Epilogue’s ‘Mr. Green’ a memorable visit

By John Belden

Being unaware of Epilogue Players’ “Visiting Mr. Green,” the self-described “comedy/drama” by Jeff Baron about a weekly appointment at the home of an 80-something single man, I wasn’t sure what to expect.

Well, this ain’t “Tuesdays with Morrie” – for one thing, our young adult Ross Gardner (Grant Bowen) arrives on Thursdays at the home of Mr. Green (Tom Bartley). This visitation isn’t sentimental, it’s court-ordered. Ross nearly ran over the old man with his car, and accepted fault and the judge’s unconventional version of community service.

To say Mr. Green is a curmudgeon would be putting it lightly. He’s very set in his ways, accustomed to being alone, and it’s hard to tell whether his mind is slipping or he wears distraction like a mask to hide his loneliness at the passing of his wife Yetta – “59 years, never an argument!” – months ago. He is a devout Jew, while Ross hasn’t done much with his faith since his bar mitzvah.

Bartley manages to portray this effectively without the distraction of aging makeup, brusque in his speech and manners, accompanied by slow but purposeful movement. He’s likable, but some of his attitudes challenge us – hard to brush off as just relics of another time or culture.

Ross tries hard to be accommodating. Bowen portrays him as frustrated, a people-pleaser at heart yet unable to find his own peace. We can tell he’s a good person caught in an awkward situation, something to which we can easily relate.

Over time, as one would expect, the two build a rapport of sorts, however a couple of personal revelations – one involving each of them – threaten to destroy their budding friendship. These visits become a compelling mix of gentle laughs and harsh words. As they both serve this unusual months-long sentence, they must find what – aside from Kosher soup – will be enough to heal their damaged souls.

The show is smartly directed by Mac Bellner with encouragement from Baron, whose recently completed second revision of his 1997 script is produced here.

This charming reflection on family, aging, and personal connections has performances Thursday through Sunday, April 10-13, at Epilogue, 1849 N. Alabama St., Indianapolis. Get tickets at epilogueplayers.com.

Romantic battle of wits in BCP’s ‘Moon’

By John Lyle Belden

Growing into your teen years is tough enough. But for a genius-IQ girl in a dull west Pennsylvania town in the 1980s with a single Mom who is a bit of a free spirit, the prospect of a new man in their life is a bit much to deal with. Fortunately, a lifelong friend is there to help.

In “Moon Over the Brewery,” by Bruce Graham, presented by Buck Creek Players, Amanda is our 13-year-old with this conundrum. Randolph, the (invisible to others) paternal-looking friend with a posh accent and wearing whatever was in the last book she read, has returned to delve into the mystery of the “midnight laugher.” They suspect this is a new bad decision for her mother, Miriam, a woman who stopped art school to become a diner waitress to raise her daughter – but never abandoned art, as she works on paintings of nightscapes as well as sculpture and a beautifully assembled quilt. The latter, Amanda (who minds the checkbook) plans to sell for top dollar.

Suddenly at their doorstep, there is an odd, mildly chubby mail carrier saying he is Warren Zimmerman, Miriam’s new beau. Amanda stands inside with Randolph at her shoulder: let the games begin.

This quirky comedy with quirky characters coalesces into a quirkier romance as our foursome come to understand each other and themselves. Brooke Dennis as Amanda is excellent as a 13-going-on-30 prodigy who at times mothers her mom but is not as mature as she feels she must be. AnnaStacia Nuffer in a brilliant debut as Miriam is a complex artistic soul who just wants everything good for everyone, hoping she could find some for herself. In her prior relationships she’s felt outvoted two-to-one by Amanda and Randolph, whom she regards not as a figment but a bogeyman who must be banished. Grant Bowen comes off a little disturbing and goofy at first as Warren; still, with genuine and easy manner he wins us as one who has eccentricities of his own but also varied life experience, just the right guy to stand toe-to-toe with an invisible man.

Tony Brazelton takes full advantage of a plum comic role; his Randolph is suave, brash, devious, protective, suspicious, sharply witty, and everything else you’d expect from a teenage girl’s id taken the form of a classic cinema leading man. His banter and mind games are highly entertaining, yet he never takes it too far, out of respect for the mistress from whose synapses he sprung, keeping him likable to the audience.

The result is a charming mashup of coming-of-age story and rom-com, with just enough weirdness to hold it together. This fun theatrical experience comes to life with the help of director Mac Bellner and technical director/stage manager R. Brian Noffke. Thanks also to young assistant directors Elsie Rau and Bennett Dilger for their work behind the scenes.

Remaining performances of “Moon Over the Brewery” are Friday through Sunday, Feb. 9-11, at the Buck Creek Playhouse, 11150 Southeastern Ave. (Acton Road exit off I-74), Indianapolis. For tickets and information, go to BuckCreekPlayers.com.