Life lessons continue for aging friends in IRT comedy

By John Lyle Belden

Even after we’ve been around for decades, life can surprise or even shock us, and as long as we’re alive, we have to work out what’s next. In this spirit, “Morning After Grace,” by Carey Crim, a comedy with all the dramatic feels, appears on the Indiana Repertory Theatre stage. 

As the play opens, Abigail (Laura T. Fisher) and Angus (Henry Woronicz) experience a “morning after” following meeting at a funeral. Since they live in a retirement village in Florida, it’s not as unusual as you’d think. And while they are sorting things out, neighbor Ollie (Joseph Primes) pays a visit. From the beginning, misunderstandings and miscommunications bring about hilariously comic moments. 

Through the actors’ skill, and direction by IRT Artistic Director Janet Allen, this trio develop a wild, quirky chemistry that you get with people with so little in common thrust together. What they do share is a need to deal with loss, and with conflicts with those they now find it difficult to love. 

But another facet is how all three look forward — while acknowledging it being “of a certain age,” they each see a future: Abigail has a career as a counselor; Angus has a beautiful house and an opportunity to start over; and soon Ollie will put aside that cane he walks with and embrace life with his beloved. 

With all this depth, I must reiterate that this is a comedy; at times I nearly laughed myself blind. The trio execute the comic beats perfectly — for Woronicz especially refreshing to see the flip side of his dramatic acting in “12 Angry Men” last year.

The end result is like your favorite episode of a classic sitcom with serious undertones, like “MASH,” “Seinfeld,” “Mom,” or the similar “Cool Kids” — but with one well-placed F-bomb.

Escape the cold for this warm-hearted delight, through Feb. 9 at the IRT, 140 W. Washington in downtown Indy (near Circle Center). Call 317-635-5252 or visit irtlive.com.

And congratulations to Janet Allen for being named the Margot Lacy Eccles Artistic Director with the endowment of a $2 million gift to the IRT by the Eccles charitable fund. The late Ms. Eccles was an avid supporter and board member of the theatre.

IRT opens ‘Angry’

By John Lyle Belden

It’s a hot summer night, and what will happen in this room will have life and death consequences for someone you’ve never met.

Welcome to “Twelve Angry Men,” the classic American drama by Reginald Rose opening the 2019-2020 season at Indiana Repertory Theatre. Set in 1957, this play is both very much of its time, and timeless. The struggles and society these dozen characters deal with are every bit as real today as they were then.

Our 12-man jury is tasked with deciding the fate of a young man accused of murder. If the verdict is guilty, the death penalty will be applied. The men are all from different backgrounds, working class to rich. Though all white, they have roots in different ethnicities. 

The jury foreman (Seth Andrew Bridges) calls for a preliminary vote. Since the result seemed so obvious during the trial, all vote “Guilty” — except for one (Chris Amos). Why? He doesn’t want a rush to judgement, he says, and besides, he has some questions.

For the next hour-plus (the play is a single movie-length act) we hear the details of the case, presenting the murder mystery in nearly enough detail to give the audience a vote. 

The men arguing are all sharply acted, under the direction of James Still, giving dimension to their archetypes: Scott Greenwell as mousey, yet wanting to see justice done; Craig Spidle as one easily convinced of the evil “kids these days” can do; Henry Woronicz as a rich broker who wants to see the facts as plain and ordered as the newspaper he reads; Demetrios Troy as a man with more in common with the defendant than he’d like to admit; Casey Hoekstra as a laborer whose work ethic informs his judgement; Michael Stewart Allen as a loud Yankees fan (he wants the deliberations done in time to go to a game) who sounds more certain than he actually is; Mark Goetzinger as an older gentleman struggling to bring perspective to the proceedings; Robert Jerardi as a bigot determined to see “one of them” condemned; Patrick Clear as an immigrant excited to exercise his new citizenship; Charles Goad as an ad man who can’t help playing both sides; Bridges’ foreman, whose skills as a high school coach come into play; and Amos’ holdout, the conscience of the play and principal driver of the “reasonable doubt” that can turn the verdict around. Adam O. Crowe plays the Guard stationed outside the jury room door. 

Most people know, or can easily guess, the outcome of this drama. What is important, and makes this engrossingly entertaining, is how they get there. The knife, the steps, the glasses, all the clues and what they suggest, making for an intense 100 minutes. And the title is apt: these men get plenty angry — including at each other.

The stage set, designed by Junghyun Georgia Lee, is a masterwork, including a washroom to the side that can be made to be seen through screens when needed, as some juror discussions take place privately. The custom-made long wooden jurors’ table sits upon a turntable that slowly moves at times to aid our perspective of the deliberations. And at moments an actor might step away from the churning motion to demonstrate his seeking clarity. 

While the idea seemed gimmicky, the turning table is not constant, and thus works to great effect. Still notes this aspect of the stage was discussed early on in the production. “You mostly just have 12 men sitting around a table,” he said. “We needed something dynamic.”

The deliberations continue through Sept. 29 at the IRT, 140 W. Washington St. in downtown Indy, by Circle Centre. Info and tickets at http://www.irtlive.com.