Quick note that InConJunction is a month from today, June 30-July 2 at the Marriott Indianapolis East. This fan-run sci-fi/fantasy convention promises lots of fun, without all the crowds (attendance is under 1,000) or long lines (this is not just about waiting all day for an autograph) but chances to hang out with people like Guest of Honor Mercedes Lackey (noted for various fantasy books and the YA classic “Jinx High”).
Our thespian friends and fans can also see friend-of-the-con Lou Harry (and his improv “auction” show, “Going… Going… Gone!”) or attend a reading of “Shakespeare’s Star Wars.”
The event also allows John and Wendy to get involved in our other love (besides theatre) — games! There will be non-stop roleplaying, a computerized “bridge simulator” to pretend you’re on a starship, and a full library of card and board-based diversions. We will both be around, as well.
J&W will also be hosting a game event (the Fandom Feud) and an improv event (PowerPoint Improv).
This convention, and a horror convention across town, get “con season” into gear. The next week, Indy PopCon, a locally-hosted multimedia geek extravaganza, happens in downtown Indy.
Then, in August, the behemoth that is GenCon takes over downtown. Look for us to go big there — hint: We’ll do more than just write about it.
OnyxFest takes the stages of the IndyFringe Theatre this weekend and May 19-20. The festival is devoted to the stories of African-American playwrights.
According to the festival press release: A recent survey reveals the number of productions written by African Americans in a single year is as low as five percent. IndyFringe recognizes this lack of diversity and seeks to change the landscape of local theatre by bringing together storytellers, actors and audiences in its two theatres. OnyxFest is determined to be the vehicle to expose theatre-goers to the voices and talent of new and emerging black playwrights.
The four plays selected for this year’s OnyxFest are:
“The Quilting” by Mijiza Holiday of Indianapolis, an autobiographical play that depicts the abuse the playwright’s mother endured and how her strength had the ability to heal.
“Black Lives Matter (Too)” by Angela Jackson-Brown and Ashya Thomas of Muncie, one part play and one part story poem that explores the struggles and triumphs of black people from slavery to the present.
“Truth – The One Man Show” by Ryan Bennett of Indianapolis, the culmination of 152 years of truth coming from the souls of four individuals: Silas Christian, a runaway slave; Harley Wallace, a Ku Klux Klan member; Malik Muhammad, a civil rights activist and Jackson Thomas, a misguided young man, all of whom are fighting for their families.
“The Wedding Bells: A Musical about Tying the Knot” with book and lyrics by Nicole Kearney of Indianapolis, music by Warren Lankford. Bride-to-be Etta receives an unexpected visit from her ex-husband as she prepares for her wedding. As she and her bridesmaids try to deal with him without telling the groom, chaos ensues. Will her past ruin her future?
IndyFringe is located 719 E. St. Clair St. (just east of St. Clair/College/Mass Ave. intersection) and online at www.indyfringe.org.
The Phoenix Theatre, a downtown Indy arts institution for more than 30 years, took its next step in relocating to a bigger, better building with its Groundbreaking Ceremony on May 2 at the now-vacant site on north Illinois Street by the Cultural Trail.
Construction will begin soon, with grand opening of the new facility in spring of 2018. In the meantime, the Phoenix continues its full season of performances in its longtime Chatham Arch home, 749 N. Park Ave. (corner of Park and St. Clair, near Mass Ave.).
“This will be the first free-standing theater (not part of a school or other institution) built (downtown) in the last 100 years,” said producing director (and one of Phoenix’s founders) Bryan Fonseca. He added that the multi-million dollar capital campaign, largest in its history, had nearly reached its goal, with plans to continue fundraising for contingency funds and other future needs.
With two state-of-the-art stages, meeting areas and full costume and prop shops, the planned building will not only host full year-round Phoenix seasons, but be available to other community theatre and arts groups.
“We want to eradicate the distinction of ‘underserved groups,'” Fonseca said, “and become one community.”
The Groundbreaking drew numerous dignitaries, including Jeff Bennett, Deputy Mayor of Community Development for Indianapolis, who said the new Phoenix building “will transform this neighborhood, and it will transform lives.”
City-County Councilor Vop Osili was pleased with the location, just a block away from Meridian Street.
“This is located literally at the crossroads of commerce and culture,” he said.
Brian Sullivan, managing partner of Shiel Sexton contractors and member of the Indianapolis Cultural Trail Board of Directors, declared it a “happy day” and “a groundbreaking day for a groundbreaking theatre.”
“Today, it has never been more important for our community to hear from our artists,” he added.
Fervent supporter, donor and Phoenix board member Frank Basile, who proudly noted he had seen practically every one of the theatre’s productions over the years, declared, “We’ve really just begun.”
Local actors and Phoenix founding artists Deb Sargent-Shaver and Gayle Steigerwald praised Fonseca for his leadership and thanked all who contributed to the building campaign.
“We are so grateful that our legacy, and our tribe, will continue in this new building,” Steigerwald said.
Among the many past and present actors and crew members in attendance was Charles Goad, who was featured in the very first Phoenix show in 1983, as well as the present production of “The Open Hand.”
The traditional chrome-shovel ceremony featured Fonseca, Bennett, Sullivan and other dignitaries, but in true theatre community fashion, the shovels were handed over to any actors, crew, friends or supporters who wanted a photo opportunity. Several thespians eagerly turned spades of dirt, as if to speed the process of bringing in a new stage for their work.
To conclude the festivities, the Phoenix had its old bird-from-the-flames logo symbolically “destroyed” with an appropriately-decorated pinata, full of candies wrapped in the new logo, and prizes supplied by sponsors — including tickets to upcoming Phoenix shows. Several in attendance took got swings in before the party favor shattered to cheers all around.
For information on present and future shows, as well as the new location and Capital Campaign, go to www.phoenixtheatre.org.