IndyFringe: Journey to Hell

This show is part of the 15th Annual Indianapolis Theatre Fringe Festival, a/k/a IndyFringe, Aug. 15-25, 2019 on Mass Ave downtown. Info, etc., at www.IndyFringe.org.

By Wendy Carson

Every Fringe, when I am putting together our schedules, I try to put in a single show that is for my pure enjoyment. “Journey to Hell” is this year’s pick.

The Indianapolis Men’s Chorus gives us a rousing night of hard rocking anthems that will get your fists pumping and have you singing along (it’s okay to, they’re not going to throw you out for it). If you’ve seen the musical, “Rock of Ages,” then you know what to expect from this.

The show starts off with a variety of “Hair Band” songs and the Chorus is decked out in all of the most tragic of ’80s styles.

We then move into the “Journey Megamix” where things move more to mainstream rock than metal.

We are then privy to a series of songs showcasing the “Hell” aspect of the title. This is where the overwhelming standout number, “Spooky Mormon Hell Dream” is presented. Having not personally seen “The Book of Mormon” I cannot say for sure exactly how it compares to the stage version but I would will say that this interpretation is worth the ticket price alone.

But before we are overwhelmed by the darkness, a suite of more “Heavenly” titles are offered.

I must say that while the singing is spectacular, the choreography on display is quite impressive as well. Plus, the omnipresent joy they exude in their performances shows that they are obviously having as good a time as the audience is.

Remaining performances are Friday through Sunday (Aug. 23-25) at The District Theater (former TOTS location), 627 Massachusetts Ave.

IndyFringe: Les Chanteuses

This show is part of the 15th Annual Indianapolis Theatre Fringe Festival, a/k/a IndyFringe, Aug. 15-25, 2019 on Mass Ave downtown. Info, etc., at www.IndyFringe.org.

By Wendy Carson

Magic Thread Cabaret brings us an hour of stellar voices raised in tribute to some of the most legendary Divas of our day. Plus, they give us three local ladies whose talents are a brilliant match to the beloved songs they are presenting.

Rayanna Bibbs leads off the night by taking the helm of Aretha’s “Respect”. She channels Jennifer Hudson in her performance of “I am Changing” and her turn at “Baby Love” will have you dancing in your seat. However, her standout number is “A Natural Woman” where she comes out in the most luxurious fur coat and shows you that she is worth every cent of the cost.

Our next Chanteuse is Bridgette Ludlow who roars in with “Midnight Train to Georgia”. Her amazing treatment of “Baby Love”, starting as a sultry torch song and then shifting gears into the bubbly dance song it is. But in my opinion, I think her most amazing work with her interpretation of “God Bless the Child” that I feel showcases her full range of talent in making me (who absolutely hates that song) thoroughly enjoy the song.

Our final singer is Enjoli’ Desiree. She is the one who is given the largest range of material to work with and she gives us her all. The soft yearning of “La Vie En Rose” is a surprising counterpoint to her roaring dominance of “Proud Mary”. She proves that there is not a sentiment she can perfectly express through song.

My one criticism of the show is that the Pianist spends a good portion of the show trying to upstage the singers. I know he is the artistic director, so that should mean that he understands that this is their time in the spotlight and he should allow them to shine.

While each singer assuredly deserves the title of Chanteuse, it is when their voices are brought together that make for some of the most magical performances of the night. So make it a point to pay tribute not only to the Divas being honored, but also the Divas honoring them.

Remaining performances are Friday through Sunday at the District Theater (former TOTS location) 627 Massachusetts Ave.

IndyFringe: Fallen from the Toy Box

This show is part of the 15th Annual Indianapolis Theatre Fringe Festival, a/k/a IndyFringe, Aug. 15-25, 2019 on Mass Ave downtown. Info, etc., at www.IndyFringe.org.

By Wendy Carson

It’s been four years since The Fourth Wall have been at IndyFringe and once you see their latest show, you will want to convince them to not wait so long to come back and entertain us.

This show is full of entirely new content and spectacularly shows off their virtuosity as performers. Hillary Abigana is a master flautist; C. Neil Parsons brings loads of personality and spunk to the Bass Trombone; and Greg Jukes’ percussion abilities prove that there is not a thing that he cannot bring a pleasing tune from. Plus, they are all accomplished dancers and can utilize their bodies’ movements in ways that will astonish you.

We begin with a touching number with a toy soldier trying to woo a wind-up ballerina but other forces are working to keep them apart.

We are then encouraged to embrace the wonder of childhood as various games with balloons occur. They each balance a balloon of their head, try to keep one from falling by passing it among themselves and even move around holding balloons in place with various part so their body. Oh yeah, did I mention that they are all playing instruments during these feats?

They then present us with three different pieces of artwork that they have choreographed a piece for, each picture created by a child under the age of seven.

There is even a game of Hide and Go Seek played throughout the space with flashlights.

I don’t want to spoil the rest of the surprises they have in store for you. At one point in the show a young child spontaneously shouted out “Yay!” I can’t think of a better compliment to bestow on this group.

Remaining performances are Friday and Saturday nights (Aug. 23-24) at The District Theater (former TOTS location), 627 Massachusetts Ave.

IndyFringe: The Cookie Dough Show

This show is part of the 15th Annual Indianapolis Theatre Fringe Festival, a/k/a IndyFringe, Aug. 15-25, 2019 on Mass Ave downtown. Info, etc., at www.IndyFringe.org.

By John Lyle Belden

Fringe shows are often full of half-baked ideas. Emerging Artists Theatre Indy presents several, in various flavors, so you are sure to find at least one you like. 

There’s a Christmas comedy with a misunderstanding around “Santa Clara.” There is a series of quick funny scenes that take jabs at customer service, mansplaining and The Container Store. I even saw a couple of pieces of moving drama. All this is locally written, presented by local talent.

And then, there’s Paige.

No matter what you think of any one scene or sketch, it is more than worth your ticket to see the finale, Paige Scott at a tiny piano singing the praises of an underrated Hollywood superstar. It is so much more funny than you think, even if you know the comic heights Scott is capable of.

In exploiting the function of Fringe to incubate theatre ideas, EAT is on to something with this show. Hopefully they will scoop up more “dough” in future festivals.

Sorry to be vague, but lineups change with each performance. Remaining dates are Thursday and Sunday (Aug. 22&25) at ComedySportz, 721 Massachusetts Ave.

IndyFringe: Schoolhouse Rock LIVE, Fringe Edition

This show is part of the 15th Annual Indianapolis Theatre Fringe Festival, a/k/a IndyFringe, Aug. 15-25, 2019 on Mass Ave downtown. Info, etc., at www.IndyFringe.org.

By John Lyle Belden

Though this is at Fringe, note this is not a parody or deconstruction or any avant garde thing. This is the stage show based on — and performing — the various educational commercial-length shorts you (or your parents) likely grew up with back in the days of Saturday morning cartoons.

This production is by the energetic and highly-talented teens of CYT Indy (the local chapter of Christian Youth Theater). In the stage show, a young teacher is having trouble sleeping because she is worried about her first day at school. So the denizens of School House Rock come to her in a dream, to show how “learning is power” and that it lies within her, too.

This being a Fringe-length show, there are only several select numbers the kids get to do, but they do them well. And we even get a reference to the Pluto controversy when Interplanet Janet comes flying around.  

Support future artists, enjoy the memories, and maybe learn something. Remaining performances are 6 p.m. Friday and 1:30 p.m. Saturday at The Oasis (Shriners’ entrance of the Murat, on the north side), 502 N. New Jersey St.

 

IndyFringe: Lady LIVES

This show is part of the 15th Annual Indianapolis Theatre Fringe Festival, a/k/a IndyFringe, Aug. 15-25, 2019 on Mass Ave downtown. Info, etc., at www.IndyFringe.org.

By John Lyle Belden

For those who saw Monica Cantrell as Billie Holiday in “Lady Day” earlier this year, it was easy to presume that this was a rehash of the same material — but this is not a copy, rather it’s a companion-piece. Where in “Lady Day,” we go back to the past to visit Ms. Holiday, in “Lady LIVES,” she comes to us.

It has been announced that the immortal Billie Holiday, who passed from us in 1959, is going to make an appearance in Indianapolis today. Anything is possible in the theatre, so a place is made. And sure enough, there she is, in a shimmering robe — singing 1970s hit “Hello, It’s Me” as though Todd Rundgren had written it for her.

Apparently you can keep up with things here from the Beyond, as she takes on a couple of other contemporary hits (she even says, “More cowbell!”) but she also sings a couple of her own classics, including the biting reminder that “Strange Fruit” once hung from America’s trees. 

As I said during her earlier show (produced in March by Fonseca Theatre Company), Cantrell can channel Holiday perfectly, nailing that unique voice without sinking into parody. It’s as though the Lady truly visited us. Perhaps she did!

This production is conceived and directed by Bill Myers, produced in association with The Timeless Music Project and The Chatterbox. Remaining performances are 7:30 p.m. Thursday and Saturday, 4:30 p.m. Sunday at the District Theater (former TOTS location),  627 Massachusetts Ave.

 

IndyFringe: Generations

This show is part of the 15th Annual Indianapolis Theatre Fringe Festival, a/k/a IndyFringe, Aug. 15-25, 2019 on Mass Ave downtown. Info, etc., at www.IndyFringe.org.

By Wendy Carson

Some of our regular readers may remember that John saw last year’s show by Crossroads Dance and really loved it. While he admits he’s not a dance aficionado, he does like watching it but often has trouble understanding the meaning behind the moves. The company apparently took that to heart and has included some notes in the program to help with understanding the message they are provoking. That said, let’s get to the review.

The show is arranged as a trip through time, reminding us of the history behind our nation. It begins a beautiful balletic piece in which three nature spirits are gaily playing/creating the landscape of the continent. We then move to a suite in tribute to the settlers that tamed the land and made the verdant farmland that stretches throughout our country today.

It then turns to the twentieth century for highlights of various historic decades using songs from those periods.

My personal favorites were: “This One’s For Al” shows the desolation of the Great Depression but still keeps a touch of hope on the horizon. “Jive Bomber” intermixed inspirational wartime tunes of the ’40s with actual radio reports from the battles, showing the pain the nation felt inside, even while keeping up a positive front. However, being a child of the ’80s, I loved their tribute to the decade of neon spandex and big hair in, “MTV Live.”

Choreographers are Ashley Youmell, Brittany Gaither, and Nicole Dean for the pieces listed above, as well as Candace Reiner, Emily Miser, Sammi Bowyer, Josie Meiss, and Rachael Wieczorek.

So, whether you are just a casual fan of dance, or a lifelong devotee, this show will appeal to you. These ladies, while young, bring about an insightful evening of dance that will likely spark some great discussions afterwards.

Remaining performances are 6 p.m. Wednesday and 3 p.m. Saturday at the District Theatre (former TOTS location), 627 Massachusetts Ave.