ATI: Ruth sure is missing out on a great show

By Wendy Carson

Ambition. It’s all that drives some people. Even though they have talent and skills, they strive to be recognized and adored for it. How far will a person go to get what they want?

This question is the main premise of the show, “Ruthless: The Musical,” presented by Actors Theatre of Indiana. It is a musical parody of classic noir “The Bad Seed” and “All About Eve,” with a whole lot of campy fun thrown in.

Judy Fitzgerald nimbly portrays Judy Denmark, a doting mother who, while abundantly proud of her daughter Tina, possesses a fierce drive of her own. John Vessels delivers with all of his vamping glory as Sylvia St. Croix, who will do anything to be part of show biz – again.

Suzanne Stark’s portrayal of viciously bitter reviewer Lita Encore channels Madeline Kahn and Megan Mullally in evoking the requisite Evil Wielder of the Poisonous Pen (we’ll try not to take it personally).

Laura Sportiello brilliantly pulls off the gawkiness and questionable talent of Tina’s rival, Louise Lehrman, while also proving she is not one to be underestimated. Meanwhile, Cynthia Collins is fun as the put-upon Miss Thorn, a third-grade teacher whose own showbiz aspirations were crushed by stark reality. Her self-written musical about Pippi Longstocking and questionable casting choices provide the fodder to set this chaos in motion.

Finally, we turn to Nya Skye Beck’s performance as Tina Denmark, the talented and seemingly perfect child whom we all wish we had. Only a fourth-grader, Beck’s level of talent at acting, singing and dance is amazing. During the show, my partner John said, “She is the real deal,” and I heartily agree. I hope to see her in many more productions in the coming years, before the call of Broadway whisks her away.

The first act more reflects “Seed,” with Act Two taking aspects of “Eve” with Sportiello in an alternate role. Satire abounds – there’s a big musical number called “I Hate Musicals” – secrets are exposed, and it all comes down to an ending to die for. On the whole, this show is hilarious and highly entertaining.

“Ruthless” runs through Feb. 17 at the Studio Theater in the Center for the Performing Arts in downtown Carmel. ATI notes the content is relative to a PG-13 rating. For info and tickets, visit atistage.org or thecenterpresents.org.

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IndyFringe: ‘A Fatal Step’

By John Lyle Belden

How can I add to all the praise heaped upon Jill Vice, the star of the one-woman noir, “A Fatal Step”? Let’s just say it’s well deserved.

Vice performs all the characters in a dark tale suited to old-time radio or dime novels, but set in modern times. A beautiful woman whose devotion edges into manipulation commits everything to a man who finds more gentle and genuine affection with a plain-looking woman he works with; this will not end well.

Vice’s delivery maintains suspense while slipping in the punch lines, making for a thoroughly entertaining experience — and it doesn’t hurt that she’s as lovely and charming as her main character. Still, as she slips from persona to persona, she masters her expression to make all her roles, male and female, distinct.

Yes, add us to her fan club! John & Wendy encourage you to take “A Fatal Step” at 7:30 p.m. Sunday (Aug. 27) at the Phoenix Theatre, 749 N. Park Ave.

Festival info: www.indyfringe.com.

IRT ‘Dial M’ nearly perfect

By John Lyle Belden

Many have considered what it would take to commit the “perfect crime;” some even attempt it. The concept is fascinating, especially when it comes to murder. This could explain why the Master of Suspense, Alfred Hitchcock, chose the Frederick Knott stage drama, “Dial ‘M’ for Murder,” to be one of his iconic films.

To conclude its 2016-17 season Indiana Repertory Theatre presents Knott’s noir thriller, complete with Hitchcockian touches, on its mainstage through May 21.

Jealous, scheming husband Tony (Matt Mueller) has planned the perfect murder, arranging for an unsavory acquaintance to kill his wife Margot (Sarah Ruggles) while he is at a party, alibied by none other than the man she had had an affair with, Max (Christopher Allen). But when the perfect crime goes wrong, Tony resorts to the next-best thing: the perfect frame-job.

As always, the IRT provides excellent production values in setting and costume, and sharp direction under James Still (who is also IRT’s playwright-in-residence). The atmosphere is completed with projected images and shadows on the set’s upper walls. Performances are first-rate, including Robert Neal as Detective Inspector Hubbard, who must sort out the truth from the contradictory evidence he has found.

There’s also a cheeky touch that Hitch would have loved: Major scene changes are done by “detectives” acting as though they are removing and planting evidence.

The weather is warming up, but IRT is good for one more chill. Call 317-635-5252 or visit www.irtlive.com.