Rising Stars ‘slay’ in CCP production

By John Lyle Belden

Wendy and I have been at this for some time now, and we can point to several stage veterans who we first saw as shining stars as far back as sixth grade. So, consider the Carmel Community Players Rising Star Production of “A Medley of Murders” an opportunity to see kids on a path towards a lifetime of great roles – on stage, or elsewhere as they take confidence into their careers.

Murder seems a dire subject for middle- and high-schoolers, but this set of three one-acts are all comedy, and while death and destruction are at hand, we’ll leave it a surprise as to how many felonious slayings occur.

The hilarity gets under way in “Death of a Dead Guy” as Charlie Haas plays a cheesy noir-inspired Private Eye bumbling the case and dealing with a daring dame (Ava Button), a droll butler (Owen Yeater), the posh lady of the house (Isabella Bardos), the maid dropping all the china (Camren Davis) and a subtly brilliant turn by Mason Yeater as a surprisingly lively “victim.”

In “Cheating Death,” the Reaper (Lilliana Rondinella) comes to collect a soul during a group session in a mental hospital. Needless to say, things get a bit dysfunctional, as Death finds she, too, could benefit from some therapy. The patients, neurotic but clever and good-hearted, are nicely portrayed by Quinn Yeater, Kaavya Jethava, Veronica Rondinella, Camren Davis, Mason Yeater, and especially Kathryn Kirschner.

“Murder at the Art Show” involves nearly the whole company in a fairly complex plot, as Charlie Haas plays an art-hating jerk taking over the gallery from its curator (Jayda Glynn) and resident artist (Joey Brandenburg), so he can tear it down. The make-or-break exhibition features artists of varying renown (Emerson Bobenmoyer, Mason Yeater, Ava Button, Isabella Bardos), a bitter critic (Owen Yeater) and a “discovered” Monet painting. After a chaotic opening that seems to shock Rising Star director Tanya Haas as she tries to stage-manage the mess, an investigator (Quinn Yeater) declares there is evidence of foul play. This story brings out lots of promising performances, including by Morgan Rusbasan, a seventh-grader in her first major role as the keeper of the alleged masterpiece; and Kaavya Jethava, showing great stage presence for a sixth-grader as a competent but mysterious personal assistant.

Remaining performances are Friday through Sunday, June 17-19, at Carmel Friends Church, 651 W. Main St. You don’t have to be a relative or friend of these youths to enjoy this bit of silly fun. They’ll appreciate your support, and we wouldn’t be surprised if, before long, you see some of them on stage again.

Info and tickets at carmelplayers.org.

CCP adds more girl power to ‘Pageant’

By Wendy Carson

I remember in high school we had a huge problem picking out shows because 80 percent of our auditioners were female, up for only about a third of the roles. It seems that this gender disparity has not changed, because when Carmel Community Players held auditions for “The Best Christmas Pageant Ever,” most of the actors who turned up were female. So, in a brilliant casting twist, Director Lori Raffel decided to change the genders of several of the roles, mainly affecting the dreaded “Herdman clan” — it worked out beautifully.

The Herdman children, a grubby, ill-mannered, bunch of bullies, end up taking over all of the major roles in the church Christmas Pageant, much to everyone’s dismay.

Beth Bradley (Dana Hackney), our narrator, relates that her brother Charlie (Sam Vrtismarsh), whose favorite part of church is the fact that it is the one place without torture at the hands of the Herdmans, inadvertently causes this catastrophe to occur.

Stuck in the hospital from an accident, the pageant’s usual director, Mrs. Slocum (Lee Meyers) gives directing duties to Charlie’s mother, Grace (Deb Underwood), including constant phone calls “reassuring and advising” her.

Enter the Herdmans: Ruby (Jayda Glynn in the former “Ralph” role) takes the part of Joseph. Imogene (Maya Davis) usurps the role of Mary, which had always been played by Alice Wendleken (Avery Pierce) and relegating poor Alice to the Angel Choir. Loretta (Delaney Soper in “Leroy” role), Ellie (Ellianna Miles in “Ollie” role) and Claude (Austin Helm) grab the roles of the Wise Men. Rounding out their family unit, little Gladys (Abigail Smith) plays the Angel of the Lord bringing the good news to the shepherds – “Shazam!”

Add to these characters a couple of gossipy church women, Mrs. Armstrong (Ginger Home) and Mrs. McCarthy (Nikki Vrtis); the Pastor (Joe Meyers); and the petulant rest of the pageant cast – Maxine (Sophia McCoskey), Elma (Christina Whisman), and Hallie (Megan Holliday); not to mention Charlie’s ever-suffering Father (Steve Marsh), who keeps trying to get out of attending the pageant in the first place.

How this whole mess turns out, and changes those in attendance, is a Christmas miracle that has warmed audience hearts for years all over the country. It just looks a little different here.

While the cast on the whole does an admirable job, a few standouts that must be mentioned: Holliday’s dance solo was a delightful display of budding talent. Hackney did a nice job shifting her focus between telling the story and trying to survive the insanity all around her. Pierce excellently portrays her character’s “Holier than Thou” attitude throughout. Davis adds depth as Imogene finds connection with The Virgin’s plight. However, it is Smith’s turn as the fiercely indomitable Gladys Herdman that shines the brightest. I expect we will be seeing a lot more of her talents in the future.

There is one weekend left of “The Best Christmas Pageant Ever,” through Dec. 9. So, gather the whole family, scoot over to the Ji-Eun Lee Music Academy, 10029 E. 126th St. in Fishers, and enjoy a fun Christmas show. Get info and tickets at carmelplayers.org.

Also, make sure you bring a few extra dollars to purchase one of the lovely pasta angels handcrafted by the troupe. They are quite lovely and will make a wonderful accent to your tree for years to come.