Drag Kings

Chill with another cool Indy Drag parody

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By John Lyle Belden

Do you want to see a gay man? / Though it’s more than being gay. /

The musical that you adore / Has become something more / In an Indy Drag way! /

So now they’re doing “Frozen” / And they made it hot! /

This could make you a big Drag fan, / And a Drag King plays the snowman.

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Indy Drag Theatre wraps up its fabulous 2025 season with “Frozen: A Drag Parody Musical” at The District Theatre.

Somehow, a fairy-tale story seems even more magical done in the style of Drag, with its exaggerated makeup, wigs, and outfits, and every actor accustomed to being a completely different person than one might see offstage. As this show is mostly lip-synched to audio of the movie and stage versions of the Disney tale, with appropriate costumes, this is a production for all ages (provided “drag queen story hour” doesn’t upset you).

This tale of royal siblings Elsa and Anna features* Lollypop Lyx and B.B. Rosè as their younger selves, with Natalie Port-Ma’am as Queen Elsa and Meadowlark Lane as Princess Anna.

The story doesn’t deviate from the familiar plot: After a childhood accident, Elsa isolates herself with efforts to control her icy weather-based powers. At her coronation, she gets upset at Anna for impulsively becoming engaged to Prince Hans of the Southern Isles (Taron Closeoff) and without meaning to, brings eternal winter to Arendelle. With Elsa hiding away in in the mountains of the Norway-esque kingdom, Anna seeks to reach her with the help of a helpful ice-seller, Kristoff (Jared Matthew), and his faithful reindeer Sven (Norah Borealis).

Popular local entertainer Maurice Mantini works his magic as the enchanted snowman, Olaf; he also plays the girls’ father, King Agnarr, with Gayle Thyme as Queen Iduna. The cast also features Cadence as Oaken, the “hygge” proprietor of the general store and sauna; Rodick as a rather nimble Duke of Weselton; Desiree ‘Denzel’ Bouvier and Ramon Flowers (aka Pricilla Vaggina) as Pabbie and Bulda of the Nordic “Hidden Folk;” as well as Canila Carpenter, Loralei Diamond, Faith Camire, and Cheri Walker-Owens.

For the performance we attended, Matthew had a prior commitment, so understudy Eli Rose nicely filled in as Kristoff.

The show was directed by Dottie B. Minerva and choreographer April Rosè. Sydnie Blair is stage manager. Imaginative sets were designed by Josh Morrow & Tony, with props by Ailish Forner. Giving the fabulous looks are Maria Fruit with costumes, Celeste Al’Dreams with makeup, and wigs by Oriana Peròn.

The company’s diva-level standards of performance are again maintained. Everyone gives their all, from Natalie’s triumph as the Ice Queen to Norah’s endearing deer. This not only showcases the visual spectacle of Drag culture, but also the compelling gestures and emoting that enraptured cinema fans in the silent-movie era.

Also, it’s so much fun.

Performances of this funky “Frozen” are Thursday through Sundy, Nov. 20-23, at The District Theatre, 627 Massachusetts Ave., Indianapolis. Get tickets at indydragtheatre.org.

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*(Note: Out of respect for the art form and its performers, they are identified by their Drag names as given in the show program.)

They-dunit! Indy Drag gets a ‘Clue’

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By John Lyle Belden

“Lip-synch for your life” takes on fresh meaning as Indy Drag Theatre brings us the camp cult classic featuring Tim Curry (no, not that one!) – “Clue” – the whodunit film that cast big Hollywood stars to make up for the fact that it’s based on a board game.

Director Vera Vanderwoude St. Clair* admitted being concerned at first in staging IDT’s first non-musical. But the cast and crew of this production slay! An ingenious set design by Miss Kay-Ottic lets us into all the various rooms from the game board and movie. Makeup design by Ciara Myst gives everyone a unified Agatha-Christie-nightmare look befitting both the drag mystique and gothic atmosphere. The killer costumes are by Anthony Sirk, with wigs by Hair By Blair. Choreography is by April Rosè.

Like all IDT parodies, the source material – mainly the 1985 film by Jonathan Lynn and John Landis – provides the audio and sound effects, with some surprise samples from other media thrown in for fun. The voices may sound familiar, like Martin Mull’s bluster or Madeline Kahn’s famously improvised “flames” monologue, but they take on new life neatly mimed by Indy-area performers.

Joe Wagner makes a brilliant IDT debut as Wadsworth, making the surly and sassy butler his own. The frantic “reenactments” toward the end(s) are hilariously fascinating. Fresh off her successful tour of different parts of Indianapolis, Madison Avenue charms as the maid, Yvette. Natalie Port-Ma’am is saucy as the Cook.

Our guests/suspects are Maria Fruit as Miss Scarlet, Brentlee Bich as Mrs. Peacock, St. Pussifer as Mrs. White, Maurice Mantini as Colonel Mustard, Freddie Fatale as Professor Plum, and Johnee Crash as Mr. Green – allegedly the only homosexual on the stage (go figure!). Finally, Dottie B. Minerva drops in and drops dead as Mr. Boddy.  We also encounter a mysterious motorist (Gayle Thyme), cop (Calyko Magick-Waffle), and singing telegram (Nicole Sherlock). And watch out for the aggressive “dog.”

The show follows the movie (a bizarre mystery set in the 1950s), of course, but there are plenty of over-the-top antics to enhance the lines you might know by heart. And yes, we do get all three solutions.

Performances of “Clue: A Drag Parody” are Thursday through Sunday, Aug. 7-10, at the District Theatre, 627 Massachusetts Ave., Indianapolis. Info and tickets at indydragtheatre.org.

*(Note: Out of respect for the art form and its performers, they are identified by their Drag names as given in the show program.)

Omigod you guys(?) – Indy Drag goes to law school

PWJW_Indy Reviews, Stage , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

By John Lyle Belden

(Note: Out of respect for the art form and its performers, they are identified by their Drag names as given in the show program.)

Many of us are familiar with the 2001 film “Legally Blonde,” and perhaps with the 2007 stage musical, however for Indy Drag Theatre, it was a parody tribute to this fun comedy in 2022 that got the company rolling. Now, this clever melding of both movie and Broadway – acted, danced and neatly lip-synched by local Drag Queens and Kings – has returned to The District Theatre.

Also notable as an actor in conventional musicals, Parker Taylor makes a stunning transformation into Honey Bunn, who plays our blonde heroine, Elle Woods. To win back the love of her ex-boyfriend Warner (played by Cadence), she leaves UCLA to enter Harvard Law School. Needless to say, it won’t be easy for her but very funny and entertaining for us. In Boston, Elle gets help from teaching assistant Emmett (Eli Rose) and local beautician Paulette (Sydnie Blair), but no help from Vivienne (Kalinda), who is with Warner now.

Elle finally gets to prove herself as part of a team of interns for Professor Callahan (Kristen N. Peterson), who is defending a famous fitness expert Brooke Wyndham (Vera Vanderwoude St. Clair) charged with murder.

The cast includes Axel Brozie as classmate Enid, and AJ Thoma, Kitt St. Clair, and B.B. Rosè as Elle’s Delta Nu sisters Margot, Serena, and Pilar, who appear as her literal Greek Chorus. Sean Seager is dog-gone cute as anthropomorphic pooch Bruiser, as well as hot UPS man Kyle.

A tip of the wig also to Ilana a la Mode, Madison Avenue, Kami Kamora, RoDick Heffley, Josè Dos Santos, Ellen Vander Missen, DeLuLu De Vant, Justin Sheedy, Sophie Sweany, Tiffany Rae, and CiCi Pasion.

Directed by IDT co-founders Blair St. Clair and April Rosè (who choreographed), stage manager is Natalie Port-Ma’am, with costumes by Alish Forner, makeup by St. Pussifer, wigs by Hair By Blair and sturdy sets by Josh Vander Missen.

While the Queens usually get the attention in these shows, it takes all kinds to make the magic work, and I must note the stellar King performance by Peterson as conniving, cruel creep Callahan.

With its energy, flair, and embrace of all things pink and shiny, this musical meshes perfectly with the Drag Theatre format, providing a wonderful experience all around. Get “Legally Blonde(r)” this Thursday through Sunday, May 15-18, at the District Theatre, 627 Massachusetts Ave., Indianapolis. Get tickets at indydistricttheatre.org.

Drag Theatre lets its ‘Freak Flag Fly’

PWJW_Indy Reviews, Stage , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

By John Lyle Belden

(Note: Out of respect for the art form and its performers, they are identified by their Drag names as given in the show program.)

In the gay community, “fairy” stings as a pejorative, but Indy Drag Theatre celebrates Fairy Tales in style with its production of “Shrek” at the District Theatre. This parody/homage melds the Oscar-winning 2001 film with the Tony-winning 2008 musical (incorporating more elements of the 1990 children’s book) with bits of sassy attitude (RuPaul’s voice does pop in) appropriate to the milieu.

With all audio lip-synched the story is unchanged, so what sells the show are the non-stop visuals – costumes and props by Ailish Forner, makeup by Ciara Myst, wigs from Hair by Blair, with choreography by Kitt St. Clair, and directed by Maddie Deeken with Beelzebabe – and comic yet compelling performances by Miss Kay-Ottic as Shrek, DeLulu Devant as Donkey, and Luna Magick as Lord Farquaad. Princess Fiona is nicely portrayed by Kalinda, with Cici Pasion and Madison Avenue as her younger versions, and Axel Rosie as “love’s true form.” Natalie PortMan puts the drag in Dragon with her performance as the fire-breathing beauty. Our Shrek and Fiona have chemistry (and not just gastric), while Donkey and Farquaad are each major scene-stealers.

Also notable is Alicia Brooke as Pinocchio and Robin Hood. Various other creatures are embodied effectively by Eli Rose, Johnnee Crash, Brentlee Bich, Norah Borealis, Milo Xpat Tayshuns, Rodick Heffley, Freddie Fatale, Senator Gale Lagations, Ava Morningstar, Aqua Marie, and Gorge Bush.

While fun and familiar, this production is also a loud and proud celebration of our differences, and how together we can find in that freakiness a common bond.

Good news: This time we have the review up in time for you to see the show! Seats sell fast, so get tickets at indydistricttheatre.org for performances 7 p.m. Thursday, 8 p.m. Friday and Saturday, 2 p.m. Saturday and Sunday, Nov. 21-24 at 627 Massachusetts Ave., Indianapolis.

‘Carrie’ even more mind-bending in Drag

PWJW_Indy Reviews, Stage , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

By John Lyle Belden

(Note: Out of respect for the art form and its performers, they are identified by their Drag names as given in the show program.)

Surviving high school is such a drag, right?!

So, it stands to reason that Indy Drag Theatre would take on the hottest Prom ever shown on stage or screen in “Carrie: A Drag Parody Musical.” The drag-world embrace of outsiders and making what could be considered trashy fabulous while leaning into its campiness help make this show the perfect medium for genderfluid expression.

As director Ciara Myst pointed out on opening night, the original Stephen King novel boldly took on topics such as abuse and bullying. In addition, the musical itself had a rocky path from being one of Broadway’s biggest flops in 1988 to a cult classic with a notable revival (after some necessary rewrites by creators Lawrence D. Cohen, Dean Pitchford and Michael Gore) in 2012. The Indy Drag Theatre performs flawless lip-synch to audio from both a stage musical performance and the hit 1976 Brian de Palma film. Dottie B. Minerva is assistant director; costumes are by Kalinda, with makeup by Ms. Myst, and wigs from Hair By Blair. Choreography is by April Rosè.

Our fabulous cast ironically plays it straight in reproducing the stage experience, imbuing the scenes with appropriate drama and suspense. St. Pussifer shines as misunderstood, mistreated Carrie White, with Vera Vanderwoude St. Clair chillingly playing her strict and insanely devout mother Margaret. AJ Thoma is solid as good-natured Sue Snell, while Eli Rose is the noble Tommy Ross. Brentlee Bich is furiously bitchy as vengeance-minded Chris (the girl behind the infamous blood-bucket prank). Skarlett Rose also does well as tragic gym teacher Miss Gardner.

Other performers include Cadence, Axel Rosie, Ce Ce Santos, Abigail Brown, Desiree Bouvier, Jose Dos Santos, William Moser, Jack Offerman, and Elle Rulon.

If you are a fan of drag, the original book or film, or high-heeled spectacles like “Rocky Horror,” you simply must see this edition of “Carrie” – when it finally makes its way back to Indy’s District Theater. Due to its proximity to the Fringe festival, there was only one scheduled weekend of performances. When an unspecified emergency forced a cancellation on Sunday, it was announced that Indy Drag Theatre would try to bring the show back at a later date.

In the meantime, make plans for their next scheduled show, “Shrek,” Nov. 15-24. Get details at indydragtheatre.com.

Fabulous flora in drag ‘Little Shop’

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By John Lyle Belden

To borrow from an unrelated comedy gang who put male bodies in dresses: Now for something completely different.

Indy Drag Theatre was in full bloom at the District Theatre with its production of “Little Shop of (W)Horrors:  A Drag Parody Musical.” The fairly new local company took on a mostly straight (ha-ha) presentation of the movie-turned-Broadway-turned-movie, but done by drag queens, kings, and other genderfluid royalty. In the true spirit of the Drag art form, emphasizing spectacle and visual parody and satire – in the most *fabulous* manner possible – our performers expertly lip-synch the lines and songs from Broadway and film audio, but what you see on the stage is even more entertaining than most renditions of the classic boy/girl/man-eating-plant story.

With no scenes drastically altered, this serves to inform or remind those unfamiliar with the source work. However, if you know what happens, it becomes awesome on another level. Shoddy-sheik staging and costumes match both the story and the tongue-in-cheek mood. Dance numbers both advance the story and “work it” a la a Ru-Paul revue. In the best melding of the already-goofy musical and this milieu, our star houseplant, Audrey II, transforms from the standard hand-puppet to the toxic fabulousness of Ciara Myst.*

Other principal cast members include Parker Taylor as Seymour Krelborn, the Skid Row orphan who discovers the plant; Pancha La Flor as Audrey, the sweet girl at the flower shop Seymour is sweet on and the sadistic Dentist (Beelzebabe) beats on; Eli Rose as florist Mr. Mushnik; and our hot chorus of backups Ava Morningstar (as Crystal), April Rosè (Chiffon), and Devin Hill (Ronette).

Also on stage are Axel Rosie, Drucilla Demora, Blue Lightning, and understudies Jared Matthew, Zariah, and Kalinda Morningstar.

Taylor, who has been brilliant in recent regular stage productions, puts their talent to excellent use – one who would be great a century ago mouthing and emoting a silent film. La Flor is not the beanpole actress you usually get for Audrey, kind of like if Broadway had tapped a young Jennifer Coolidge, but she makes it all work (in both senses of the word) wonderfully. As for Ms. Myst, the ability to strut the whole stage makes this fierce flytrap more dangerous than in any other medium.

Direction is by Krystie Roberts, with choreography by April Rosè, IDT’s co-founder (with creative director Blair St. Clair).

If you are a teen (with cool parents) or older and hip to any of this at all, it is a must that you support this marvelous meld of “holla”- worthy entertainment (and yes, whooping it up is encouraged, but slip your dollar bills into their Venmo). Remaining performances are Thursday through Sunday, Feb.  22-25, at the District Theatre, 627 Massachusetts Ave., Indianapolis. Get tickets (including VIP) and info at indydistrictthe.org or indydragtheatre.com.

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[*In keeping with the culture and respecting personal boundaries, if the Drag name is all we are given for a performer (which is as unique and individual as what’s on their driver’s license anyway), that’s all we publish.]