GenCon wrap-up

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By Wendy C. Carson

Here’s a look back at GenCon:

WEDNESDAY, JULY 29

John went downtown to take part in some of the Trade Day panels and picked up his event tickets. Trade Day events were mainly for educators, librarians and games retailers.

After picking me up from work in the afternoon, we made our way back to the Indiana Convention Center so that I could pick up my event tickets. However, the line stretched the length of the building about three-wide and was moving extremely slowly, so I decided to try and get my tickets on Thursday.

THURSDAY, JULY 30

We got up early to get into the Press line and get our badges before going to a 9 a.m. writing seminar. While John held my place in line, I sauntered up to Will Call and got my tickets in a matter of minutes. We usually go straight to the Exhibit Hall, but since we decided to do things differently this year (and were both interested in the panel), we gave back our early entry tickets so someone else could take our places. Judging by the long line at the Press room, it really looked like they were going to run out or early passes this year.

The seminar was about the business of writing, and how to navigate through the obstacles and pitfalls that can befall a budding writer. We met some great people and were glad that we attended. We also went to a networking panel later that day. As with past networking panels we’d attended, they all really boil down to: “Don’t be a dick to other people.”

After the networking panel, our stomachs were growling so we went out to the food truck area on Georgia Street for some grub. I got an amazing grilled cheese sandwich (barbequed meat, two kinds of cheese and caramelized onions) while John got a combo platter at the Jamaican truck. We shared our meals and then had a doughnut sandwich for dessert. This was one of the most delicious and decadent things I’ve ever eaten. It had a large scoop of Nutella gelato sandwiched between two halves of a chocolate yeast doughnut. Mmmmm…

We decided to tackle the Exhibit Hall by starting at the furthest end (row 3000) at “Entrepreneur’s Avenue,” which we were most interested in checking out. Not only is it nice to support new games and creators, but some of our favorite games have come from there. This year once again did not fail to impress. Watch for our reviews of the new hot games that everyone’s going to want to play.

There was one small drawback overall. Many companies throughout the room were advertising and demonstrating some amazing games, but they were merely prototypes to be Kickstarted or produced later. In fact, we had a major, “Shut Up and Take My Money” moment when we played World Champion Russian Roulette and weren’t able to buy it. We tried to get one of their demo copies, but to no avail. We did talk to them and they should send us a copy as soon as we can have one but we will still do a quickie write-up of it soon.

We then attended a seminar on researching for writers. It was quite helpful. I am slowly working on a story whose main character shares a life story very similar to an existing person, and I got advice on how to approach her, as well as friends and family, for interviews.

Anyway, after that, we hurried off to get ready for the Miskatonic University Graduation Ceremony. (We volunteer to be part of the Chaosium Games official H.P. Lovecraft-inspired event each year.) I was to be the “Dean of Women” but ended up being more of the “Mistress of Discipline.” The event was wonderful. Each year, not only do more and more people attend, but they come up with the most amazing material to add to the storyline that we really don’t have to do much besides give them a topic and let them go. Our Valedictorian won by “sacrificing” himself (almost literally). When he fell down, his head whacked a steel beam in the room with a resounding THUD. Once he assured us he was OK, another person said he “Majored in Necromancy” and brought him back from the dead. I really can’t wait to see next year’s “Cthulhu for President” rally. It’s going to be amazing.

FRIDAY, JULY 31

I had tickets to the 10 a.m. puppetry panel with guest of honor Trace Beaulieu, so we arrived around 9:15 or so because I expected a huge crowd. It turns out that there wasn’t, but being early allowed me to talk to Trace on and off for a bit and that was quite fun. He’s got a lot of great stories and is very easy to talk to. Since the staff seemed short-handed and were busy getting everything set up, I ended up organizing and controlling the line for the event, as well as the one next door which was also very popular.

There was some confusion over when the panel ended, so John ducked out around 11 to make it to the Gaymers (LTBTQ gamers) panel and I joined later after reminding those in charge that this was scheduled to be a 1 hour panel, not a 2 hour one like was occurring. The Gaymer panel was a nice discussion and it was good for us to be reassured that we are not alone in facing similar challenges.

Afterward, we headed off to the dealers room to play some Mayfair games to earn the “Knight of Catan” ribbon & the half-price coupon that goes with it. Frankly, the coupon is the only way we can afford to buy some of their games at all. I managed to get mine partly by running several demo games of Catan Dice, since they were short-handed and we own the game. John had to run off and attend a panel on podcasting during this time.

We then met up again and tried some more games. I had tickets to the 4 p.m. autograph session with Terry Brooks, but when I made it to the line there were about 40 people from the 3 p.m. line in addition to the hundred or so in the 4 p.m. line. Since I really don’t like his writing and was only there for the autograph in principle, I gave my tickets to someone else.

We eventually left at 6 p.m. when the Exhibit Hall closed and grabbed a quick bitr from Der Pretzel Wagon. While food-truck food can be a bit pricey – even though it’s often unique and a real treat — this place is a great bargain. You get a large sandwich, chips, drink and a huge pretzel for $11 (which is a pretty great deal compared to other trucks).

We then headed over to Union Station to check out the Gaymer gathering, which was supposed to be a sort of a mixer. However, even though the event sold out online, only a few people showed up. We did meet a few cool people, and won a copy of Cards against Humanity. We probably should have left early and gone to the Crossplay contest as I had signed up to compete. However, when I signed up, I wasn’t sure what my costume lineup for the weekend would be and was hoping to showcase my Minion outfit. Still, I was dressed as a female version of The Doctor, so I thought that might work but we just didn’t have the energy to schlep all the way over to the hotel where the event was being held.

Feeling totally wiped out, we went home to get some rest. Remember, we’re not as young as we used to be and the schedule is starting to catch up to us. Still, we had a great time that day and even more the rest of the weekend.

SATURDAY, AUG. 1

We took it easy in the morning and had a nice breakfast before heading downtown. We hit the Exhibit Hall as it opened and John and I both played games to get him his Knights of Catan ribbon. Then we used our discounts and bought some fun games that we will review later on (after the official reviews are exhausted). I did notice that this year Mayfair made the “Wood” ribbon games much more time intensive. I’m not sure why.

After this we ran off to the “Cthulhu All-Stars” panel which promised a séance to contact H.P. Lovecraft as part of the event. The discussion of Lovecraft’s works and their endurance prior to the ceremony were quite interesting — and who could have predicted the outcome of the séance? NOTE: I shot video of this and it should be posted here soon.

We then returned to the Exhibit Hall (yes, we do spend most of our time there but it is HUGE and since our main objective is searching out new games to review and promote, it makes sense to be there most of the con).

I spent the day in my Minion outfit and it was a big hit. Sadly, the booth selling official Minion games sold out as soon as the room opened, so I couldn’t get my planned pic with that.

After the hall closed, we had gotten tickets for a few cosplay events but there was a Gaymer’s picnic at Greg’s (one of the local gay bars) that promised food and drink, so we swung by. While there was some food (yummy burgers and hot dogs), the event never really happened. If it hadn’t been for a sweet young “Drag Princess” coming by and talking to us, we might as well have been invisible. Plus, I was the only female (cis or trans) in the place.

We had hoped to make it to the Talbot Street drag show that evening (a special GenCon event) but we were so exhausted we just went home and crashed.

SUNDAY, AUG. 2

So there we were on the last day of the con. Unfortunately, we were not able to sleep in, because when we got home on Saturday night, I looked over our event tickets and realized that I had signed us up for an 8 a.m. game slot playtesting a new game. So, we somehow got out of bed and made it to the event.

Being a Sunday morning slot, many of those signed up to play as well as demo the games did not show. There was a wide variety of games available but only around half of them were actually available. John and I both picked different games to play (neither of us got our first choice and I ended up with my third one). However, I really enjoyed the game I chose. It was a gangster themed game in which each player tries to build up their resources and allies in order to be the top mob in town. You’ll hear more about it in a later post as I was given a preview copy to review. and it will be on Kickstarter soon.

Even though the playtesting slot was two hours and most if not all of the boardgames took an hour or less to play, they officially would not allow anyone to sign up for and play a second game, However, prior to my game ending. another game designer showed up and watched us play. After we were done, he sat and talked to one of the designers of the game I had played and the three of us ended up playing his card game and it was also very fun. I also ended up getting a copy of his game, too, and again, it will be reviewed in conjunction with his Kickstarter as well.

When we were done, we tackled the Exhibit Hall and gathered up all of the review copies of games we could. Adding in the games we bought not strictly for reviewing, we ended up with more than 30 new games to review. Plus, I got a new copy of Telestrations to replace my old dying first-edition set.

There are also about a dozen other games that sold out during the con that we should be getting mailed to us. So even though we do a lot of theater reviews here, expect a lot of game reviews to be in the mix, especially once the Fringe Festival ends.

After the convention ended, we headed out and grabbed some dinner then ran back to Mass Avenue to catch a special GenCon themed edition of Lou Harry’s “Going, Going, Gone”. This edition did not disappoint in the least. The actors were hilarious and the items up for bid were the usual eclectic mix. In fact, we ended up exhausting much of our hoard of leftover play money from the past editions and brought home a rather full box of fun items.

Once again, exhausted but elated, we packed it in and crawled back home to spend some time with our oft-neglected friend that we call bed. I hope you liked my little tale of our adventure and will look forward to all of the many game reviews coming your way soon.

—

Note: GenCon returns to the Indiana Convention Center Aug. 3-7, 2016.

Alive with the sounds of…

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Cast members of "The Sound of Music," presented by Ricks-Weil Theatre Company in downtown Greenfield, engage in a singing lesson while testing the sturdiness of Austrian furniture. -- Photo provided
Cast members of “The Sound of Music,” presented by Ricks-Weil Theatre Company in downtown Greenfield, engage in a singing lesson while testing the sturdiness of Austrian furniture. — Photo provided

Another big summer weekend is upon us.

The Indiana State Fair just opened at the fairgrounds (naturally) at 38th and Fall Creek Road, Indianapolis. Lots of music, exhibits, rides and fried food to be had there, for the next two weeks!

This is the weekend for MotoGP at the Indianapolis Motor Speedway, which also gives every Easy Rider in the region an excuse to roll out their bikes to cruise downtown — so be sure to watch out for some sweet rides.

And, yes, there’s something on stage, too. The Ricks-Weil Theatre Company has its second and last weekend of a locally produced and cast “The Sound of Music” through Sunday. Get details on their Facebook page.

Starting this next Thursday, IndyFringe — the Indianapolis Theatre Fringe Festival — takes over Mass Ave. downtown. Shows are $15 each this year, so getting a “fiver” ticket, five tickets for $60, is a really great deal.

Fringe fun actually starts Wednesday, with a free preview of the various acts at the Athenaeum (corner of Michigan/Mass/New Jersey) starting at 6 p.m. Each performer or troupe has two minutes to impress us, so things get a little wild.

As the Fringe continues through its first weekend, watch this site, our Facebook page and our Twitters (@PenGwenity and @IndyBeldar) for reports and reviews.

Review: When the world becomes Springfield

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Bart Simpson of the 22nd century (portrayed by Ryan O'Shea) in
Bart Simpson of the 22nd century (portrayed by Ryan O’Shea) in “Mr. Burns: A Post-Electric Play” at Indy’s Phoenix Theatre. — Phoenix Theatre photo

By John Lyle Belden

Throughout mankind’s history, we have been storytellers. Imagine how it will be for us, saturated in pop culture as we are, if the “stories” of television and movies suddenly stop.

In the near future, civilization has collapsed. There are rumors of plagues, radiation zones and endless fires. Survivors keep lists of loved ones and ask each stranger they meet about them. But, above all, the most important thing that must be known is: What was it that Sideshow Bob said to Bart Simpson in that “Cape Fear”-inspired episode?

Welcome to the brave new world of “Mr. Burns, a Post-Electric Play,” on stage through Sunday at the Phoenix Theatre in downtown Indianapolis.

In a dark forest shortly after an unnamed apocalypse, a band of survivors, played by Eryn Bowser, Paeton Chavis, Paul Collier Hansen, Jen Johansen and Eric J. Olson keep their minds occupied by recounting a favorite “Simpsons” episode. A new stranger, played by Rob Johansen, suddenly joins them. Suspicions fade as he remembers the scenes and dialogue that the others forgot. A bond forms.

Years later, Ryan O’Shea joins the group as they are one of many bands of actors roaming the land, keeping culture alive via stories of fabled Springfield. Human creativity mixes into this scene, adding and modifying lines of the scripts. In the second act, we jump ahead a couple of generations to see what this new storytelling tradition has evolved into.

The play, by Anne Washburn, is an entertaining commentary on our media-addicted culture. It’s interesting to see how humanity comes to value something so inspired by and a parody of other works while discarding and forgetting those things that came before, the things that gave the animated comedies their substance. Then, to see what today’s reruns become after so many hands have meddled in their portrayal makes one wonder what Shakespeare would think of all the liberties taken with his works today.

This professional cast handles this work expertly, from the fear, confusion and search for connection in the first act to the avant-garde absurdity of the bizarre “Mr. Burns” episode in the second. You do not even need to be familiar with “The Simpsons” (or “Cape Fear” or Gilbert and Sullivan) to follow and enjoy this play, especially considering the end product is likely unlike anything in Simpsons-creator Matt Groening’s wildest dreams.

Find the Phoenix at 749 Park Ave. (corner of Park and St. Clair near Mass. Ave.) in downtown Indy. Call 317-635-7529 or see www.phoenixtheatre.org.

–

Also published in the Aug. 6 edition of the Greenfield Daily Reporter.

Wendy’s GenCon update

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Trace Beaulieu, popular for playing Dr. Forrester and Crow T. Robot on "Mystery Science Theater 3000" as well as appearing on shows including "Freaks and Geeks", was Puppetry Guest of Honor at GenCon 2015. His next project has him again playing a mad scientist on the web series "Vermin." -- photo provided
Trace Beaulieu, popular for playing Dr. Forrester and Crow T. Robot on “Mystery Science Theater 3000” as well as appearing on shows including “Freaks and Geeks”, was Puppetry Guest of Honor at GenCon 2015. His next project has him again playing a mad scientist on the web series “Vermin.” — photo provided

By Wendy Carson

I am still alive (somehow). I had an amazing amount of fun at GenCon this last weekend in downtown Indy. We brought home a ton of awesome games to review (see John’s post below). Overall, it was wonderful.

This year’s convention was very different for us from the ones in the past. First of all, I didn’t make it to Trade Day on Wednesday because I had to work. I could have taken that day off, but felt that just having Thursday and Friday off was sufficient (plus, I didn’t want to push my luck at the new job).

The biggest difference, though, was that rather than just playing games, we attended several panels throughout the weekend — I don’t think we’ve done that in years (at least not since the convention moved to Indy). Our first panel — a writers’ workshop — was at 9 a.m. Thursday, so we skipped out on getting early entry to the exhibit hall, but we were glad we did.

The whole feeling of this year’s con was more laid-back overall but still very hectic. We took our time working through the vast exhibit hall. We didn’t finish seeing all of the game booths until most of the way through Saturday. Since almost all of the clothing and whatnot dealers together seemed to be grouped in the center of the hall, we just scanned those aisles and skipped portions of them. We also didn’t get to see much of the artists’ area. I was only there for a second to find one we knew and update her on my efforts to promote her work by getting her promotional bookmarks to all of the cons in the area. I never even got to check out the Autograph area or the entertainment booths (except for a quick second at Trace Beaulieu’s booth to get his autograph). I had secured a ticket to get Terry Brooks’ autograph, but the line was entirely too long for me to deal with (two-plus hour wait) so I gave my ticket to someone else. Besides, I don’t actually like his books, so it’s no big loss.

I did get to see Trace (Dr. Forrester and “Crow” of MST3K) several times throughout the con, and he was absolutely charming and funny. If any of you out there get a chance to see him, please do — you won’t be disappointed.

Since John was researching an article on “Gaymers,” [coming soon either in print or online with The Word — John] we attended a few of their gathering and panels. Some were sparsely attended, but on the upside, we did end up winning a “Cards Against Humanity” game (which we didn’t have yet).

The Miskatonic University Graduation Ceremony Thursday night went amazingly well. John and I volunteer to assist with the official Chaosium event each year which has a Lovecraftian theme, most notably the “Cthulhu for President” rally on election years (next year!). We had a solid turnout, with attendees unbelievably into the whole event even more than in the past few years. One even hit his head on a steel beam when he fell to “sacrifice” himself (he was OK, and another person used his “Necromancy Degree” to resurrect him). My Dean of Women (more of a “Mistress” of Students) went over amazingly well.

While we didn’t get to do everything we wanted, we did enjoy everything we could get to.

Games: Promises to keep

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By John Lyle Belden

It’s the day after GenCon. I’m sitting in my living room surrounded by about 25 new games. We only paid for a few of them, and a couple at wholesale or discount. At least two of these are ones you literally cannot buy yet – they will launch or Kickstart in month or two.

Such is the life of a game reviewer.

Yes, Wendy and I will keep up the theatre side of things, too. Next week is IndyFringe and we plan on going all-out on that. Maybe finally get the podcast online? We’ll definitely shoot some short videos, at least.

But some nice folks with shoestring budgets trusted us with their playthings. So we will play. Watch in the coming weeks between now and Christmas for our impressions of these new diversions. We did some demos at the convention, and this batch looks like a lot of fun. And if you see us around town, we might ask you to play, too.

And to game companies checking out this site, wondering, “Are John and Wendy legit?” Yes, we are. I’m not writing for a paper serving a few thousand souls any more (well, occasionally), but I’ve got a forum here with unlimited viewer potential, where I don’t have an editor limiting me to a small space on a weekly A&E page. So, especially when you see your product here, help spread the word. We’ll keep playing.

Review: Hitchcock, hilarity and ice cream

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By John Lyle Belden

The downside to classic old films is, well, that they’re old. There’s a good chance you’ve already seen them, maybe more than once, or at least have heard about them so much that you know their plots, including the “spoilers.” This is especially problematic for mystery thrillers, which rely on you getting surprised by that twist near the end.

To keep them entertaining, the trick with such well-worn stories is how they’re told. Case in point: Patrick Barlow’s manic re-imagining of master of suspense Alfred Hitchcock’s classic, “The 39 Steps.” This London and Broadway hit is now playing on the stage of Carmel Community Players in the Clay Terrace shopping center.

The dramatic elements of Hitchcock’s movie are still there: In 1930s London, a man attending a performance by “Mr. Memory” meets a mysterious woman who insists she go home with him, then reveals she is being followed. During the night, the woman is murdered and the man is on the run, trying to clear his name. All he knows is that secrets are about to be taken out of the country, and that the espionage involves a master spy with part of his finger missing and something called “The 39 Steps.”

So, that’s the plot, but even if you know all the answers, it’s still worth both your time and your dime (actually a bit more) to see Barlow’s version, brought to life by central Indiana actors Jay Hemphill, Libbi Lumpkin, Neal Eggeson and Craig Kemp, under the direction of Lori Raffel.

The delivery of the story’s scenes rely more on slapstick than suspense, combined with wink-to-the-audience use of stagecraft, where chairs become cars; trunks become trains; curtains and windowshades just hang in midair where needed; and a supporting actor inhabiting two roles slyly converses with himself.

Eggeson and Kemp are identified in the program only as “Clown 1” and “Clown 2,” nimbly taking on all the roles of people encountered by our hero, Richard Hannay, played dashingly by Hemphill. Both Clowns bring the funny as they propel the plot forward, including Eggeson’s gender-bending turn as a Scottish inkeeper’s wife, Kemp’s entertaining portrayal of Mr. Memory and the goofy chemistry between them as the thugs in pursuit of our hero.

Hemphill plays a Hannay who is at times blusteringly confused as to what is going on, and at other moments a little self-aware that he’s the hero of the play, balancing this dance with our expectations and the fourth wall perfectly.

Lumpkin – a fierce balance of beauty, brains and bravery – fills the pumps of both the murder victim and the woman Hannay ends up handcuffed to during one of his escapes. Even at her most irritating and irritated at the other cast members, she never loses her charm with us.

Aside from our foursome, credit must also be given to stage manager Mark Peed, whose necessary interventions add to the magic rather than distract. And watch for references to other Hitchcock classics hidden in the story.

Another fine feature at CCP is the availability of ice cream at the concessions during these hot summer weekends. “Alfred Hitchcock’s The 39 Steps” plays through Sunday at 14299 Clay Terrace Blvd., Suite 140, Carmel. Call 317-815-9387 or visit carmelplayers.org.

—

Review also in July 30 edition of the Greenfield Daily Reporter.

Games: The apple doesn’t fall far from the, um, Apple

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Consider this
Consider this “Cards FOR Humanity,” the game that launched a whole genre of party games. — Manufacturer image

By John Lyle Belden

In the last couple of years, people have gotten caught up in the outrageousness of a simple card game. Folks who wouldn’t otherwise bother with bringing out a game box at a party, who left card games like rummy or Uno behind with their childhood, found themselves eager to be both amused and shocked by Cards Against Humanity.

The concept is easy to grasp. Players all draw from a deck of cards that each have a person, place or thing named on it. One player, who is the “judge” for that round, draws and reveals a single card from a deck of cards printed with phrases with fill-in-the-blanks. The other players each give the judge a card (face down) that might fit the topic card. The judge then decides which player gave the best or most amusing answer, and the next round is played with a new judge. As the title “Cards Against Humanity” suggests, many cards, which include sexual and scatological references, are as disturbing as they are funny.

But it might surprise some CAH fans that this style of party game is hardly a new concept, best exemplified by the 1999 hit Apples to Apples. Easy to find in stores, with thousands of cards in its licensed variations – and more safe to play with kids – the game has players playing their Red Apple cards, with nouns, to match Green Apple cards, with adjectives. Of course, with devious enough players, Apples to Apples games can also push the boundaries of political correctness. For instance, you could play “Adolph Hitler” on “Visionary” – accurate, though no one cared for his visions. Our favorite winning combo in a game I played was “Helen Keller” for “Touchy-Feely.”

The enterprising dark souls who came up with CAH (which can also now stand for Crabs Adjust Humidity, a renegade version of the game now making the rounds) were not alone in using the Apples template to set up their game. It’s illegal to copy directly, which means you have to get inventive:

  • “Crappy Birthday” declares the rotating judge to be the birthday boy or girl, and the single set of cards are potential bad presents, of which the receiver must pick the worst. Since one person’s get-that-away-from-me is another’s I-want-that-now, the game now has a “Happy Birthday” variant.
  • “Snake Oil” has the judge drawing a card that is his or her persona – a cheerleader, undertaker, or Santa Claus, for example – and the others use their cards to come up with innovations they need to sell. The anonymity factor is taken out, but if a group are good enough friends, hopefully one won’t be too guilty of playing favorites.
  • “The Big Bang Theory Party Game” includes quotes and odd things said on the hit sitcom, played out in Apples to Apples style. No actual knowledge of the show is necessary; this is not a trivia game. The game mechanics add a “Bazinga!” card that changes the goal card that everyone played their cards to match, and also adds scoring chips that allow the second-, third- and fourth-best answers to also get points, rather than just choosing only one winner each round.

These are just a few of the variations. Note that none of the three above or CAH (either version) are by the same company that produces Apples to Apples. Personally, I’d recommend getting the big “apple crate” version of the original game to get yourself and your friends hooked. Then, try the others. If your tastes and friends are like “R”-rated movies, go for CAH. Perhaps pick up the Big Bang version, and use its scoring chips to make Apples more interesting.

Only one warning: These games get so addictive, your party guests might lose all track of time until every card in the box is exhausted. You better get extra snacks.

Fun, Fun, fun

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If you thought there was trouble in River City before, just wait until this cast gets done with the classic musical when Buck Creek Players' Play-A-Part Fundraiser presents
If you thought there was trouble in River City before, just wait until this cast gets done with the classic musical when Buck Creek Players’ Play-A-Part Fundraiser presents “The Music Man” for one wacky weekend. — BCP photo

Cue music: “It’s the most wonderful time of the year…”

No, it’s not Christmas season already (though watch for decorations at the stores in a month or so), for folks like us who enjoy plays and playing games, August provides a bursting cornucopia of fun.

Yes, theatre friends, IndyFringe is almost upon us, but first…

This week, starting Wednesday (today, if you’re reading this on July 29) is the GenCon Game Fair, the world’s largest convention devoted to games, those who play them and those who make them. More than 60,000 happy nerds will overrun downtown Indianapolis, centering on the Indiana Convention Center, though many activities will be in nearby hotels and Union Station. If you are unfamiliar or don’t have much money to throw at this extravaganza, there is discount admission on Sunday, for Family Day (though the whole event is family-friendly).

Another note: The hallways of the convention center and hotel lobbies are open to the public. So, if you want to see and (respectfully) admire the many costumes attendees will be wearing, that doesn’t have to cost you a thing. However, the eye candy – while it makes good TV footage – is only a small fraction of the scene. If you like board, card, strategy or party games at all, you really need to get into this convention.

As for plays opening this weekend, we highly recommend fun of a different sort: The Buck Creek Players Play-A-Part Fundraiser production of “The Music Man.” The roles were all cast by winning a silent auction, with no requirements of age, gender, experience or even talent. Fortunately, director Scott Robinson levels the playing field by making the show an anything-can-happen live comedy in the tradition of TV’s classic “The Carol Burnett Show.” The result is highly entertaining, and the funds raised help with building improvements at this all-volunteer community theater. There are just four performances, Friday through Sunday, which are likely to sell out. Hit up the website or call 317-862-2270.

Sunday sees the return of the monthly experience that is “Going, Going, Gone” at Theatre on the Square. Co-creator Lou Harry has announced that, in honor of GenCon, the items bid on (which audience members get to win and keep) will be nerd-themed, as will be the cast, led by ubernerd (and Angel Burlesque MC) Jeff Angel. Also, wear a GenCon badge to the show, and get extra play money to bid with. Go, Go, Go, and quick, before the seats are gone!

– See you downtown!

Review: Where there’s “Smoke,” there’s a mighty fine show

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The cast of Beef & Boards Dinner Theatre's
The cast of Beef & Boards Dinner Theatre’s “Smoke on the Mountain: Homecoming,” running through Aug. 16. — Beef & Boards photo

By John Lyle Belden

For regular patrons of Beef & Boards Dinner Theatre in northwest Indianapolis, just saying, “There’s a ‘Smoke on the Mountain’ show!” is enough to get many scrambling to contact the box office.

The popular original off-Broadway show centers on a gospel-singing family putting on a “sing” at a rural North Carolina church in the 1930s. Aside from seeing the interpersonal drama among the Sanders clan and sharing a few laughs, the audience is treated to a series of old-time hymns and gospel tunes, with the cast playing an array of instruments.

The sequel, “Sanders Family Christmas,” has the family returning to Mount Pleasant Baptist Church for a holiday sing in 1941, the last show before the Sanders’ son goes off to war.

The present production, “Smoke on the Mountain: Homecoming,” takes place in late 1945, with the war over and young Dennis (Will Boyajian) back with the family, following through on his service as a chaplain and a lifelong call to take the pulpit as the Mount Pleasant minister.

The departing pastor, the Rev. Mervin Oglethorpe (John Vessels), responded to a request to open a church in Texas and will leave the next day, taking his very pregnant wife, June (Sarah Hund), the Sanderses’ elder daughter. Burl and Vera Sanders (Bob Payne and Pam Pendleton) still have daughter Denise (Christina Rose Rahn), Dennis’ fraternal twin, now married with twins of her own, as well as Burl’s troubled brother, Stanley Sanders (Brian Gunter).

They are hosting one more sing before the Oglethorpes depart, but it becomes apparent that there are still a few issues to work out.

It helps that most of the cast is the same as past B&B “Smoke on the Mountain” productions, especially Vessels as the emotional and hyperactive Brother Mervin and Hund at her comic best as simple June, who provides the family band’s percussion, sometimes in hilariously inventive ways, and signs rather than sings — though some of her gestures might confuse any deaf audience members who happen by the church.

Boyajian and Rahn make their B&B debuts but manage to fit right in as though they had always played the Sanders twins, especially when circumstances force them to re-enact a song from when Dennis and Denise were very young.

It’s not all comedy; be prepared for some very serious moments of testimony and a lot of talk about Jesus. But this is what comes naturally in a musical with a song list that looks like one from a small-town Sunday school.

In fact, especially when Dennis or Stanley recall their darkest hours, it’s easy to forget that these are fictional characters. But the spirit (or Spirit, if you believe that way) of the play stays true to the memories of those of us who ever attended a little church in the backwoods -– or a hometown congregation anywhere.

One hopes that playwright Connie Ray would eventually see fit to have the Sanderses go see June and Mervin for a Texas-sized gospel sing, but for now we can enjoy witnessing the “Homecoming” daily except Mondays through Aug. 16 at 9301 N. Michigan Road, near the Pyramids. Call 317-872-9664 or see beefandboards.com.

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Review also appears in the July 23 edition of the Greenfield Daily Reporter.

Opening in the wide open spaces of “Oklahoma,” or Noblesville

PWJW_Indy Weekly update , , , , , ,
Nick Gehring (Curly) and Emma Rund (Aunt Eller) in the Young Adults production of "Oklahoma!" at the Booth Tarkington Civic Theatre in Carmel. -- Civic Theatre photo
Nick Gehring (Curly) and Emma Rund (Aunt Eller) in the Young Adults production of “Oklahoma!” at the Booth Tarkington Civic Theatre in Carmel. — Civic Theatre photo

There are two stage openings of note this weekend.

The Rodgers and Hammerstein musical “Oklahoma!” is on the boards at the Booth Tarkington Civic Theatre in The Center for the Performing Arts in downtown Carmel. This is the annual summer production performed mainly by late teen and early 20s actors. Given the youth theatre and high school thespian scene, these “kids” might already have some seasoning, but career- or volunteer-vocation-wise, they are just getting started.

Summer brings out local devotees of the immortal Bard (both on stage and in audience) for Shakespeare in the Park. Thursday through Saturday this weekend and next, a production of the comedy “Twelfth Night” will be presented at Seminary Park, located between 10th and 11th streets, and Division and Hannibal streets in Noblesville. Festivities start at 7:30 p.m. and admission is free.

For something a little different this weekend (for grown-ups only) the Angel Burlesque “Nerdgasm” returns to Theatre on the Square on Mass Ave. in downtown Indy, Friday and Saturday, starting at 10 p.m. Being geeky has never been sexier.

— Go have some fun!