The more you know: Zach & Zack ‘Rocky’ returns

By John Lyle Belden

“The Rocky Horror Show” has returned to the Athenaeum’s Basile Theatre through Halloween night. With this show, if you know, you know – and you should go.

Here are some more things you should know:

  • This is the live stage show, originally created by Richard O’Brien, NOT a screening of his cult-classic film. A few things are different from the movie – no “toast,” and “everybody’s lucky” without a bannister – but the story and all the absurd fun are the same, enhanced by the experience of live theatre.
  • As this is a historic building, there are no props allowed, and don’t throw anything! (But feel free to dress up).
  • Zach Rosing did sound and video design, while Zack Neiditch is the director. Neither appears on stage, but we do get proof that they are not the same person.
  • For those who don’t know or don’t remember, the audience responses are displayed on a signboard above the stage. Please shout them on cue.
  • Despite being performed in Indiana, within the show there is “no law against giving in to absolute pleasure.” This note is a good place to remind everyone that the content is very “R” rated.
  • Tim Hunt returns as the fabulous Frank N. Furter, as does Johnnie Ray Hughes as his creation, Rocky – his toned physique worthy of the “Charles Atlas Seal of Approval.”
  • Other roles, mostly new to the company, include Reno Moore and Sophie Sweany-Kocher as Brad and Janet, Michael Krauter as Riff Raff, Addi Koehler as Magenta, Julia Ammons as Columbia, and Jonathan Young as Eddie and Dr. Scott.
  • The Narrator is played by Cynthia Collins, which works great with the gender-bending nature of the show. In Zach & Zack’s “Rocky,” this character is also free to roam about the theatre, making things even more wild and funny. Also, apparently, this Man has a neck, among other things.
  • To ensure their names appear in the search tags, we’ll list the ensemble “phantoms:” Megan Arrington-Marks, Kelvin Burzon, Brittany Michelle Davis, Pablo Gonzalez, Kennedy Morgan, Cìcì Pasìon, and Kenan Timmin.
  • The backstage band is music director Teneh B.C. Karimu on keyboards, Linnea Holt on synth, Matt Day on Guitar, Connor Allen on bass, Andrew Howard on drums, and Julian Orem with the sweet-patootie saxophone.
  • The excellent crew includes Kenny Shepard as choreographer, Claire Wilcher having her hands full as intimacy director, and Katie Angel as stage manager. Brilliant costume design is by Anthony James Sirk.
  • Perhaps the best news is something that isn’t even contained in the Basile theatre. There is a new bar and a big restroom (in a unisex arrangement with numerous private toilets) on the same floor! Intermission still gets busy and crowded, but you no longer have to wander the building to find relief.
  • Everyone does a fantastic job, above and beyond the fact that even when this show is bad, it’s good.
  • The seating looks plentiful, but trust me, with this show it can fill fast. Get tickets and info at rockyhorrorindy.com.

Omigod you guys(?) – Indy Drag goes to law school

By John Lyle Belden

(Note: Out of respect for the art form and its performers, they are identified by their Drag names as given in the show program.)

Many of us are familiar with the 2001 film “Legally Blonde,” and perhaps with the 2007 stage musical, however for Indy Drag Theatre, it was a parody tribute to this fun comedy in 2022 that got the company rolling. Now, this clever melding of both movie and Broadway – acted, danced and neatly lip-synched by local Drag Queens and Kings – has returned to The District Theatre.

Also notable as an actor in conventional musicals, Parker Taylor makes a stunning transformation into Honey Bunn, who plays our blonde heroine, Elle Woods. To win back the love of her ex-boyfriend Warner (played by Cadence), she leaves UCLA to enter Harvard Law School. Needless to say, it won’t be easy for her but very funny and entertaining for us. In Boston, Elle gets help from teaching assistant Emmett (Eli Rose) and local beautician Paulette (Sydnie Blair), but no help from Vivienne (Kalinda), who is with Warner now.

Elle finally gets to prove herself as part of a team of interns for Professor Callahan (Kristen N. Peterson), who is defending a famous fitness expert Brooke Wyndham (Vera Vanderwoude St. Clair) charged with murder.

The cast includes Axel Brozie as classmate Enid, and AJ Thoma, Kitt St. Clair, and B.B. Rosè as Elle’s Delta Nu sisters Margot, Serena, and Pilar, who appear as her literal Greek Chorus. Sean Seager is dog-gone cute as anthropomorphic pooch Bruiser, as well as hot UPS man Kyle.

A tip of the wig also to Ilana a la Mode, Madison Avenue, Kami Kamora, RoDick Heffley, Josè Dos Santos, Ellen Vander Missen, DeLuLu De Vant, Justin Sheedy, Sophie Sweany, Tiffany Rae, and CiCi Pasion.

Directed by IDT co-founders Blair St. Clair and April Rosè (who choreographed), stage manager is Natalie Port-Ma’am, with costumes by Alish Forner, makeup by St. Pussifer, wigs by Hair By Blair and sturdy sets by Josh Vander Missen.

While the Queens usually get the attention in these shows, it takes all kinds to make the magic work, and I must note the stellar King performance by Peterson as conniving, cruel creep Callahan.

With its energy, flair, and embrace of all things pink and shiny, this musical meshes perfectly with the Drag Theatre format, providing a wonderful experience all around. Get “Legally Blonde(r)” this Thursday through Sunday, May 15-18, at the District Theatre, 627 Massachusetts Ave., Indianapolis. Get tickets at indydistricttheatre.org.