Comedy and Cole do double-duty at Footlite

By John Lyle Belden

Footlite Musicals gives us a two-for-one courtesy of the Cole Porter musical, “Kiss Me Kate,” with book by Sam and Bella Spewack, and some guy named Shakespeare.

In this show you get a backstage romance set during a Baltimore heat wave, as well as the premiere of “Taming of the Shrew: The Musical.” Fortunately for Footlite director Paula Phelan, they are essentially the same story.

Fred Graham (Aaron Mann) has written, produced, directed, and now stars in “Shrew” opposite, appropriately, his ex-wife Lilli Vanessi (Jessica Hawkins). She plays the title character, fair Katherine, while Fred is Petruchio, the daring gentleman out to woo her.

The musical within this musical also features Lois Lane (Paige Penry), who offstage has been seeing Fred, and who on stage plays the pretty younger sister Bianca. She is in turn wooed by Lucentio, played by Bill Calhoun (Jack Sullivan), who shares Lois’s affections as well as her general lack of scruples, demonstrated by the fact he ran up a big gambling debt and placed Fred’s name on the IOU. This brings on the intrusion of two faux-sophisticated mob toughs (Mitchell Hammersley and Ryan Bridges), arriving to collect.

For those who don’t know or remember the story, “Brush Up Your Shakespeare” and note that things get “Too Darn Hot” as “Another Op’nin, Another Show” doesn’t go “Wunderbar” for Fred and Lilli. It’s enough to make her declare “I Hate Men,” while they strive not to fall “So in Love.” If you are reading this thinking, “Why Can’t You Behave,” dear reader, understand that I’m “Always True to you in My Fashion.” In addition, aside from the Porter hits and big dance numbers, this is also a rollicking comedy with misunderstandings and other farcical elements throughout. This especially includes scene-stealing bits by Bridges and Hammersley.

The big cast includes about 30 additional players, including featured singers Kelly Berryman (“Another Op’nin’…”) and Michael Sherman (“Too Darn Hot”); featured musician Jeremy Kaylor; the practically unflappable Dan Flahive as Harry, who plays Kate and Bianca’s father Baptista; Jeremy Crouch as stressed Stage Manager Ralph; the ever-charming Duane Leatherman as Pops the Doorman; and Kevin Caraher as Mr. Harrison from Washington (Lilli’s fiancé).

With the parallel plots, we not only get a fun mid-20th-century musical, but also a reasonable condensation of the Shakespeare comedy, all complete with a happy ending.

Phelan is assisted by Jerry Beasley and Lauren Werne, with stage manager Melissa Yurechko. Lisa Reynolds is vocal director. Choreography is by Erica Wilkinson, and the orchestra is conducted by Aaron Burkhart.

“Kiss Me Kate” has performances Thursday through Sunday through May 17 at the Hedback Theater, 1847 N. Alabama, Indianapolis. Get info and tickets at footlite.org.  

IndyFringe: And Then They Came For Me

This show is part of the 15th Annual Indianapolis Theatre Fringe Festival, a/k/a IndyFringe, Aug. 15-25, 2019 on Mass Ave downtown. Info, etc., at www.IndyFringe.org.

By John Lyle Belden

The Carmel High School theater program — practically a professional company, considering the quality of its shows — presents this historical drama, written by James Still (playwright-in-residence at the Indiana Repertory Theatre).

Consider it a companion piece to “The Diary of Anne Frank,” as it relates the stories of people who knew her, but with events she couldn’t have known about while in hiding. The focus is on two young people — Eva Geiringer and Helmuth Silberberg — whom we know much about because they survived the Holocaust. The acted scenes are intercut with audio and video footage of these two from recent interviews.

The student actors give stunning performances: Maddie Nagel as Eva, with Austin Audia, Kelsey McShay and Luke Vreeman as her family; Ryan Yauger as “Hello” Silberberg, with Kate Barthuly and Jack Sullivan as his parents; and Emily Chrzanowski as Anne, looking like she just stepped out of one of the old photographs. Sullivan also has the unfortunate but important role of a Nazi Youth, showing the contrast of the regular German’s life of indoctrination and exploitation of his naive faith in the Reich.

The narrative itself is riveting, with events of miraculous survival, as well as stories of those who perished so close to their potential liberation.

Direction is by Maggie Cassidy, with student assistants Madi Diehl (sound), Delaney Kibler (costumes and lights) and Gabrielle Marshall (projection, poster and logo design).

To see both the future of Indiana theatre, and a stark reminder of humanity’s past, remaining performances are 10:30 p.m. Saturday and 6 p.m. Sunday at the IndyFringe building, 719 E. St. Clair.