By John Lyle Belden
“My name is Bill, and I’m an alcoholic.”
This opening would be rather routine — for certain well-known but private meetings, or in shows and films about them — except that this is Bill W., a co-founder of Alcoholics Anonymous, relating his story not only for mutual support, but also so we can understand the struggle that brought about the whole program.
In “Bill W. and Dr. Bob,” by Janet Surrey and Samuel Shem, presented by Stage Door Productions at the District Theatre, Bill (played by Kevin Caraher) is joined by Bob (Dan Flahive) as they each relate the paths their lives took them down, leading to their fateful 1935 meeting in Akron, Ohio.
Bill didn’t suddenly decide not to drink anymore, then sit down and create a 12-step system all on his own. It was a messy evolution, during which he started out feeling he didn’t need help, or didn’t deserve it. But eventually he was persuaded by an on-the-wagon friend, Ebby (Robert Webster Jr., who plays all other male roles), to get involved in the Oxford Group, a sobriety program that introduced him to reliance on a “higher power” (which doesn’t have to be the Christian God). Bill becomes an evangelist for the Oxford Group, but can’t get the drunks he rounds up for it to stay. When it’s pointed out to him that the only person he seems to be keeping sober is himself, he comes up with a radical idea.
This play is not just about the men who started a movement; it is about the women in their lives, and their struggles, too. Bill’s wife, Lois (Afton Shepard), deals not only with being married to a drunkard, but also with financial burdens intensified by the Great Depression (Bill was a stock-market wizard, directly affected by the crash) and made no better by his sobriety as he spends all his time in unpaid charity work. Bob’s wife, Anne (Adrienne Reiswerg), is too devoted to leave him, but still driven to the edge of her tolerance by his refusal to accept help. Once the two men find each other — with the help of Akron socialite Henrietta (Karen Webster, playing all other female roles) — Anne wisely asks for Lois to join them so that the women can find support in each other as well.
Directed by Dan Scharbrough, in this story we see the trial-and-error process, as the establishment of the organization seems to mirror the individual highs and lows of the addict on the way to sustained sobriety. Bill is easily frustrated, but Bob points out that even in the setbacks there is progress.
The play resonated well with the packed audience at our performance, many indicating by their responses that they are familiar with the program. But this is also enlightening — as well as entertaining and heart-warming — for those who never had the need to attend a “meeting.”
(And if you feel that something about their stories hits too close to home, you don’t have to look far for help.)
This production of “Bill W. and Dr. Bob” is presented in conjunction with The International Women’s Conference, which will be held Feb. 20-23 in Indianapolis, a four-day AA fellowship for women only. For more information, visit internationalwomensconference.org.
Remaining performances are Friday through Sunday (Feb. 14-16) at the District, 627 Massachusetts Ave. (former TOTS site, now managed by IndyFringe). For tickets, go to www.indyfringe.org, and for company info visit “stage-door-productions” on Facebook. Out of respect for the subject matter, concessions will not offer beer or wine, but there is plenty of excellent coffee, provided by Sober Joe (www.soberjoe.com) of Bloomington.