Bard Fest: ‘Love’s Labour’s Lost’ a noble find

By John Lyle Belden

Did William Shakespeare invent the sitcom?

In a wacky set-up worthy of a TV yuk-fest, or even an old Abbot and Costello romp, a group of proud manly-men determine they are so serious to improve their minds that they pledge to ignore the urges of other, more primal, body parts for three whole years. But within minutes, they are visited by beautiful women – one for each of them – and, suddenly, “What oath?! I don’t remember promising anything!”

That, loosely, is the plot of “Love’s Labour’s Lost,” one of the Bard’s early comedies, but a play he took great pains to craft, as it was performed for Queen Elizabeth herself. Thus we deal in the realms of nobility and courtly love. The master of our men is the King of Navarre (little kingdom between Spain and France) and his three nobles were named after popular figures of the era. The visiting party is led by the Princess of France, to discuss a deal for the lands of Aquitaine (a highly valued southern French region), but once she learns of the men’s allegedly binding oath, she puts up with being camped outside the Navarre court with her ladies as an opportunity to indulge in some fun. To please its sophisticated audience, the dialogue is woven with all manner of clever and complex speech – even when topics get a bit bawdy.

To further spice the plot, visiting Spanish noble Armado (not bound by a chaste oath) fancies the love of commoner Jaquenetta. This story crosses streams with the main one when simpleton Costard switches a love letter to her with one intended for a lady of the Princess’s company.

So much going on, and fortunately Bard Fest provides plenty of talent to pull it off. Aaron Jones is noble, in charge, and a little lonely as our King, tutor to Chris Bell as Longaville, Colby Rison as Dumaine, and Matt Hartzburg as Berowne, who resists taking the oath, but reluctantly signs. John Mortell is wonderfully blustery as smitten Armado, attended faithfully by page boy Mote (a sly yet exceptional performance by Justina Savage). Gorgi Parks Fulper charms as Jaquenetta. JB Scoble is scene-stealing Costard, playing the goof to the hilt. Connor Phelan is Dull – that’s the constable’s name and the man’s personality, which Phelan hilariously commits to. We also have Dan Flahive as schoolmaster Holofernes and Thom Johnson as Sir Nathanial, who organize an entertainment for the royal visitors.

Attending the Princess (Jennifer Kaufmann) are Maria (Brittany Davis), who is sweet on Longaville; Katherine (Abigail Simmon), who thinks Dumaine is kinda cute; and Rosaline (Rachel Kelso), who has her eye on Berowne. Kaufmann maintains royal bearing throughout, but with Kelso, in her exchanges with Hartzburg, we see an early version of Shakespeare’s trope of the smart-alec man verbally sparring with the clever woman, sparks of which kindle romance. Director John Johnson takes a hands-on approach by taking the role of the ladies’ escort, Lord Boyet.

In all, this is a fun entertainment full of clever wit and colorful characters, with little in the way of big lessons other than the Princess learning that the time for fun inevitably ends, and our gentlemen exchanging an oath made lightly for a more serious pledge. Being a less-familiar play, I’ll spoil this no further.

Performances are Friday through Sunday, Oct. 29-31, at The Cat Theater, 254 Veterans Way in downtown Carmel. Get info and tickets at indybardfest.com.

Mud Creek hosts hilarious holiday hostage hijinks

By John Lyle Belden

Christmas should not be this funny, should it?

From the beginning scene, Mud Creek Players’ “In-Laws, Outlaws, and Other People (That Should Be Shot)” starts firing off the zingers, as holiday host Thomas Douglas (Ronan Marra) and teen daughter Beth (Audrey Duprey) discuss frankly the odd behavior of the relatives who will gather for their traditional Christmas Eve dinner.

There will be redneck Bud (Tom Riddle), his wife Bunny (Jennifer Poynter), a Jersey girl with no sense of personal space, and their super-achiever daughter Tracy (Alaina Moore); as well as elderly New Yorkers Aunt Rose (Kerry Mitchell) and Uncle Leo (Robert C. Boston Jr.) who never stop talking — either to bicker at each other or to name-drop and reminisce from days gone by. Tom’s wife Janet (Margie Worrell) is also expected, but her business flight from Vermont is late.

The Douglas home is caught in an unexpected snowstorm, but that doesn’t stop neighbor and local busybody Mrs. Draper (Veronique Duprey) from coming over to complain that Tom hasn’t turned on his holiday lights. Soon, they have bigger problems — unexpected guests Tony (Brock Francis) and Vinny (Connor Phelan), a pair of robbers hiding from police patrols. At gunpoint, Tony insists that everyone have a normal evening meal, but he soon finds that “normal” has no place in this house.

The home becomes more crowded with hostages as neighbor kid Paul (who is sweet on Beth) shows up, followed later by his sister Emily (Rylee Odle), then their mother (Jennifer Kaufmann). The robbers try to contain the situation by putting men and women in separate rooms, but that only spreads out the madness. Also, good-natured Vinny seems to be succumbing to a sort of reverse Stockholm Syndrome.

Add Aniqua ShaCole’ as the inevitable visiting police officer, and you have a situation ripe with comedy.  Yes, being a Christmas play, the Steve Franco script does include a bit of heart — and maybe a happy ending — but I also found a lot of moments of laughing until I nearly passed out. Francis, Phelan and Moore especially get to stretch their comic muscles, as this whole ensemble shines in an uproarious good time. You may even see a little of your own relatives in this bunch, or at least have something to compare to when holidays at home get extreme.

Find this farce at the Mud Creek Players Barn, 9740 E. 86th St. (between Castleton and Geist), through Dec. 15. Call 317-290-5343 or visit mudcreekplayers.org.