Magical ‘Elf’ at Civic

By John Lyle Belden

A new Christmas classic was created in 2003 with the film “Elf,” starring Will Ferrell, which has since become an even bigger spectacle as a Broadway musical, now presented by the Booth Tarkington Civic Theatre.

The book by Thomas Meehan and Bob Martin, with songs by Matthew Sklar and Chad Beguelin, allows Buddy the Elf to escape the shadow of Ferrell’s unique talent to make him his own wonderful character — portrayed happily here by Matt Bays. 

As in the original story, Buddy is a human who, as a baby, crawled into Santa’s sleigh, unseen until the end of the journey. Finding that the boy’s single mother had died, Santa Claus (Parrish Williams) let him be raised by the elves, They let Buddy think he was one of them, even when he grew much taller than his adopted family. 

The truth is inevitably revealed, and Buddy travels to his father — who doesn’t know he exists — in New York City. The dad, Walter (J. Stuart Mill), is a workaholic executive at a publisher of children’s books who is rough on coworkers like good-natured Deb (Mary Margaret Montgomery) and neglectful of wife Emily (Carrie Neal) and son Michael (Ben Boyce). Naturally, Walter doesn’t believe this strange man in elvish tights is his son, so has him sent away. Since Buddy claims to be from the North Pole, he is dropped off at the next-best thing — Macy’s. There he ends up among the store’s Santa’s helpers, where he falls in love with fellow “elf” Jovie (Emily Schaab). 

From there, the story is Buddy’s struggle for acceptance and belonging, along with a chance to save Christmas for his father’s family — and the whole world, when Santa is stranded in Central Park, his sleigh too low on the Christmas Spirit that fuels it. Other notable roles include Jonathan Studdard as the stressed-out Macy’s Manager, and Jeff Angel as Mr. Greenway, owner of the publishing company, who wants a new hit Christmas story from Walter — or else!

The feel of the show throughout is best described by one of its song titles: “Sparklejollytwinklejingley.” The mood is perpetually sweet, even when characters aren’t “Happy All The Time.” And even when they feel that “Nobody Cares,” there’s a fun dance break. 

Directed by Michael J. Lasley with perfect choreography by Anne Beck and musical direction by Brent Marty, this is a magical ensemble effort. And seeing it on a matinee with the audience mostly children, I noticed they were all entranced and swept up in the spirit of it all. 

Just as sweet and special as spaghetti with syrup, “Elf” is yet another holiday must-see in central Indiana, playing through Dec. 28 at the Tarkington theater in the Center for the Performing Arts in downtown Carmel, right next to the Christkindlmarkt. (Arrive early for hope of parking.) See www.civictheatre.org or thecenterpresents.org for info and tickets.

 

An American classic comes to life on Civic stage

By John Lyle Belden

“To Kill A Mockingbird,” the celebrated novel by Harper Lee, is likely a book you are familiar with, perhaps from reading it in school, or by seeing the Gregory Peck film which closely followed Lee’s story.

The Booth Tarkington Civic Theatre presents a live production of “To Kill A Mockingbird,” the play adapted by Christopher Sergel, which is performed annually in Monroeville, Alabama, Lee’s hometown on which the novel’s setting is based. Unlike that production, the local staging doesn’t pick a trial jury from the audience – but attorney Atticus Finch still speaks directly to us.

For the unfamiliar, the story, set in Mayscomb, Ala., in the mid-1930s, is told by Finch’s young daughter, Jean Louise, known as Scout. The play gives us a grown-up Jean Louise (Michelle Wafford), who emerges from the audience to narrate for her younger self (Bridget Bingham), who is trying to make sense of all the things happening around her.

Scout, her brother Jem (Dalyn Stewart) and friend Dill (Ben Boyce) are occupied with what the reclusive neighbor Boo Radley might look like. The only clues are items left in a tree in his yard. But a bigger distraction comes when Atticus (Steve Kruze) is appointed by Judge Taylor (Tom Smith) to defend a black man, Tom Robinson (Antoine Demmings), who has been accused of beating and “having his way” with teenager Myella Ewell (Morgan Morton) by her father, town drunk Bob Ewell (Joe Steiner). The children endure taunts for their father defending a black man, but Atticus counsels them to endure and be confident he is doing the right thing. Scout wonders if she can feel pride in her father at all, until an incident with a mad dog reveals there’s more to the man than she ever suspected. Likewise, Jem wonders why his punishment for his vandalism of bitter, hateful neighbor Mrs. Dubose’s (Holly Stults) garden is to deliver kindness, until he comes to understand the whole situation.

The Robinson trial is a big spectacle, so the children sneak in to see it for themselves (thus allowing us to witness it), finding only room to sit in the “Colored” section with the Rev. Sykes (Brad Thompson). They marvel at how Atticus takes advantage of flaws in the testimony, and the kids are sure this will come out in their (and Robinson’s) favor. What does happen gives life lessons the children will never forget. And the events that follow will result in men killed, Jem injured, and Scout becoming a whole lot wiser.

Other notable characters include Sheriff Heck Tate (Clay Mabbit); the Finches’ cook, Calpurnia (Chandra Lynch); and an appearance by Boo Radley (Colby Rison) himself.

Under the direction of Emily Rogge Tzucker, this important story rises from the page to remind us of how horrible, yet accepted, hatred and injustice can be – then, and even more than 80 years later. Of course, that includes the bigoted context of the South in the 20th century, in which no person would even think of saying “African American” and “black” was mostly just a color you painted. So, be warned, the word “nigger” is used numerous times, by characters with either malice or apathy towards its dehumanizing effects. And if my writing the word out in the previous sentence bothers you too much, you should steel yourself before seeing this play – and go anyway.

Scout’s purpose in this story is to learn to see the world through others’ eyes – a man who would rather do what’s right than what’s popular, a person in unspeakable pain, a person judged purely by his skin tone, even a person who just can’t deal with other people – and thus teach us to do the same. Experience it for yourself at the Tarkington theater at the Center for the Performing Arts in downtown Carmel, through Feb. 23. Information and tickets at civictheatre.org or thecenterpresents.org, or call 317-843-3800.

Civic kids are ‘Peach’y

By John Lyle Belden

The weird world of Roald Dahl’s “James and the Giant Peach” comes to life at the Tarkington theater for a Booth Tarkington Civic Theatre Jr. Civic production – by kids, for kids – through Wednesday.

In this musical version of the darkly whimsical children’s novel (by Benji Pasek, Justin Paul and Timothy Allen McDonald, authorized by Dahl’s widow), young James, orphaned in a freak incident, finds himself “property” of a pair of unscrupulous aunts. But a mysterious wizard, Ladahlord, appears, offering him relief in a magic potion that James accidentally spills near a doomed peach tree. The next day, an enormous peach grows on the tree, and James comes to find it grew and transformed the insect-like creatures inside. Just as the boy is getting to know these new friends, the peach’s huge stem snaps, and things really get rolling…

As a stage musical, this isn’t the greatest thing you’ll see, but it is a fun and entertaining introduction to the magic of the stage both for the young cast and the children who come to see (and grown-ups can appreciate it, too). The cast acquit themselves very well – including Ben Boyce as James, Maddux Morrison as Grasshopper, Colin McCabe as Centipede, Brayden Porterfield as Earthworm, Ava Roan as Spider and May Kate Tanselle as Ladybug. Jilayne Kistner as Ladahlord has a stage presence and vocal talent that had me wondering if she is truly as young as she looks – watch for her in the future.

Director Brent E. Marty and fellow (alleged) adult Holly Stults gleefully play awful Aunts Spiker and Sponge, frequently threatening to steal the show from their young costars.

The remaining performances are matinees, 10 a.m. and 1 p.m. Monday, Tuesday and Wednesday at the Tarkington in the Centre for the Performing Arts in downtown Carmel. For a nice diversion for kids home from school, get info and tickets at civictheatre.org or thecentrepresents.org.