Getting help with all life’s ‘Stuff’

By John Lyle Belden

It’s the easiest trap most of us fall into: You need to save this. You must hold on to that. I’m not finished reading this. I’ll get around to making something with that… Time passes, boxes stack up. And then there are the mementos – especially when they signify a time, place, and most importantly a person, no longer around.

Suddenly, people tell you that you have a problem.

Local playwright Jan White presents, with Actors Ink Theatre Company, her comic drama “Stufferage” at The District Theatre, directed by Sandra Gay, who founded Actors Ink decades ago, and now dedicates it to providing performance opportunities for “People Of a Certain Age.”

As White notes in the program, roughly six percent of people have some sort of hoarding disorder. This gets further complicated by aging as well as other likely mental issues. In the play, inspired in part by actual people and events, Marty (Chad Pirowski) persuades his aunt Georgia (Sheila Wright), a therapist, to come out of retirement to aid his mission-oriented business, Stop Stuffering, in honor of his recently-deceased mother (Georgia’s sister), a lifelong serious hoarder. His idea is to help others with similar issues to declutter and organize their stuff to better deal with their lives.

To seek interest, they set up a “Help for the Overwhelmed” Facebook group and in-person meeting. They already have one client, Barbara (Melody Ware), who refuses to leave her overflowing home so is ordered by a judge to at least attend via Zoom.

Arriving in person: Sarah (Mary Hardin) let things accumulate during the Covid isolation period and is still nervous about venturing out. Married couple Jim and Donna (Rob Young and Tina Nehrling) see each other as the problem – her overflowing craft room, his overstuffed garage – but with additional endless piles of mail and magazines, their adult children let them know it’s both of them. Mimi (Stephanie Reinert) is obsessed with puppets, but the ever-growing accumulation of pieces, projects, and finished figures has ironically taken control of her life. Darrell (Brian Shobe) misses his late wife and, after several months, can’t bear letting go of any of her possessions.

Rick Northam is handy as various supporting roles, crew director, and the foley for an opening scene that, with awkward humor, gives us a sense of how bad things get for the “stuffering” and those who love them.

The narrative shows us the various ways these characters work through their issues, both the accumulated objects in their homes and learning to “clear the clutter from your heart.” There are varying degrees of success, with Barbara – “I have a right to my stuff!” – being the most difficult, her unsettled personality nearly as colorful as the exploded flea market of her front yard. The excellent scenic design, including piles and stacks capable of moving on and off stage as needed, is by Carlos Teeters.

We get compelling performances all around. Pirowski and Wright portray sincere empathy – hers more professionally, his with the sense of a son who wishes he had helped his mother more. Hardin and Shobe each pull our heartstrings. Young and Nehrling add more humor than rancor to their couple who seem to have arguing as a love language. Reinert is endearing and an inspiration to crafters everywhere as Mimi strives to actually make some puppets! Ware takes on the most complex role with appropriate gusto while keeping Barbara’s mental issues true to life.

A light-hearted and hopeful look at a serious problem, experience “Stufferage” Thursday through Sunday at The District Theatre, 627 Massachusetts Ave., downtown Indianapolis. Get tickets at indydistricttheatre.org.

District drama explores daunting ‘Place’

By Wendy Carson

By Wendy Carson

The District Theatre presents “What Is This Place? A Journey of Self in the Aftermath,” in which five souls ask the title question, while knowing on some level exactly where they are.

Welcome to their nightmare – where you, too, will likely go one day.

I first saw a version of this show in August of 2016, at IndyFringe. In the six years since, playwright Jan White has reshaped it into an even greater work of beauty and hope. If you go back to that first review, I didn’t say much about the show because I didn’t want to spoil the mystery for anyone. However, the current version allows more room to meditate on the performance.

The story begins with Darlene (Holly Hathaway) being flung in through a door which she cannot unlock to make her escape. She claims to know the place, because in her past she saw her mother inside it. She protests that she wants to leave, but is afraid of what lies beyond the door.

The other denizens of this place are: Maggie (Miki Mathioudakis), a wealthy widow, distantly connected to Darlene, who has transformed into a sloppy, hot mess; Sophia (Brittany Magee), a perky, meditating, goof who searches for peace she cannot find; Cindy (Bianca Black), who just wants to sleep, but no combination of drugs and alcohol are able to work; and finally, Jake (Chad Pirowski), the apparent caretaker, whose silence makes him appear creepy.

Periodically, each person will go to a space at the side of the stage to view pieces of their memories, which we are privy to by way of a video screen. It does not take us long to realize what this place actually is, but the point here is the characters’ journey to that same discovery. Once they fully acknowledge it, they must then decide whether to leave or stay (each option has its benefits).

As each woman comes to terms with that which landed them there, they must also deal with the fact that some questions never have answers, that perhaps “everything happens for a reason” is nonsense, whether you accept it or not. Eventually, they find the darkness they have in common, and how to wield it as a key to that door that perhaps was never really locked after all.

While this is a story about grief and loss, it also embodies the accomplishment and hope that lies at the end of that road.

Performances are truly remarkable, considering the gut-wrenching dramatic exercise this play puts the cast through, under the direction of Rosana Schutte. We get small bits of relief, in humorous moments with Cindy’s substances, Maggie’s endless Doritos bags, or Sophia’s attempts at serenity with bells and “tapping.” Still, the pain is never far from them, lurking just outside the windows. Our heart goes out to all five, even Jake, who has the darkest truth.

Remaining performances of “What Is This Place?” are Friday and Saturday, April 29-30, with ASL interpretation, at the District, 627 Mass. Ave., Indianapolis. For info and tickets, go to IndyDistrictTheatre.org.

‘Old Broads’ up to new tricks at Buck Creek

By John Lyle Belden

Something’s not right at Magnolia Place senior assisted living facility.

Imogene (Gari Williams) is having “episodes” with memory lapses; Maude (Wendy Brown) has stopped bathing and obsessively plans her own funeral; and best friends Beatrice (Jan White) and Eaddy Mae (Cathie Morgan) need to get to the bottom of why, soon, so they’ll be on time for their planned cruise vacation.

Meet “Four Old Broads,” the comedy by Leslie Kimbell at Buck Creek Players. 

Feisty Beatrice and churchy Eaddy Mae suspect the problem is the hostile new facility director, Nurse Pat (Lauren Johnson), who is keeping all the residents’ medicine and doling it out to them. Since this started, a lot of folks have crossed over to the “dark side” ward with swiftly declining conditions. The ladies are offered help from aging Elvis impersonator Sam (David Mears), who still feels like a hunka-hunka burnin’ love.  At least new nurse Ruby Sue (Ruth Shirley) seems nice, if she can get her nose out of that trashy romance book.

A comedy, mystery, and maybe sly commentary on how we treat our elders, this show is full of laughs and surprises, directed by Tracy Friddle.

White as Beatrice is a force of nature, sporting a wild attitude with clothes to match. Morgan as Eaddy Mae is more a force of nurture, sweet and sensible, with frequent prayer breaks — acting as Beatrice’s conscience as well as her own. Williams as Imogene gets the most complex role, entertaining even when in an apparent coma. Brown’s Maude exasperates all on stage, especially with her attachment to her TV “stories,” further adding to the laugh factor. Mears as Sam seems like a bit much at first, but wins his way into our hearts, as well as one of the ladies. Shirley as Ruby Sue does a lot with what deceptively looks like a little role, and Johnson’s Pat is appropriately despicable. 

“I’m not trying to get into anyone’s personal business,” as Eaddy would say, but I’d advise getting up to stretch and take a break during intermission, as the play does run long. When the mystery is solved, there is still a scene to tie up other loose ends.

One weekend remains with the “Four Old Broads,” Friday through Sunday, Feb. 7-9, at the Buck Creek Playhouse, 11150 Southeastern Ave. (Acton Road exit off I-74); call 317-862-2270 or visit www.buckcreekplayers.com.

IndyFringe: Not Dead Yet

This show is part of the 15th Annual Indianapolis Theatre Fringe Festival, a/k/a IndyFringe, Aug. 15-25, 2019 on Mass Ave downtown. Info, etc., at www.IndyFringe.org.

By Wendy Carson

Dana Dunn is a retired actress. She gave up Hollywood while her star was on the rise and relocated back to middle-America to live a more normal life. She is quite happy not acting again for the rest of her days, living with her sister, Lana, who was her hair and makeup stylist. The two are lovingly close.

Dana’s devoted nephew, Shawn, is trying to bring her into the modern world by giving her an iPad fully loaded with all of the websites she would need, as well as links to accounts devoted to her and her career. He also has a tip that Ron Howard (a huge fan of Dana’s work) is casting a new movie and would be thrilled if she would consider joining the cast. Needless to say, Auntie Dana is having none of it.

After returning from a dear friend’s funeral, they are joined by Tom and his sister Sandy, who grew up next door. While Tom is sincere and level-headed, Sandy is a whiny, self-centered bitch on wheels. It is obvious that while they have both gotten older, neither of them has ever grown up.

At Dana’s birthday party — given by Grayson, her biggest fan and dear friend — we meet Sam Snyder, an aspiring actor who can only get a job spinning a “Cash 4 Gold” sign. Afterward, Dana and Lana pick up the iPad and start playing around on it. After many drinks, Lana takes a picture of Dana laid out on the couch and posts it to Twitter noting #DanaDunnIsDone. The next morning, everyone is convinced she is dead and, of course, hilarity ensues.

Miki Mathioudakis brings Dana to life with a perfect combination of spunkiness and willfulness. Forba Shepherd crafts Lana as a devoted sister but also highlights the character’s sly, manipulative side.

John Joyner does an understated job portraying Tom as the dependable rock that is always there for everyone. Tina Nehrling plays every neurotic affectation that combines to create the psycho powerhouse that is Sandy. Sean Q does a great job of playing the loving yet driven Nephew, Sean.

Lance Gray as Sam and John B Hays as Grayson spend so much time chewing scenery and just being overall fabulous, you can tell they are loving every second that they are embodying their characters.

Still, it’s very nice to see a show in which “ladies of a certain age” are written with dignity and respect, and are more than just caricatures themselves.

This comedy by Jan White has performances Friday and Saturday (Aug. 23-24) at the IndyFringe Theatre, 719 E. St. Clair.