Hilarious ‘Gentleman’s Guide’ at Footlite

By John Lyle Belden

As Monty Navarro discovers he is related to the noble D’ysquith family, we become fully aware of two things: first, that him having eight people between himself and the wealth and position of being an Earl means we have the idea behind at least half of the title, “A Gentleman’s Guide to Love and Murder;” and secondly, that we are in for quite the old English style farce with its skewering of Edwardian-era class structure and manners, as well as other kinds of violence happening to numerous D’ysquiths, all played by the same game actor.

This Broadway hit by Robert L. Freedman and Steven Lutvak, on stage at Footlite Musicals, stars handsome devil Troy Bridges as Monty. He is our narrator (this play is his confession) and exudes enough charm to somehow seem the story’s hero – especially considering how boorish and slimy that Daniel Draves portrays each D’ysquith whom our aspiring gentleman has to dispatch.

As for the “love,” Ellen Vander Missen plays Sibella, with whom Monty is smitten, with an interesting mix of sweet and shallow. A girl can’t marry below her station, after all, but who she loves is her business. However, during his ascent, Monty encounters D’ysquith cousin Phoebe (not directly in the succession line, thank goodness) who is a very good girl, and good to marry. Sydney Norwalk plays this role with the right degree of grace – a bit naive, but never the fool.

Our other notable role is the mysterious Miss Shingle, ably portrayed by Claire Slaven. Other parts (aside from nearly half the cast in Draves’s award-worthy effort) are filled by Heather Hansen, Leigh Query, Kelsey McDaniel, Matthew Blandford, Josh Vander Missen, and Footlite favorite Jerry Beasley.

Director Kayvon Emtiaz conducts this macabre mix of music and mayhem as effectively as Jill Stewart leads the orchestra. Each comic beat hits to hilarious effect, making for a surprisingly upbeat dark comedy complete with jaunty tunes like, “I’ve Decided to Marry You,” and “Why Are All the D’ysquiths Dying?”

Avoid all the death and mayhem of the real world at the entertaining mayhem of “A Gentleman’s Guide to Love and Murder,” running through Oct. 3 at 1847 N. Alabama in downtown Indy. Get tickets and info at footlite.org.

‘What a glorious feeling…’ at Footlite

By John Lyle Belden

“Singin’ in the Rain” is one of the greatest films of all time. And being a fun singing-and-dancing musical, it only takes a little adapting to bring the Betty Comden and Adolph Green script to the live stage. So now you can come in out of the winter weather to see it rain on the boards of Footlite Musicals.

For those unfamiliar, this is a show about Hollywood in the late 1920s, when silent pictures suddenly gave way to the “talkies” as studios found ways to add sound to movies. Don Lockwood (played by Grant Russel) and Lina Lamont (Sarah Marone) are the biggest stars of the silent screen, but after the popularity of “The Jazz Singer,” Monumental Pictures mogul R.F. Simpson (Bryan Padgett) is forced to make the next Lockwood & Lamont film with sound. Don speaks and sings beautifully — Lina, not so much. Fortunately, Don has found (and fallen in love with) young chorine Kathy Seldon (Sydney Norwalk), whose angelic voice could save the day. Just don’t tell Lina!

The cast also includes Juddson Updike as Don’s best pal, Cosmo Brown. The two sparkle on their feet through the many dance numbers. Norwalk is sweet and sings superbly. And Marone is so fun to watch, even when you “cyaaant staand” her character’s selfish antics.

Directed by Kathleen Clarke Horrigan, the Footlite production “makes ‘em laugh” with all the hilarious moments of the story, including pre-filmed footage such as the ill-fated first cut of “The Dueling Cavalier.” There is even a silent-movie curtain speech, starring Josh Vander Missen, who also has a fun scene as Lockwood’s diction teacher (“Moses supposes…”).

And, yes, it does rain on stage.

If you are a fan of the film, you’ll enjoy this. There’s something special in seeing something so good in three dimensions (sans gimmicky glasses), and when the cast work the aisles, it gives new meaning to “surround sound.”

Performances run through March 17 at Footlite, 1847 N. Alabama, Indianapolis. Call 317-926-6630 or visit www.footlite.org.

Footlite: Visit ‘Brigadoon’ while you can

By John Lyle Belden

The musical “Brigadoon” is one of our favorite shows. But like the fabled town that only appears in our dimension once every 100 years, productions of this gem seem nearly as rare.

I had thought I would have to settle for a nicely-done high school production a couple of years ago (it’s perfect for such a venue, with its large cast, colorful costumes and spirited Gaelic dancing) and, of course, the classic Gene Kelly film – but then Footlite Musicals picked the show to open its 63rd season.

Brigadoon no longer appears on maps of Scotland, thanks to a “miracle” brought about in the 18th century to spare the town and its people from impending doom. In 1947, a pair of New Yorkers out on a hunting trip find themselves lost in the woods, and in a way, in time.

Charlie Metzger is Tommy Albright (the Kelly lead role), a man whose life seems to be going well, but it’s not making him happy. Ethan Mathias plays Tommy’s best friend Jeff Douglas, a cynical soul who almost never loses his dry humor. They wander into the magical town to find its unusual residents on a happy day – the wedding of two of its citizens. Charlie Dairymple (Donald Marter) is to marry bonny Jean MacLaren (Ellen Vander Missen), which doesn’t set well with Harry Beaton (Josh Vander Missen), who had hoped to woo and win the lass himself. As for our visitors, Tommy finds himself “Almost Like Falling in Love” with Jean’s sister Fiona (Sydney Norwalk); and Jeff winds up on the bed of Meg (Kristen Tschiniak), who was hoping for more than an innocent afternoon nap. The day is quite eventful, not only with outsiders in town, and the wedding, but also a fateful chase of one who would risk their very existence.

The cast are wonderful all around, and in good voice – especially Marter with his renditions of “I’ll Go Home With Bonnie Jean” and “Come to Me, Bend to Me.” My partner Wendy notes that the latter song, often sung in a commanding tone, is far more tender here, a yearning and longing for the one Charlie loves.

Choreographer Linda Rees has worked up plenty of nice traditional movement, including a Sword Dance, keeping the many actors stepping lively throughout the show.

I always consider Jeff a dream role, as he doesn’t have to sing a note, and he gets so many great witty lines. Fans of the show might notice one sharp barb missing – we were informed it was on purpose, decided on even before considering today’s social climate. Also, a tale of “butchers” who were out to destroy the town actually refers to cruel raids that did occur in Scotland in the mid-1700s, giving this fictitious world a historic anchor.

I can’t help but wonder what it’s going to be like in 2047, when the successors to Alan Jay Lerner and Frederick Lowe, the show’s creators, will stage what happens in Brigadoon’s next “day.” But for now, I insist you make the trek to the highlands of the Hedback Theater, 1847 N. Alabama St., to see this production before it vanishes into the mists. Performances are Thursdays through Sundays, Oct. 4-7 and 11-14. Call 317-926-6630 or visit www.footlite.org.

Footlite show on a ‘Cole’-fired ship

By John Lyle Belden

With so much drama around us, sometimes it’s nice to indulge in a light musical: All aboard, then, for a “De-Lovely” voyage aboard the SS American in Footlite Musicals’ production of “Anything Goes.”

The comic plot involves love, gangsters on the lam, and a lot of silly disguises and misunderstandings. Billy Crocker (Trenton Baker) wants to stop his girl Hope Harcourt’s (Sydney Norwalk) ill-advised marriage to English “gentleman” Sir Evelyn Oakleigh (Ryan Straut), and gets aid from “America’s Thirteenth-Most-Wanted” Moonface Martin (Tom Bartley) and song-and-dance sensation Reno Sweeney (Susie Harloff).

While that’s good for some laughs, the show’s main purpose is as a delivery vehicle for the hits of Cole Porter (“You’re the Top,” “De-Lovely,” “Friendship,” “I Get a Kick out of You,” “Blow Gabriel Blow” and more, including the title tune) and at that, this production delivers.

Norwalk makes a shining Footlite debut; Baker provides his triple-threat credentials; and Harloff, with the help of Reno’s Angels (Kristen Tschiniak, Becca DeTar, Tara Roberds and Nicole Bridgens) takes charge of the ship with dynamite song and dance numbers (with much credit due to Trish Roberds’ choreography). Straut’s frantic fop is a hoot, and Bartley’s comic chops are spot on, aided by another brilliant performance by Emily Schaab as Martin’s accomplice, Bonnie. Craig Kemp adds to the laughs with his hard-luck businessman, Elisha Whitney (Crocker’s boss). Also impressive are dancing sailors Kyle Cherry and Noah Fields.

The book is admittedly a little dated – and director Kathleen Clarke Horrigan admits as much in her opening curtain speech – but this old gem still entertains. Performances are weekends through March 19 at 1847 N. Alabama St., near downtown Indianapolis. Call 317-926-6630 or visit www.footlite.org.

John L. Belden is also Associate Editor and A&E editor of The Eagle (formerly The Word), the Indianapolis-based Midwest LGBTQ news source.