By John Lyle Belden
Many have considered what it would take to commit the “perfect crime;” some even attempt it. The concept is fascinating, especially when it comes to murder. This could explain why the Master of Suspense, Alfred Hitchcock, chose the Frederick Knott stage drama, “Dial ‘M’ for Murder,” to be one of his iconic films.
To conclude its 2016-17 season Indiana Repertory Theatre presents Knott’s noir thriller, complete with Hitchcockian touches, on its mainstage through May 21.
Jealous, scheming husband Tony (Matt Mueller) has planned the perfect murder, arranging for an unsavory acquaintance to kill his wife Margot (Sarah Ruggles) while he is at a party, alibied by none other than the man she had had an affair with, Max (Christopher Allen). But when the perfect crime goes wrong, Tony resorts to the next-best thing: the perfect frame-job.
As always, the IRT provides excellent production values in setting and costume, and sharp direction under James Still (who is also IRT’s playwright-in-residence). The atmosphere is completed with projected images and shadows on the set’s upper walls. Performances are first-rate, including Robert Neal as Detective Inspector Hubbard, who must sort out the truth from the contradictory evidence he has found.
There’s also a cheeky touch that Hitch would have loved: Major scene changes are done by “detectives” acting as though they are removing and planting evidence.
The weather is warming up, but IRT is good for one more chill. Call 317-635-5252 or visit www.irtlive.com.