Civic: ‘Nothing’ actually a big deal

By John Lyle Belden

For the first time in its long history, the Booth Tarkington Civic Theatre takes on Shakespeare with the comedy, “Much Ado About Nothing.”

Directed and adapted to one movie-length act by Emily Rogge Tzucker, the story — traditionally set in medieval Italy — takes place in 1945 as our soldiers come home from the War to an Italian villa in the Hollywood hills. As is usually the case, the character names and Shakespearean dialogue are largely untouched. 

At the fabulous estate of Leonato (Tom Beeler), Don Pedro (Joshua Ramsey) returns with his troops, including Claudio (Nicholas Gibbs), who has fallen for Leonato’s daughter, Hero (Carly Masterson); Benedick (John Kern), who enjoys verbally sparring with Leonato’s shrewish niece, Beatrice (Sara Castillo Dandurand); and Pedro’s surly brother, Don John (Darby Kear), who would rather stir up trouble than celebrate. Events include characters conniving to get Benedick and Beatrice to hook up, as well as the “fatal” wedding ceremony of Claudio and Hero. John’s wicked plot is uncovered by the goofy yet zealous constable Dogberry (Kelsey VanVoorst) and true to the Bard, we’ll get a very happy ending.

The cast also includes Jim Mellowitz as Antonio, Leonato’s brother; Sabrina Duprey and Leah Hodson as Hero’s best friends Margaret and Ursula; Max McCreary and Elisabeth Speckman as Borachio and Conrade, Don John’s devious but careless accomplices; Bill Buchanan and Matt Hartzburg as the Friar and the Sexton; Joe Steiner as Verges, Dogberry’s right-hand man; and Jonathan Doram as Balthazar, the soldier who performs Shakespeare’s song “Sigh No More” (music by Brent Marty), as well as one of Dogberry’s Watchmen, with Buchanan. To complete this list, Hartzburg, Julie Ammons and Stephanie Johnson play house servants.

The convoluted story is easy to follow and the actors do an excellent job of bringing it to life, complete with perfectly overdone comic moments. Master comic VanVoorst is in her element. Kern crisply delivers Benedick’s constant — and eventually contradictory — musings. The look provided by set and lighting designer Ryan Koharchik — with mood-setting skies and interesting circular motifs — and costume designer Adrienne Conces provides the perfect atmosphere for the mischief and merriment, while reflecting the height of the era’s style.

Don’t “let it be marked down that you are an ass” (as Dogberry would say) for missing the opportunity to enjoy Civic’s midwinter romp, through Feb. 22 at the Tarkington stage in the Center for the Performing Arts in downtown Carmel. Call 317-843-3800, or visit civictheatre.org or thecenterpresents.org.

Kids play the darndest things

By John Lyle Belden

The Booth Tarkington Civic Theatre presented its Young Artist Program production of the popular musical “A Chorus Line” over the weekend (July 25-28). Considering the actors are all teenagers, one familiar with the show might ask, “Really?!” “Did they even do THAT song?”

Yes, and yes.

Putting aside that kids are usually quite familiar with the language and concepts expressed by the play’s young adult characters, director Emily Rogge Tzucker answers the concerns in her program note, stating that this story of Broadway “gypsies” giving their all for a possible chorus role is instructive to young aspiring performers. Not every singer or dancer will become a star; in fact, most don’t. In “Chorus Line,” nearly 30 are vying for eight spots – “four boys, four girls.” The musical, with book by James Kirkwood and Nicholas Dante, and songs by Marvin Hamlisch and Edward Kleban, humanizes those random faces we see in the background of every show, as each of the main contenders tells what brought them to this point in their lives.

Given the various school and youth programs (including YAP) around central Indiana, the Civic cast are all incredibly talented, a stage loaded with singing/dancing/acting “triple-threats.” And they gave excellent performances in this one-weekend run.

Outstanding performers included: Emily Chrzanowski, who as Diana nearly brought the house down twice, with “Nothing” and “What I Did for Love;” Katelyn Soards as sassy Sheila; Laney McNamar as stage veteran Cassie, stunning in “The Music and the Mirror;” Elie Anania as Val of the infamous “Dance Ten; Looks Three” number; Hayden Elefante as brash Bobby; and Jacob Schilling as troubled Paul. Luke Vreeman played Zach, the director of the show within the show – at first a godlike presence, eventually a man who has to make some hard decisions.

I wouldn’t be surprised to see these names (or any other listed in the program) again on stage here – or elsewhere.

Keep up with future Civic productions at civictheatre.org.