Lots to unpack in Center Stage rom-com

By John Lyle Belden

A good comedy skit relates the concept of past relationship “baggage” to literal suitcases. A good play takes that idea and makes it so much more.

Center Stage Community Theatre in Lebanon presents “Baggage,” by Sam Bobrick (acclaimed playwright and writer for shows ranging from Captain Kangaroo and Bewitched to helping create Saved by the Bell), directed by Veronique Duprey.

Phyllis Novak (Lauren Johnson) and Bradley Naughton (Mark Livingston) accidentally picked up each other’s identical bags at the airport. She cautiously lets him come to her apartment to switch them back. While hers is the heavier piece of luggage, he carries the larger emotional burden, still pining – openly weeping, actually – for his ex-wife. Phyllis tries to stay aloof, but her “curiosity problem” kicks in and despite their rough first encounter, they get to know each other better.  While he tries to get over his loss and she seeks to adjust her impossible standards for dating men, they agree to go out with each other platonically.

Do you see an improbable romantic comedy coming on? So does Dr. Jonathan Alexander (David Shaul), holder of degrees from prestigious universities and a couples expert, having written three books on the topic (which he will sell you). He enters along the fourth wall, instructing the audience and warning Phyllis of the folly of this entire plot, especially her doomed belief that she can change Bradley to her liking.

We also meet Phyllis’s best friend Mitzi Cartwright (Amy Keitt), a free spirit who gladly takes the play’s events as they come while hoping for a happy ending of her own.

In all, we get a clever and funny romantic adventure, complete with snappy dialogue – Bradley: “You’re a nutcase.” Phyllis: “That’s possible.” The meta element of Dr. Alexander weaving in and out of the play enhances the experience, a fresh way of acknowledging this often-told kind of story.

Johnson makes Phyllis engaging and relatable, having transformed fear of relationships into an impossible need for certainty. Livingston manages the tricky job of keeping some degree of dignity in Bradley, even while little more than a living puddle of tears. Keitt spritely presents Mitzi as someone you would believe had built a koi pond in her living room, because, why not? Shaul bridges the on- and offstage worlds effectively, his PhD-fueled ego adding to the humor.

Duprey has brought out the best in the talented cast; she is assisted by daughter Audrey, who also lurks in the shadows as stage manager (hat-tip to elder daughter Sabrina for helping on preview night). Center Stage’s comfy stage design is by Christy Summersett and David Wines, with decoration by Wines and Lauren Johnson. Like other community theatres, all labor is volunteer, including costumes by Kathie Criss and props by Elizabeth Ruddell.

Pick up “Baggage” for the next two weekends, through March 8, at 604 Powell St., Lebanon. Get info and tickets at centerstagecommunitytheatre.com.

Bizarre courtship for ‘Sara’ at Epilogue

By John Lyle Belden

“Getting Sara Married” plays out like a rom-com by way of the Twilight Zone, but if you roll with the absurdity, it’s a lot of fun.

In this comedy by Sam Bobrick, directed by Veronique Duprey at Epilogue Players, Sara (Monya Wolf) is a busy New York defense attorney and, as the title hints, single. She enjoys her solitary lifestyle and has no interest in marriage whatsoever.

Thus her Aunt Martha (Molly Kraus) takes it upon herself to engage in some unusual matchmaking. She has Brandon (Vince Pratt), the handsome professional she has selected for Sara, bonked on the head by “jack of all trades” Noogie (Brian Nichols) and delivered, unconscious, to Sara’s apartment. Need we mention Martha might not be entirely sane?

Shocked, Sara scrambles to prevent needing a defense lawyer herself. Brandon awakes, and after an amusing bout of amnesia, sorts out who he is, but not why he’s in a strange woman’s home — which he is impressed with, by the way. He grabs a quick bite before leaving, but is taken down by a just-remembered food allergy.

How is Brandon going to explain all this to his fiance, Heather (Rachel Kelso)?

Set just before smartphones took over the world, we only see Martha at the stage edge, on the other end of her landline — sometimes getting work from her favorite chiropractor (Alex Dantin) — presented charmingly by Kraus with unflagging confidence. 

Wolf ably takes us along on Sara’s emotional roller-coaster. Pratt plays a bit of a confused goof, but not dumb, so we can see the qualities that got Brandon chosen for this odd adventure. Nichols as eager-to-please Noogie is a likable mook, and I’m not just saying that so I don’t have to keep looking over my shoulder. Kelso has an interesting arc with Heather, a woman who — though initially infuriated — comes to understand the situation. Dantin seems to enjoy being the strong, silent type.

Hilarious with an odd charm, the show has four more performances, Thursday through Sunday, Feb. 20-23, at Hedback Corner, 1849 N. Alabama St. near downtown Indianapolis. Call 317-926-3139 or visit www.epilogueplayers.com.