval character — Prince Pippin, son of Holy Roman Emperor Charlemagne — which differs a bit from other productions, yet keeps the spirit of the Tony-winning show. The stage and costume aesthetic is a sort of urban homeless/punk with dirty faces and mismatched clothes. At least one on-stage clue, and the initial look of our Leading Player (Dave Pelsue), establish a dark cult-like atmosphere with this eclectic company of mostly-young men and women. 

Our leader wishes to tell us a story, the tale of Prince Pippin — not a restless hunchback, as history relates, but a restless healthy educated young man, played by an actor plucked from the audience (Cameron Brown).

Pippin wishes to find his purpose in life, which amuses — and at times irks — his father King Charles (Josiah McCruiston). Meanwhile, his stepmother Fastrada (Laura Lockwood) and dimwit half-brother Luis (Ben Fraley) plot against him. The quest brings on a lot of adventure, but no happiness. Not even a visit to exiled grandmother Berthe (Denise Fort), who basically tells him to just lighten up, brings satisfaction. 

The Leading Player is getting impatient — how will he get the subject of his story to go out appropriately in a blaze of glory? Perhaps an encounter with a lovely widow (Hannah Elizabeth Boswell) and her son (Kate Boice) will do the trick.

Our other players in various roles are Maddie Altom, Isaac Becker, Nik Folley, Seth Jacobsen, Rosemary Meagher, Piper Williams, and Jill Wooster. 

If you’ve seen this show, you know these plot points, but the fun is seeing how they are executed. This troupe does it with great wacky humor and even a sing-along. McCruiston’s big personality makes him a perfect fit for the crown. Brown plays his searching soul a little naive, but without being annoying. Fraley comes across too goofy to be threatening; Lockwood can threaten with a glance. Fort easily keeps up with her younger castmates. Boswell wins us with natural charm. Our tween Boice, already a rising star, shines through the grime on her face. Meanwhile, even in the lightest moments, Pelsue maintains an undercurrent of menace throughout that will lead to a shocking end.

The set includes a small screen at the top of the stage with visual gags and silent commentary (especially during the war scenes). The show features popular show tunes including “Magic to Do,” “No Time at All” and the recurring theme, “Corner of the Sky.” As a whole, the production is both familiar and new — enough of the former to make us comfortable, and enough of the latter to give you plenty to think about after the last curtain call. 

Performances are Friday through Sunday, July 19-21, at Herron High School, 110 E. 16th St. (enter on the west side). Get tickets at ipai.tix.com.