‘Ship of Dreams’ surfaces again

By John Lyle Belden

December of 1997 saw the release of a film that at the time of its premiere was heralded as possibly the most expensive, overwrought flop ever to come out of Hollywood. But to everyone’s shock, it somehow failed to fail, breaking box office records, taking in billions of dollars, and winning numerous awards.

This sure-fire bomb didn’t sink despite its numerous production issues and cost-overruns, bladder-testing length, whining earworm of a featured song, exploitation of over a thousand deaths to deliver an improbable romantic plot, and even the presence of Billy Zane. It is suspected the movie was buoyed by past and eventual Oscar winners Leonardo DiCaprio, Kate Winslet, and the incomparable Kathy Bates, but I believe a lack of talking dolphins is to blame.

Fortunately, local hero Paige Scott and her Working Class Socialite company have risen from the depths of the Indianapolis comedy/improv scene to finally present James Carmeron’s “Titanic” as the absurd farce it was meant to be. Revised and expanded from its 2023 IndyFringe Festival premiere, “Ship of Dreams” sails (and sinks) again!

Courtney McClure and Elysia Rohn portray old and young Rose, Hannah Boswell is Jack, Shelby Myers is Ismay, Meg McLane is Billy, Tracy Herring is Kathy, Ariel Laukins is the First Mate, and Brittany Magee is Rose’s Mom, the Iceberg, and in an Award-Worthy Performance, the ship’s Propeller. Jason Adams gives us The Captain and all the visual effects you will ever need (where’s his Oscar?).

You’ll laugh; you’ll cr-, I mean laugh some more; you’ll not give a cuss about the room-on-the-door meme because there is just too much other weird and silly stuff going on to care. Still, in its near-faithful (though mercifully 90 minute) ultra-low-budget recreation of the major beats of the film (plus swipes at Leo’s other roles and such) Scott and friends slip in a bit of a tribute to what made this wreck of a movie such a magical event a little over 25 years ago.

Warm up the Model T (clean the backseat first) and head over to the IndyFringe Indy Eleven Theatre at 719 E. St. Clair St., Indianapolis for performances Thursday through Sunday, April 18-21. Get tickets at indyfringe.org.

Executive dysfunction in holiday parody

By John Lyle Belden

As we settled in for a long winter’s viewing of “The North Wing,” an original Christmas musical presented by Defiance Comedy at the IndyFringe theatre, Molly North, assistant to the show’s writer and director, Matt Kramer, said this is like if “The West Wing” creator Aaron Sorkin had (presumably under the influence of something) decided to write about the Santa Claus Workshop at the North Pole, and add music.

Well… there is a “walk-and-talk” scene, so we’ll go with that.

Since Burl Ives is dead and Josh Gad costs too much, we have the lovely Paige Scott as our narrator, Jeff the Snowman, ironically with a warmer heart than her other role, Mrs. Claus. The former is charming, literally disarming, and proud to be “a waste of resources.” The latter seems to take pleasure in being naughty – which could be a problem in this setting.

Clay Mabbitt is Thomas the Human (not the one shipped off to New York, that’s another musical), the leading assistant to retiring Head Elf, Mr. Hinkle-Twinkle (Ben Rockey, one of a number of Elfin roles) who apparently learned to speak English by watching “It’s a Wonderful Life.” After another Christmas Eve in which holiday spirit is down, the old man steps down and, before Thomas can be promoted, Mrs. Claus announces an outside hire: Janet (Meg McLane) the human former executive of a Toy Corporation, who has lots of ideas for improving things at The North Wing.

Imminent changes with only 364 Days Until Christmas have elf executive assistant Beatrice (Shelby Myers), Phil the Elf (Austin Hookfin), and random Elves (Rockey and Robin Kildall) very worried. It doesn’t help that Judy Sparkles of North Pole News (Kelsey VanVoorst) reports that disaster is inevitable. It’s enough to drive one to drink – with libations served by Blumpkin the reindeer bartender (VanVoorst in antlers and red nose).

As befits a story inspired by real-world political intrigue, this all gets really silly, really fast. And there are songs. And dancing (choreography by Emily Bohannon). And romance. And, of course, the traditional plots to destroy/save Christmas.

To rescue the holiday, there is a quest for the next must-have toy, which brings – at 164 days to Christmas – the arrival of Binky the Toy Tester (Kildall). Will the thingamajig pass muster? Will it matter?

This cast works together smoothly, and I was particularly impressed with Myers’ performance. The more dramatically inclined Mabbitt makes a great straight man to set up fellow goofballs. Scott’s ability to switch between clown and villain is fun to watch.

As we’ve come to expect from Defiance, this show is full of gut-splitting hilarity and features a number of improv veterans, so expect anything. Also as usual, there’s a bit of ribald innuendo, but aside from the “Naughty” edition 7:30 p.m. Friday and Saturday, there is a “Nice” more all-ages version at 3 p.m. Sunday (Dec. 9-11).

See their style of wacky comedy that sells out Fringe festival shows, now in two full acts, at IndyFringe Basile Theatre, 719 E. St. Clair St., Indianapolis. Get tickets at indyfringe.org.

IndyFringe: The Ballad of Blade Stallion

This is part of IndyFringe 2022, Aug. 18-Sept. 4 (individual performance times vary) in downtown Indianapolis. Details and tickets at IndyFringe.org.

By Wendy Carson

Matt Kramer and the troupe at Defiance Comedy have brought us another kooky laugh-fest for our enjoyment. From the opening scene of “The Ballad of Blade Stallion” – in which yoga balls are bounced upon to simulate spaceships – you know to expect a silly great time.

Having been hired to retrieve the only copy of some very important secret plans (Who doesn’t make a copy?) as well as a kidnapped girl, Astria (Emily Bohannon), Blade Stallion (*sting* “Blade Stallion!”) sets off to get his paycheck.

Stallion (Zack Joyce) was not aware of the choreography included in his theme song, but manages to make it through that obstacle, only to find that he must also babysit two young children once he gets to his ship.

Cobalt (John Kern) and Skye (Rachelle Martin) are not only familiar with his legend, they feel he might even be “Space Jesus.” As much as Stallion hates telling stories, he manages to control the kids somewhat by telling them his backstory.

We learn he was raised by witches, as well as the origins of his Space Nemesis, The Dandelorian (Clay Mabbitt). This chapter also introduces us to his fellow Space Pirate Academy graduates: cyborg Ann Droid (Meg McLane), with whom he shares a sordid love; and Bando (Kelsey VanVoorst), an anthropomorphic feline who may or may not have his best interests at heart.

Add to this a lot of crazy songs, improbable plot twists, the entire cast milking every bit of humor out of the entire script, and some bizarre characters thrown in, and you have another typically hilarious Defiance show.

Witness the marvel that is “The Ballad of Blade Stallion (Blade Stallion!)” at the District Theatre, 5:30 p.m. Thursday and 8:45 p.m. Saturday, Sept. 1 and 3.

Walken in a winter wonderland

By John Lyle Belden

For those wanting a little something different during the holidays, Defiance Comedy presents a horror thriller in the form of a comedy musical, “Silent Fright.”

It’s Christmas Eve on the North Pole, and with Santa away on his annual duties, the elves are vulnerable to an evil spirit that stalks the workshop. It possesses their souls, making them mindless zombies which take on a voice that sounds like (a bad impression of) Christopher Walken. 

Ryan Ruckman is our traditional Narrator, who should have warned his other role, party elf Jingle Jams — but apparently these stories don’t work that way. Shelby Myers is Trinket, Santa’s assistant, who is in a relationship with chef elf Butterscotch (Chad Woodward), but things are getting too serious. Totally not serious is Kelsey VanVoorst as Candy Sparkles, the friendship elf. Not being taken seriously is Meg McLane as Pipette, the science elf; she’s a bit green (literally).  And John Kern is old elf Chutney Frostbottoms, just three years from retirement (so, yeah, he’s doomed). 

Director Matt Kramer wrote the play and songs, which go for a full two acts, so this isn’t just one of Defiance’s Fringe shows. But it has all the goofy humor you’d expect from the creators of Fringe hits “Volleybrawl” and “Autumn Takes a Tumble.”

Come for the comedy, stay for the weird voice work. Performances are Friday and Saturday evenings, Dec. 6-7 and 13-14, and a matinee Dec. 15, at the IndyFringe Theatre, 719 E. St. Clair Street. Get info and tickets at www.indyfringe.org; follow @DefianceComedy on social media.