Anthony Stunda

KidsPlay: Ghoulish giggles at ‘Gravestone Manor’

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By John Lyle Belden

We have always found it fun and fascinating to see the rising talent in local youth theatre programs. Even if we don’t see the kids return to area stages as they age, it’s good to know they can take the skills and confidence they learn to use wherever life takes them.

But for now, let’s indulge in some Halloween-in-April fun in Greenfield with the KidsPlay Inc. production of “Gravestone Manor” by Flip Kobler and Cindy Marcus. Directed by Christine Schaefer and Jeff Pipkin, the cast of third-through-eighth graders smartly deliver a set of scenes with spooky themes which are far more silly than scary.

After KidsPlay’s traditional dance opening, our Ghost Host, Griffin (Anthony Stunda), delivers the “boom-flash” as he introduces the sketches while struggling with minor issues like lights, sound, costumes, and props. 

The show starts off strong with a pair of girls (Ellie Stearns and Kyndall Watkins) trying to escape a haunted house while a cursed object literally brings out the best and worst of their personalities, to hilarious effect. Next, a “normal” meet-the-family dinner is complicated by Luna’s (Reese Weitekamp) clan of domesticated werewolves, especially brother and obedience-school dropout Bane (Jackson Martinez). 

Then we tune into Transylvania TV, as our undead host Blinky McQueen (Riley Lederman) sets up a date for a boy (Brady Diehl) with the most frightening monstrosity a tween can suffer. The bachelorettes – vampire Sarafina (Aria Studabaker), banshee Aisling (Callie Smith), and “hex practitioner” Tabitha (Molly Wallace) – would fit right in a grown-up “reality” version.

In the next bit, Studabaker returns as a girl taking applications for the monster under her bed. Could it be the ogre (Diehl) feeling obligated to speak in a Scottish accent, or perhaps the goblin (Liam Walker) with a compulsion to talk in rhyme? There’s always the clownish phantom (Spencer Pipkin), or zombie Pete (Carter Pipkin), who also shows up later at the support group “Monsters ‘R’ Us.” At that gathering, led by Lederman as another batty vampire, various characters come to grips with their ilk not being as scary in this otherwise frightening modern world. Cursed mummy Hotep (Everett Sumpter) is taking it especially hard. 

The show closes with a return to the fact that the most frightening thing in the world is the adolescent mind, featuring Adrienne Romberg as the frontal-lobe supervisor and Jack Joyner as the synapse that decides to turn his powers of disruption to heroic ends.

The cast also includes Joe McCoy, Amelia Melby, Nora Smith, Charlotte Sumpter, Olivia Turpin, and Charles Wallace. Stage managers are Blair Connelly and Alec Cole. Choreography by Frances Hull.

As usual, you don’t have to be related to one of the kids to enjoy their performance. A long rehearsal schedule and Schaefer’s ability to get the most out of young performers ensure excellent execution of comic timing and crisp delivery of lines, enhanced by the energy and fun-spiritedness of youth.

Finally, we give a shout-out to the eighth-grade “graduates” who are aging out of the KidsPlay program: Brady Deihl, Riley Lederman, Adrienne Romberg, and Charlotte Sumpter.

Performances of “Gravestone Manor” are 7 p.m. Friday and Saturday, 2 p.m. Sunday (April 21-23) at the H.J. Ricks Centre for the Arts, 122 W. Main St. (US 40) in Greenfield. Tickets are just $5 each at the door.

Kids make a splash in KidsPlay’s ‘Mermaid in Miami’

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By John Lyle Belden

Being a former writer and “Arts Editor” at the Daily Reporter in Greenfield, I have long followed and been a booster of KidsPlay Inc., the local children’s theatre featuring kids in grades 3-8 from all over the area. Under the direction of Christine Schaefer, the company puts on a high-quality show, and has helped to develop a lot of talent – a number of central Indiana performers are former KidsPlayers, and now there are alumni with their own children in the program.

Of course, I bring this up because this week is the KidsPlay Inc. fall production, the quirky comedy “Mermaid in Miami” by Wade Bradford. Directed by Schaefer with Alexandra Kern, choreography by Frances Hull and Amy Studebaker, this take on “The Little Mermaid” has a contemporary setting, yet is in a surprising way true to the Hans Christian Andersen story.

An old fisherman, Ernie (Joseph Shininger), happens to come across a young mermaid, Breeze (Olivia Greer), on the run from her tyrannical father Emperor Tropico (Matthew Hentz). As she had escaped with her mother, now missing, the angry monarch asks Ernie if he has seen two mermaids, so he honestly answers “no,” helping Breeze to escape. Grateful, she stays in the safety of the lagoon the fisherman calls home, located just a beach away from Miami, Florida.

Meanwhile, on that beach, hot Latin dancer Rico (Jaxon Brittsan) is ready for the local dance contest, he just needs a partner. The Lambada sisters (Zora Coe and Ashley Pipkin) are injured, and best friend Grace (Ella Miesse) he only sees as his tailor. But hearing of the opportunity, Breeze makes a deal with the Swamp Hag (Bella Turner) for legs so he can join Rico in the dance.

Naturally, those legs come at a cost.

The large cast also includes Anthony Stunda and Josie Joyner as dolphins Ebb and Flo, who provide a lot of the punchlines; Brodie Stout-England as Prince Dorkus, the Emperor’s goofy hand-picked fiance for Breeze; Jordan Kuker as the mysterious Spirit of the Air; Hank Lee and Ava Peters as local reporters; Abbagail Gantt and Cooper Schmitt as vendors with well-timed wares; and Jack Joyner, Grace McCaw, and Lucy Reed, as an entertaining trio of crabs.

This show has excellent performances throughout. Greer shows off some great physical comedy, as she nimbly portrays a wobbly girl who just got her legs minutes ago, right through the obligatory dance montage where she learns to move with rhythm.

Turner is appropriately menacing, and manages to keep a Caribbean accent without it slipping into caricature. Hentz is naturally haughty, while Shininger plays a good go-with-the-flow guy. Miesse stitches together a role with surprising range. Stout-England is too much of a doofus to dislike, despite his role in Tropico’s plot.

Brittsan not only manages to stay likable even while being a bit cheesey, but also he, Coe and Pipkin show off some genuine dance flair, including leading the traditional opening dance number before the play.

As usual, this show is a lot of fun, but there is some substance with the silly, especially in the way this story ends. Performances are 7 p.m. Friday and Saturday, 2 p.m. Sunday, Nov. 8-10, at the H.J. Ricks Centre for the Arts, 122 W. Main St. (US 40) in downtown Greenfield. Tickets are just $5 at the door.

It’s no myth: KidsPlay an excellent display of young talent

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By John Lyle Belden

KidsPlay Inc. provides an excellent opportunity for aspiring performers, grades 3 to 8, to acquire and hone their skills. And that talent is put to great use in their spring production, “Fairy Tale Confidential.”

The play is presented as an expose of various stories we see or read (or pretend we’ve read, as the narrator points out) as we grow up. Eight scenes tackle Grimm tales, the works of Charles Dickens and Robert Louis Stevenson, the legends of certain guys in green tights, and even what happens after a boy gets the deed to a famous chocolate factory.

KidsPlay director Christine Schaefer always sets high standards, bringing out the best from her young actors, but this show — with its sharp gags and smooth blend of timeless charm and today’s attitude — is one of their best productions I’ve seen in more of a decade of watching this company work.

One bittersweet aspect of the spring show is that it is the last for eighth-grade members, who can move on to high school productions and beyond (several actors around central Indiana are KidsPlay “graduates”). There are 11 in this production, nearly all with speaking roles: Olivia Alldredge, as a friendly witch with a candy house; Elise Denger, a Wendy on a mission; David Hull, as the King of Everything; Trey Smith, as Dr. Jekyll’s Assistant; Ian Veldes, as “King of Comedy” Dickens; Ethan Stearns, as Stevenson; Ben Thompson, as Peter Pan; Owen Sickels, as narrator Warren Peace; Heaven Keesling, who is in the nifty opening dance number; Wesley Olin, as candymaker “Billy Bonkers;” and Max Everhart, as Hansel.

Other notables in this vast cast include Joseph Shininger as Rumplestiltskin and Bella Turner as the girl who is awful at names; Cialey Michalisko in an impressive debut as the secret to Dickens’ success; Olivia Greer as Sleeping Beauty and Josie Joyner as Cinderella, who could use a nap; Brayden Diehl as newly-minted sweets tycoon Charles and Corbin Elliott a hoot as his Grandpa; Ashley Pipkin as a sassy Gretel; Matthew Hentz as Dr. Jekyll and his hilarious alter ego; Jaxon Brittsan and Madison Raisor as Robin Hood and his sister, Roxie; Zora Coe as temperamental Tinkerbell; and third graders Anthony Stunda and Carter Pipkin off to a good start as Darling brothers John and Michael.

It’s worth the drive out to Greenfield — playing at the Ricks Centre for the Arts, 122 W. Main St. (US 40), 7 p.m. Friday and Saturday, 2 p.m. Sunday (April 12-14) — especially at only $5 a ticket. Advance tickets are available at Hometown Comics, 1040 N. State St. (SR 9), Greenfield.