This is part of IndyFringe 2022, Aug. 18-Sept. 4 (individual performance times vary) in downtown Indianapolis. Details and tickets at IndyFringe.org.
By John Lyle Belden
“The Barn Identity,” by Erika MacDonald, is about falling-down barns.
It might seem like it’s about children’s games, the leaf-circle dance, the Fourth of July feeling, bringing the outside in, her mystery illness, or that night she stood on the sidewalk with 5 percent of her brain – How many times has she told this story? – but she insists, it’s about falling-down barns.
MacDonald gently brings a kaleidoscope of storytelling fragments into focus as we dive into her world of seven-year-old Old Ladies in snowy beds and bent old structures that you wonder how they still stand. Her view out the window, and looking within, take us on a fascinating journey that is both deeply personal, and the essence of a great Fringe performance.
And why she doesn’t go to movies. And how she’s obsessed with falling-down barns.
Wonderful to the last “theatre sigh,” with recorded music by fellow Fringe performer Paul Strickland, “The Barn Identity” has performances 5:15 p.m. Saturday, Aug. 27, and Thursday and Sunday evenings, Sept. 1 and 4, in the Athenaeum.
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