IndyFringe: Lady LIVES

This show is part of the 15th Annual Indianapolis Theatre Fringe Festival, a/k/a IndyFringe, Aug. 15-25, 2019 on Mass Ave downtown. Info, etc., at

By John Lyle Belden

For those who saw Monica Cantrell as Billie Holiday in “Lady Day” earlier this year, it was easy to presume that this was a rehash of the same material — but this is not a copy, rather it’s a companion-piece. Where in “Lady Day,” we go back to the past to visit Ms. Holiday, in “Lady LIVES,” she comes to us.

It has been announced that the immortal Billie Holiday, who passed from us in 1959, is going to make an appearance in Indianapolis today. Anything is possible in the theatre, so a place is made. And sure enough, there she is, in a shimmering robe — singing 1970s hit “Hello, It’s Me” as though Todd Rundgren had written it for her.

Apparently you can keep up with things here from the Beyond, as she takes on a couple of other contemporary hits (she even says, “More cowbell!”) but she also sings a couple of her own classics, including the biting reminder that “Strange Fruit” once hung from America’s trees. 

As I said during her earlier show (produced in March by Fonseca Theatre Company), Cantrell can channel Holiday perfectly, nailing that unique voice without sinking into parody. It’s as though the Lady truly visited us. Perhaps she did!

This production is conceived and directed by Bill Myers, produced in association with The Timeless Music Project and The Chatterbox. Remaining performances are 7:30 p.m. Thursday and Saturday, 4:30 p.m. Sunday at the District Theater (former TOTS location),  627 Massachusetts Ave.


Doomed ‘Lady Day’ lives again in Indy dive

By John Lyle Belden

It’s 1959, the last year of singer Billie Holiday’s life, and she is in a city she’d rather not visit, Philadelphia, at a place she loves to be. It’s “Lady Day at Emerson’s Bar & Grill,” a Fonseca Theatre Company production hosted by the Linebacker Lounge, just a couple of doors down from Fonseca’s previous venue at Indy Convergence.

The cozy confines of the Linebacker stand in nicely for Emerson’s. It is a bar (but no grill, though there are delicious Mexican sandwiches next door that you are allowed to bring in) so entrance is restricted to ages 21 and up. Drink service is available before the show and a brief intermission, cash only (there is an ATM on site). But mostly, the place lends atmosphere, a small triumph of “site-specific” theatre.

As for the Lady herself, Monica Cantrell slips comfortably into a role she has played before. Holiday’s distinctive voice and vocal style can be difficult to emulate, especially without sounding like a parody, but Cantrell takes it on with apparent ease — singing soulful jazz ballads and purring stories that are a blend of reminiscing and confessional. Billie tells of idolizing Bessie Smith, honoring her with a rendition of “Gimme a Pigfoot;” life on the road, especially touring the Jim Crow South; and of how she wrote her biggest hit, “God Bless the Child,” for her mother, known as The Duchess.

She tells of men she loved and speaks frankly of her heroin addiction, advising patrons to watch out for “white men in white socks,” the probation officers who monitor her movements after her release from a year in prison. Her mind is not entirely her own, but she’ll pick up a snippet of song — “What a little moonlight can do,” she smiles — to get her thoughts on track.

“Singin’ is livin’ to me,” she says. But as she slowly breaks down, it becomes heartbreakingly apparent she doesn’t have much of either left in her.

Music is provided by Tim Brickley, and Jon Stombaugh as Holiday’s accompanist Jimmy Powers. Little Zoe Lee makes an adorable cameo as the singer’s canine companion, Pepe. And I’m pretty sure I heard Bryan Fonseca himself as the voice of Mr. Emerson.

Directed by FTC co-artistic director Dena Toler, “Lady Day” is a beautiful biography of a troubled woman in troubled times. It speaks volumes about addiction and our racial history without preaching. Just listen to that voice, the likes of which we may never hear again, a woman who “got her own,” on the verge of losing it all.

Performances run through April 7. Find the Linebacker, a sweet little spot that boasts Indy’s second-oldest liquor license, at 2631 W. Michigan St. Due to its small size, this show sells out easily, so find info and tickets at