Bard Fest: Tragic Egyptian queen still fascinating

By John Lyle Belden

Indy Bard Fest presents the Improbable Fiction Theatre Company production of “Antony and Cleopatra” – which, though I know that’s the way Shakespeare titled it, should give the doomed last Queen of Egypt first billing.

Already an incredible talent, Afton Shepard throws herself fully into her title role, portraying Cleopatra’s “infinite variety” of moods and mental states. But under her demeanor, ranging from stormy to sultry, burns a fierce intelligence. All this and more Mark Antony, well-portrayed by Darin Richart, sees, and dedicates himself to as they rule the Eastern third of the Roman Empire. But confict with fellow triumvir Caesar (the eventual Augustus, played by Thomas Sebald) is inevetable.

This production, directed by Ryan T. Shelton, pares down the cast and puts the focus more squarely on Cleopatra. Having ruled since she was a teen – and still showing fits of immaturity – she is also well traveled and educated. She knows a woman’s typical place in this world (much like ours, in a way) and is not afraid to use seductive charms to camoflauge her true wisdom.

Many characters are placed on the weary shoulders of Craig Kemp, who enters as the Soothsayer and appears as various messengers and soldiers as the story demands. The excellent cast includes Bobbi Bye as Caesar’s advisor Agrippa, Dana Lesh and Barb Weaver as Cleopatra’s servants Charmian and Iras, Duane Leatherman as third triumvir Lepidus, Jamie Devine as Caesar’s sister Octavia, Becca Bartley as Cleopatra’s guard Alexas, and Jet Terry as Antony’s faithful soldier Scarus. Kevin Caraher gets a meaty role in Enorbarbus, steadfast for Antony up to the point that he sees history turning and fearing himself on the wrong side, “when valor preys on reason.”

Gender-blind casting is nothing new in today’s theatre, but I liked that Caesar’s soldier Dolabella, played by Evangeline Bouw, seems to lend an element of feminine empathy in being the last Roman to guard Cleopatra at the end.

Scholars debate the fine points of even the original historical sources, but this powerful play gives a good sense of the era and the essence of the larger than life persons in it. We feel we have met Cleopatra and Antony, and it’s an honor.

Performances are Thursday, Saturday and Sunday (Oct. 28, 30, 31) at The Cat Theater, 254 Veterans Way in downtown Carmel. Get info and tickets at indybardfest.com.

Bardfest: And now for something completely different

By John Lyle Belden

Yes, the title here is stolen from Monty Python, which has nothing to do with the third annual BardFest, now in Indianapolis – in the IndyFringe building – after a couple of years in Carmel. However, we are dealing with things that are British and unusual.

Shakespeare’s plays – aside from being public domain – tell such good stories that they lend themselves to numerous times and places. Thus the Bard’s three plays in this year’s festival get reinvented in interesting ways.

Thus BardFest 2017 presents:

* “Cymbeline,” presented by Garfield Shakespeare Company, a play with elements of both the Comedies and the Tragedies. Originally based on the legend of a British king during the Roman Empire, this version is in a parallel world right after the American Civil War – as though West Virginia had declared itself a separate kingdom, and the Republic was cool with it, as long as the taxes are paid. Adapted and directed by Anthony Johnson, it stars John Mortell as the title king, Ashley Chase Elliott as his Queen, Elisabeth Speckman as our heroine, Cymbeline’s daughter Imogen, and Chris Burton as heroic Posthumous (yes, his actual name in the play).

* “MacBeth,” presented by First Folio Productions, the familiar cursed tragedy adapted to a tense 90 minutes by director Carey Shea. Medieval Scotland is transformed into a modern urban wasteland, where King Duncan (Ryan Ruckman) keeps order like a local sheriff or police chief. He awards a title to faithful MacBeth (Adam Tran), who had just had that promotion prophesied to him by a trio of weird women (Nan Macy, Janice Hibbard and Leah Hodson) – didn’t they also say he would become king? Lady MacBeth (Devan Mathias) is just happy her husband is finally in line with her murderous plans to seize the crown. However, Duncan’s lieutenants Macduff (Chelsea Anderson) and Malcolm (Nathan Thomas) quickly become suspicious of the ambitious couple when the king is killed.

* “The Taming of the Shrew,” presented by Catalyst Repertory, freely adapted by Catalyst founder Casey Ross. The famous Shakespeare comedy finds its misogyny mutated into a sassy, outrageous sort of musical, using modern pop songs to help tell the story – this is not “Kiss Me Kate.” At a late-20th-century tropical resort, bawdy innuendoes fly as lusty lounge singer Petruchio (Davey Pelsue) seeks to tame curvy, catty Katherina (Hannah Elizabeth Boswell). Meanwhile, noble Lucentio (Bradford Reilly) slyly wins the heart of Kate’s younger sister Bianca (Abby Gilster). Will boss Baptista (Tony Armstrong) see his daughters married off in birth order? Did you ever think a rockin’ anthem by The Darkness could be made into a heartfelt ballad?

* And for purists… well, as close as you could get was a manic production of the comedy, “The Complete Works of William Shakespeare, Abridged,” presented by the Improbable Fiction Theatre Company during the festival’s first weekend. The Reduced Shakespeare hit by Adam Long, Daniel Singer and Jess Winfield was taken on by local thespians Ron Richards, Ryan T. Shelton and Adam Workman, under the direction of Christy Clinton with occasional necessary assistance from stage manager Tamara Rulon.

Remaining performances are on both IndyFringe stages at 719 E. St. Clair, Thursday through Sunday (Oct. 26-29). “Cymbeline” is the more family-friendly (though its length could test the patience of younger patrons), while “MacBeth” is very violent and “Shrew” is very not-for-kids. For information and tickets, visit www.indyfringe.org/bard-fest.

Wendy and I will try to get more in-depth reviews of the individual shows up tomorrow, and will link back to here.