By John Lyle Belden
The Indiana Repertory Theatre presents an excellent introduction to the world of live theatre for the smallest patrons – preschool to the early school grades – with “The Town Mouse and the Country Mouse.”
The show is immersive, encouraging audience participation in a gentle manner. Children take their seats on the floor right next to the “stage” area, which includes two paths running through the audience (parents or guardians can sit with them, or to the back in regular chairs). There is an opening introduction led by an IRT staffer, such as actor/educator Beverly Roche or play director Benjamin Hanna, to let everyone know what to expect and get them in the proper mood.
Everyone in the excellent cast play mice — with humans, hazards and a pesky cat (giant from our perspective) portrayed by light and sound effects to aid young imaginations. Claire Wilcher is Granny, matriarch of the Boot family, who resides in an old work shoe in a barn in The Country with grandson William (Grant Somkiet O’Meara, the lone kid actor). They are visited by Town cousin Montmorency De Vere Boot (Paeton Chavis), who informs them that William has inherited a nice piece of luxury footwear in an attic closet in a house in the heart of the city. When Monty brings William to Town to claim his new home, they come across the “tame twins,” white mice who escaped their pen to roam free about the house. Snowey (Carlos Medina Maldonado) is friendly and welcoming, while Silver (Brianna Milan) is mean and mistrusting, trying to trick William into dangerous situations.
While I would find it problematic if the theme emphasized the danger of exploring new places and that one is better off where they “belong,” the lesson emphasis here is on being brave – both in confronting new things and in stepping up to help someone else. The play program has an easy activity worksheet that includes questions on the topic of bravery, and the cast returns after the play to help lead a discussion on being brave.
The play is by British playwright Vicky Ireland, based on the traditional Aesop fable. A bit of the Queen’s English slips in – like “ready, steady, go” – but not in unfamiliar accents.
All the children present at my showing (emceed charmingly by Roche) appeared to enjoy the play, even smaller ones who were fussy at first. Be prepared for learning new dance steps, like the mouse “greeting” and the hot-pipe crossing – bits of physical storytelling that helped keep the young audience engaged. It also helped that the star is a bit closer to the age of the playgoers. When one kid asked during the talkback if he could give a high five, he headed straight to O’Meara. While Chavis being a small woman helped her to connect, Wilcher was nicely maternal and Maldonado and Milan were like oversized children (think Big Bird, but with fur).
Some parents noted after the show that there aren’t many opportunities for small children to experience live theatre like this. For information and tickets to this play, running through March 25 on the Cabaret floor of the IRT – 140 W. Washington St., downtown Indianapolis – visit www.irtlive.com.