Epsilon presents famous ‘Family’

By John Lyle Belden

Epsilon Theatrical Company works its unique magic on what is becoming a musical classic, “The Addams Family: A New Musical Comedy.” A Broadway hit with book by Marshall Brickman and Rick Elice, music and lyrics by Andrew Lippa, based on the popular characters by Charles Addams, this “mysterious spooky kooky ooky” clan is well suited to the family atmosphere of ETC.

Director and choreographer Buddy Reeder, a native Hoosier who has performed and directed shows nationwide, embraced the vibe of both the company and the show. Performances are upbeat and energetic, employing the stage, the back of the audience, and the aisleways in between.

Reeder said that after casting special actor Sarah Gasper, a devoted fan who has attended more than 125 performances of the musical and appeared in a number of community productions, he was inspired to greatly expand the number of “Ancestors” who haunt the Addams estate. Their near-constant presence – as chorus, in dance numbers, and roaming the audience – help us all feel like part of the show. We also get, during scene and costume changes, some moments of corny humor with a couple of Cave-Addamses played by Jack London and his grandmother Laurie London.

The family members practically stepped out of the old New Yorker cartoons: gregarious patriarch Gomez (Kent Livingston), sultry slender Morticia (Katie van den Heuvel), darkly darling daughter Wednesday (Gemma Rollison), glutton for punishment son Pugsley (Judah Livingston), charmingly eccentric Uncle Fester (Rodney Sciba), feisty Grandma (Tammy Coss), shaggy Cousin Itt (Ezzy Livingston), and butler/looming presence Lurch (Sean Stroup), who ensures that Thing (uncredited) is always on hand.

The plot (similar to the old oddball family comedy “You Can’t Take It With You”) involves the possibility that nearly-adult Wednesday has somehow fallen in love – and with a “normal” boy! Lucas Beineke (Chase Cornelius) is so okay with the weirdness that they are secretly engaged. Their intentions are to be announced at an Addams family dinner with his parents, Mal and Alice (Jim O’Connor and Brianne Snow) of Ohio, as guests. To ensure mayhem, they will play a very Addams party game.

Meanwhile, Gomez and Morticia’s relationship will be tested by Wednesday’s insistence that her mother not know about the engagement (which Pugsley will privately seek to wreck).

We will also find out Fester’s infatuation with a certain heavenly body – which is presented in a nice special effect.

Other Ancestors are played by Norah Amrose, London Bramer, Fender Brokamp, Lydia Capps, Alec Cole, Sophia Dam, Andy DeLoughery, Sophie Eastman, Mark Gasper, Klara Hollaway, Robin Kim, Thomas Kim, Eliott King, Amelia Landrum, Sharon Livingston, Gavin McMillin, Christian Parchman, Breanne Penrod, Lacey Pierce, Maranatha Potter, Brooklynn Shaw, Rain Stafford, Bella Velasco, Olivia Venable, and Luke Wilson, who is also a featured guitarist.

Rollison is exceptional in her central role, which says a lot considering the talent she shares the stage with. Cornelius as Lucas is endearing with gentle bravery. Sciba gives Fester boyish charm and joyous animated demeanor. Livingston gives Gomez his famous combination of wit and being at wit’s end, while van den Heuvel makes Morticia’s demeanor both chilling and seductive. O’Connor delivers the anticipated amount of bluster as Mr. Beineke, while Snow gives us one of the show’s hilarious highlights as Alice.

A not-so-scary spooky treat for your October, “The Addams Family” has performances Friday and Saturday evening, Saturday and Sunday afternoon (Oct. 23-25), at Broadway United Methodist Church, 609 E. 29th St., Indianapolis. Get tickets and info at epsilontheatricalco.org.

Guys and Dolls and Footlite

By John Lyle Belden

At last, Footlite Musicals said “can do” to their latest show, with “Luck being a Lady” after some “persons developed a cough” but these people all say “sit down” and enjoy for one more week.

If you are familiar with those references then you know that, after its initial delay, the popular classic musical “Guys & Dolls” is on stage a the Hedback through Dec. 4. Written by Jo Swerling and Abe Burrows with songs by Frank Loesser, this 1950 Broadway hit is based on short stories by Damon Runyon about various characters on the streets of Depression-era New York City.

Some gamblers seek a high-stakes dice game and look to popular cohort Nathan Detroit (Thom Brown) to set it up, in spite of the NYPD’s Lt. Brannigan (David Johnson) keeping close tabs on the most likely locations. Local high-roller Harry the Horse (Jack London) has even brought in Big Jule (Lot Turner) out of Chicago. Nathan’s companions Nicely-Nicely (Scott McFadden) and Benny (Jeffry J. Weber) assure all that craps will occur, but Detroit must first come up with some quick cash to pay off Joey Biltmore (Leo Goffinet).

Seeing a sure-fire bet, Nathan Detroit wagers smooth-talking gambler Sky Masterson (Christopher Vojtko), who just returned from Las Vegas loaded with cash, that he can’t persuade Save-A-Soul Mission “Sergeant” Sarah Brown (Natalie Marchal) to travel to Havana with him. Sky takes that action, and odds are this will lead to one wild, funny, and romantic adventure.

The cast also includes Marie Beason as the Mission’s Gen. Cartwright, who arrives for a surprise inspection; Steve Demuth as Mission drummer Arvide Abernathy, Sarah’s uncle and father figure; and most wonderfully, Jonna Kauffman as Miss Adelaide, showgirl and Nathan’s long-long-long-time fiancé.

Indeed, while the Guys hold their own, it is the “Dolls” who truly shine in this production, with Marchal giving an exceptional performance in her Footlite debut, while Kauffman charms as the girl who’s a bit more smart and savvy than she lets on. And you can tell Beason is having fun as the evangelist just pleased to see sinners come in the door, whatever the pretext.

Unlike the floating craps game, this action will be easy to find: 1847 N. Alabama in downtown Indianapolis. Get info and tickets at footlite.org.