Dearly beloved, gather for ‘The Wedding Singer’

By John Lyle Belden

Being a Generation X’er, I get mixed feelings about 1980s nostalgia, but some things catch the kitschy spirit of the decade just right, like the Tony-nominated musical, “The Wedding Singer,” based on the 1998 Adam Sandler film.

Presented by the 21st-century actors of Eclipse, the professional-level program of Summer Stock Stage, “Wedding Singer” is on the main stage of the Phoenix Theatre Cultural Centre through June 16, directed by Kate Galvin.

In 1985 New Jersey, singer-songwriter Robbie Hart (Alex Pharo) is having modest success leading an in-demand wedding band, Simply Wed, with best friends Sammy (Micah Phillips) on bass and George (Matthew David Conwell) on keytar. Robbie is also looking forward to his own wedding, to Linda (Kha’Lea Wainwright), but things don’t go to plan. Meanwhile, Julia Sullivan (Leela Rothenberg), who with her cousin Holly (Dori Salumurovic) are waitresses at the wedding venue, is getting engaged to rich Wall Street boyfriend Glen Guglia (Jack Ducat). Julia has Robbie promise to sing at her wedding – which he eventually will, but not in the way anyone expected.

The plot hits all the expected beats of a typical rom-com, from the meet-cute all the way through to the “go out and get her!” What’s important is how the story goes from here to there, and all the charming, mildly dramatic, and laugh-out-loud moments along the way.

Pharo takes on this journey well, making Robbie a hero to root for, funny and charming without any of Sandler’s mannerisms so the character stands on its own. Rothenberg makes Julia both noble and sweet, the kind of woman worth going great lengths for. She and Salumurovic have a natural chemistry as well, like they grew up as almost-sisters. Phillips, looking like a mad scientist combined Hall and Oates, and Conwell, a sort of Boy George homage, also make memorable likable characters. Wainwright and Ducat give their roles each a flavor of vanity that befits the era – Glen’s especially, as a “greed is good” trader overflowing with hubris.  

Local stage veteran Devan Mathias steals scenes in roles including Robbie’s grandmother Rosie and Julia’s mother Angie. The supporting ensemble get a lot of time on stage – weddings, a bar mitzvah, at the mall, etc. – so get a lot of moments as well, featuring Isabella Agresta, Kayla Mariah Fifer, Fletcher Hooten, Byron Ledford, Hillary McGuire, and Maddux Morrison (who rocks Fake Billy Idol).

The musical, with book by Chad Beguelin and Tim Herlihy (from Herlihy’s screenplay), music by Matthew Sklar and lyrics by Beguelin, avoids the endless headaches of song rights by providing originals with the familiar feel of ‘80s hits, from the catchy “It’s Your Wedding Day” to the charm of “Come Out of the Dumpster.”

Galvin is aided by music director Jerico Hughes, choreographer Phillip Crawshaw and stage manager Rebecca Roeber. Embarrassingly accurate fashion and look by Wendy Meaden (costumes) and Andrew Elliot (wigs, hair, and makeup).

Highly entertaining with a story of love lost and found “Right in Front of Your Eyes,” find “The Wedding Singer” tickets at phoenixtheatre.org.

IndyFringe: The Miraculous Journey of Edward Tulane

This is part of IndyFringe 2022, Aug. 18-Sept. 4 (individual performance times vary) in downtown Indianapolis. Details and tickets at IndyFringe.org.

By John Lyle Belden

Essentially, if you see a Fringe performance listed as being by Carmel High School theatre department, just go see it. I’ve now seen four of their professional-quality IndyFringe offerings, and I am still in awe of their 2018 show.

This production, “The Miraculous Journey of Edward Tulane” is a fairly new play (likely an Indiana premiere) by Dwayne Hartford based on the 2006 award-winning children’s book by Kate DiCamillo.

On Egypt Street of an American city in the 1930s, little Abilene (Kate Sullivan) is given a fine china rabbit by her grandmother Pelligrina (Madison Alig). Abilene names him Edward Tulane, and adores him – as she should, the self-centered rabbit thinks. The spoiled, well-dressed rabbit silently makes demands that apparently only Pelligrina can hear, so she tells Abilene a bedtime story for Edward to also hear, a dark tale that puzzles the china toy.

Then, during a sea cruise, Edward falls overboard and his long journey begins. He becomes “Susanna,” the proxy child of a fisherman (Micah Phillips) and his wife (Sullivan); “Malone,” the companion and keeper of secrets for hobo Bull (Phillips) and his dog Lucy (Eden Hammond); “Clyde,” the scarecrow on the farm of an Old Lady (Alig); and “Jangles,” the treasured dancing doll of doomed Sarah Ruth (Juliet Malherbe, also our Narrator) and her loving brother Bryce (Sam Tiek), who makes him kick to his harmonica playing for nickels on the streets of Memphis, Tenn. However, an angry diner owner (Aaron Young) brings the journey to an abrupt end.

At last, Edward sits in a doll-shop window, older and repaired – but wiser? As the novel says, “If you have no intention of loving or being loved, then the whole journey is pointless.”

The play features a recurring song, “North Star,” by student director Ella Asher with Sarah Warf and Micah Phillips. Eden Hammond choreographed bits of movement. And an on-stage musician, Seth Jacobsen, strums the guitar and expresses Edward’s thoughts.

This Hans Christian Anderson-esque story with rich thematic layers and childlike wonder is excellently rendered by the teen cast and crew. Adapted to under an hour from a full-length 80-minute play, this production does not feel rushed or missing any pieces – like with Edward, the cracks don’t show. This is essential viewing for all children and kids-at-heart.

One performance remains, 1:45 p.m. today (as we post this), Saturday, Aug. 27, at the District Theatre.