Louisa May Alcott

Belfry blesses us with ‘Little Women’

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By John Lyle Belden

“When you feel discontented, think on your blessings.”

This mother’s advice to her four daughters lends a theme to Louisa May Alcott’s classic autobiographical novel, “Little Women.” The Belfry Theatre, as part of its 60th season, presents the book’s adaptation by John Ravold at First UMC in Noblesville.

In December, 1862, we meet the Marsh sisters in their modest Massachusetts home: headstrong tomboy Jo (Emily Haus); kind, nurturing Meg (Emma Gedig); proud, self-centered Amy (Natalie Piggush); and shy “Mousie” Beth (Lizzie Schultz). Jo (patterned after Alcott herself) is also a writer, and leads her siblings in rehearsing a melodramatic play with an audience of supportive mother Marmee (Mary Garner) and young neighbor Laurie (Gideon Roark) who has brought his slightly-older tutor John Brooke (Samuel Smith). Slipping in at the back of the parlor is the very strict, proper, and wealthy Aunt March (Christina Burch).

This play-within-the-play involves some brilliant “acting” by the girls, including Jo in a wild mustache, providing a scene of comedy that alone is worth your ticket to the Belfry show. But moods soon change as a telegram arrives from Father (away at Washington, DC, as a chaplain to the Union Army), and Marmee must depart to be with him.

The second of three acts (intermission comes between II and III) gives the bulk of the original novel, including the arrival of Father (Rob Lawson) and another bit of awkward comedy as Meg and John sort out their feelings for each other. We also get a hot-tempered clash between Amy and Jo, and Beth’s tragically declining health.

The third act, set later, includes part of the “Good Wives” second part of the novel and introduces Professor Bhaer (James Semmelroth Darnell), Jo’s German friend arriving from New York.

Directed by Barcia Alejos, assisted by her son, Daniel Alejos, this production is charming and beautifully presented. Haus is outstanding as Jo, bringing all the aspects of a young woman ahead of her time, yet very much in the spirit of new ideas endemic to mid-1800s New England and changes brought by the Civil War era. Gedig, Piggush, and Schultz also bring life to their archetypes, helping us feel for their individual struggles. Roark is good-natured and Smith dashing, even the characters seeming content to be supporting roles in this feminine world. Garner and Lawson make parenting almost look care-free. As for Burch, her stoic portrayal reflects a woman who has learned only one way for a woman to be strong in their society, and dares not let her nieces stray from it – still, we get hints that there is a heart under that rigid corset.

The story we see does differ a bit from Alcott’s writings, resulting in unfamiliar scenes. Unfortunately, Ravold’s liberties in adaptation also include a couple of anachronisms. They can be ignored, and shouldn’t take away from the excellent work of cast and crew.

“Little Women” has another weekend of performances, Thursday (with special pricing) and Friday at 8 p.m., Saturday and Sunday at 2 p.m., at 2051 Monument St. (enter at Door 2 on the north side, not main church entrance). Get tickets at the thebelfrytheatre.com.

BCP goes big with ‘Little Women’

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By John Lyle Belden

Most of us, either by choice or school assignment, have read Louisa May Alcott’s 19th century novel “Little Women,” based on the lives of Alcott and her sisters. The book has also had several film adaptations, television airings, and – for our purposes here – inspired a 2005 Broadway musical with book by Allan Knee, music by Jason Howland, and lyrics by Mindi Dickstein. Thus adapted, the story is both familiar and new, and on stage at Buck Creek Players, directed by Cathy Cutshall, through this weekend.

The author is reimagined as Jo March, aspiring world-famous writer. Miranda Nehrig, who offstage is the answer to “what if Jo had become a lawyer,” boldly takes on the role with great presence, acting, and vocals. The show gives this central role a lot, and Nehrig shoulders it like a pro.

Alcott gave her literary siblings distinct, diverse personalities, to which our cast give full dimension: Jennifer Kaufmann smartly gives us Meg, the nurturing natural governess with sufficient charm to catch the eye of Mr. Brooks (Matthew Blandford), tutor to the boy next door, Laurie (Austin Stodghill). Jacoba White is sweet as shy Beth, happiest when alone at the piano, and capable of softening the heart of stern neighbor Mr. Lawrence (Brian Noffke). Hannah Partridge successfully accepts the challenge of making beautiful but bratty sister Amy likable, even as she matures into a social butterfly under ultra-prim-and-proper Aunt March (Jessica Bartley).

The ”little women” thrive under the care of mother Marmee March, with Heather Catlow ably portraying the bond that holds this family together with unending affection.

As for the men: Stodghill shines as the boy who becomes an honorary “brother,” yet finds himself yearning to be more. Blandford keeps Brooks appropriately upbeat. Veteran actor Noffke makes his turn look effortless. And Ben Jones is rock solid as Jo’s mentor, Professor Bhaer, even when the edges crumble as he considers his true feelings.

A fan of adventure tales and melodrama, Jo works on a story of derring-do that she hopes to sell. Its action comes alive with the help of Nathaniel Bouman as dashing Rodrigo. Other ensemble players are Kirsten Cutshall, Brandon Ping and Connie Salvini Thompson.

The plot hits the high points of the novel – comic and tragic, romantic and triumphant – so this show is a treat both for those familiar with it, or who only now discover this American classic.

Performances run through June 19 at the Buck Creek Playhouse, 11150 Southeastern Ave. (Acton Road exit off I-74). Get information and tickets at buckcreekplayers.com.

Review: Little Women – The Musical

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Sisters Jo (Julia Bonnett, lower left) and Amy (Karen Woods Hurt) reconcile after the anger between them nearly led to tragedy, while friend Laurie (Ethan Litt) and sister Beth (Betsy Norton) look on in a scene from "Little Women: The Broadway Musical" at the Booth Tarkington Civic Theatre in downtown Carmel. -- Civic Theatre photo
Sisters Jo (Julia Bonnett, lower left) and Amy (Karen Woods Hurt) reconcile after the anger between them nearly led to tragedy, while friend Laurie (Ethan Litt) and sister Beth (Betsy Norton) look on in a scene from “Little Women: The Broadway Musical” at the Booth Tarkington Civic Theatre in downtown Carmel. — Civic Theatre photo

By John Lyle Belden

For anyone who enjoyed – or haven’t read and are curious about – the classic Louisa May Alcott novel, I highly recommend “Little Women: The Broadway Musical” at the Booth Tarkington Civic Theatre through Sept. 26.

The story of the four March sisters coming of age in 1860s Concord, Mass., is told in a nicely-paced play that gives each moment its proper weight, then breezes to the next with the help of a song or two. We meet Jo (Julia Bonnett), the headstrong writer bursting with confident energy; beautiful Meg (Betsy Norton); musical and tragic Beth (Amanda Kennedy); and Amy (Karen Woods Hurt), whose brash immaturity at first makes her the least likable, but results in making her the most complex and interesting of these four characters – a credit to Hurt as well as the musical’s book by Allan Knee. Still, the narrative is from Jo’s point of view, and Bonnett is more than up to the task.

For the rest of the cast: Katie Schuman embodies wise mom Marmee. Dan Scharbrough perfectly balances menace and paternal kindness as gruff Mr. Laurence, who lives next door. Ethan Mathias ably handles the growing conflicting emotions of Professor Bhaer, Jo’s neighbor in New York. Ethan Litt and Justin Klein lend appropriate boyish energies to the roles of Laurie and Brooke, the young men in the girls’ lives. And Vickie Cornelius Phipps is excellent as fussy Aunt March, as well as Mrs. Kirk, Jo and Bhaer’s landlord.

This would be an excellent show for those with “little women” (or men) who could see themselves in the characters. Jo’s enthusiasm, especially, is contagious, perhaps encouraging those who would want to write up some stories themselves. The Tarkington stage is at The Center for the Performing Arts in downtown Carmel. Call 317-843-3800 for tickets.