Epilogue opens entertaining ‘Present’

By John Lyle Belden

When it comes to the demands and frustrations of celebrity, with problems often of one’s own making and fueled by ego, the setting could be any era and major city – such as 1930s London. There, in the main room of a legendary actor’s luxury flat, we find Noël Coward’s “Present Laughter,” presented by Epilogue Players, directed by Catherine Mobley.

The title comes from Shakespeare, which isn’t significant to the plot but is the kind of indulgence that the main character – inspired by Coward himself – would appreciate.

Forty year-old West End star Garry Essendine (played by Brandon Wentz) has been quite busy. While preparing for a theatre tour of Africa, he extends assistance to young fans like Daphne Stillington (Breanna Helms) who has “lost her latchkey” and needs to spend the night at her place. You’d be surprised how often this happens. She emerges conveniently from the spare room – in his pajamas – to request breakfast from unfazed butler Fred (Jim Gryga) and the Swedish Spiritualist chain-smoking housekeeper Miss Erickson (Katherine LaTour).

We meet Garry’s inner circle, starting with long-suffering secretary Monica (Danielle Blair) and wife Liz (Veronique Duprey) who is happier living separately and keeping their relationship strictly business. There is also his manager, Morris (Gregory Roberts), and his producer, Hugo (David Shaul), whose hot wife Joanna (Shaun Ancelet) seems to have ambitions of her own.

A careless “sure, I’ll look at your play” has resulted in the appearance of obsessed, aspiring playwright Roland Maule (Ryan Moskalick). In addition, Lady Saltburn (Cathie Morgan) will arrive for what turns out to be a very eventful appointment.

These characters combine for a wild series of events that actually has someone asking, “Am I in a French farce?” Whatever you want to call it, this play presents us with a lot of opportunities to laugh.

Wentz makes Garry a rather likeable rogue who, while resisting middle age, shows some self-awareness of the consequences of a lifestyle he can’t help enjoying while also taking his vocation and status seriously. With a knowing smile, Duprey maintains Liz in the calm eye of whatever storm is whirling around, understanding her husband better than anyone. Likewise, Blair makes Monica a little jaded while cleverly keeping her boss in line. Helms and Moskalick keep things hilariously lively, each being persistently problematic in their own way. Ancelet makes Joanna devilishly appealing.

Effective set design by Andy Burnett and Melody Burnett makes the most of the intimate Epilogue stage. Mobley is assisted by Laura Duvall-Whitson; Jenny Braun is stage manager.

One weekend remains of “Present Laughter,” Thursday through Sunday, June 25-28, at 1849 N. Alabama St. (corner of 19th and Alabama), Indianapolis. Reserve tickets at epilogueplayers.com.

Epilogue presents inspiring ‘Tribute’

By John Lyle Belden

Sometimes a man can be a friend or even hero to the people he meets and works with in a career, but still be distant to his own family. This theme is at the heart of “Tribute,” the 1970s comic drama by Bernard Slade (writer of the hit “Same Time Next Year,” who also helped bring “The Flying Nun” and “Partridge Family” to TV), presented through Nov. 19 at Epilogue Players.

Scottie Templeton (played by Greg Howard) has had a varied career – writing plays, producing in Hollywood – while taking none of it seriously. This attitude has made him a friend to everyone, giving him connections that he can link as a consummate man behind the scenes. But he is also long estranged from his ex-wife and a stranger to the grown son who had worshiped him as a child – before the divorce.

Circumstances bring his ex, Maggie (Laura Baltz), and son, Jud (Joshua Brunsting), to his New York apartment. Scottie tries desperately to reconnect – especially with the young man who is as humorlessly serious as he is carefree – because he has discovered he has leukemia and might have only months to live. His close friend and business partner Lou (Dennis Forkel) and doctor, Gladys (Wendy Brown), try to do what’s best for him. Meanwhile, Scottie sets up his young friend, Sally (Lauren McDaniel), with Jud in an attempt to loosen him up. Melissa Cleaver completes the cast as Hillary, a woman who received much-needed aid from unjudgemental Scottie, and returns to town to repay a little of his kindness.

We get the full measure of the man both from these scenes and in testimonials at the “Tribute” thrown in his honor, the dramatic device that enrobes the play. And we get a good measure of the style and charisma of Howard, who never lets up on the charm, yet often allows Scottie to betray the seriousness of the situation.

The women are each charming in their own way – Baltz as a caring realist who has come to terms with the quirks of the men in his life; McDaniel as a pillar of confidence who will not be taken lightly; Brown as a caring soul, both the healer wanting to help and the friend not wanting so see someone she cares for die; and Cleaver as one wacky nurse.

Brunsting’s Jud is such a stick in the mud, but he’s not unlikable. As we, and Scottie, come to understand the lifetime of pain and estrangement, we see through the layers to the boy inside who once enjoyed cracking corny jokes with his dad.

Directed by Catherine Mobley, “Tribute” fits excellently into Epilogue’s mission of finding great roles for young-at-heart actors, including strong woman characters.

In seeing this play, we can’t help but think of the people we need to better connect with, as well as consider how much what we do to help others’ success is really appreciated. The laughs far outnumber the tears here, but there is a heart to this show, worthy of being honored by a full applauding theatre.

Performances are Friday through Sunday, Nov. 17-19, at 1849 N. Alabama Street (corner of 19th and Alabama) in downtown Indy. Call 317-926-3139 or visit www.epilogueplayers.com.