Extraordinary ‘Ordinary’ at Mud Creek

By John Lyle Belden

The musical “Ordinary Days,” an Off-Broadway hit by Adam Gwon, asks us to see the special in the mundane, presenting us with four New Yorkers just trying to live their lives while at the same time pondering their purpose.

Presented by Mud Creek Players, we meet Warren (Angie Ticen), an aspiring artist who is trying in vain to promote a fellow creative by cat-sitting for him while he’s in jail (for making art in violation of the law). The pithy inspirational sayings her mentor wrote on walls, she has made into flyers that no one wants to take.

One flutters to the ground, picked up absent-mindedly by Deb (Paige Butler), a grad student who is more concerned with her thesis on Virginia Woolf. However, once she gets back to her apartment, she finds the book with all of her notes is missing. In a bit of synchronicity, Warren sees the book by a Central Park bench and picks it up.

Meanwhile, Jason (Noah Nordman) is moving in with his girlfriend Claire (Jacklyn Rhinesmith), which soon tests their relationship. Their tension will only build, as he is a hopeless romantic while she is cautious by nature, and for a reason she is reluctant to tell.

Warren arranges to meet Deb at the Metropolitan Museum of Art to give her the book, a public place to reassure her that she is “not a wierdo” – in a manner that nearly convinces that she is. Meanwhile, among the exhibits, Jason and Claire find they might not have as much in common as they thought.

Sung-through in catchy tunes with heartfelt lyrics, these four make their way towards a beautiful climactic scene that transforms their everyday struggle to relate to one another into something extra-ordinary. The result is a truly New York story that touches us all.

Ticen is a delight as a fairly goofy artist who wants to make a serious impact on the world – somehow. Her impulsive behavior fortunately pays off in hoping Deb is also gay. As for Butler, she presents a compulsive planner finding herself rethinking the plan, dabbling in spontaneity.

Nordman’s Jason is the kind of dreamer who neglects to see if his partner is on the same cloud. His adventurousness is tempered with knowing “you don’t do New York alone.” Rhinesmith’s Claire is sweet but guarded with her own suppressed fear to “let things go.”

Dani Lopez-Roque directs, assisted by Nicole Crabtree. Stage manager Jalynn Cheatham and crew Jalecia Cheatham also appear as needed in a few scenes.

The little inspirational flyers end up everywhere, so feel free to take one. “Ordinary Days” has just two more days, Friday and Saturday, Sept. 18-19, at the Mud Creek Barn, 9740 E. 86th St., Indianapolis. Get tickets at mudcreekplayers.org.

Cardinal show anything but ‘Ordinary’

By John Lyle Belden

For these unusual times, Cardinal Stage of Bloomington presents an unusual theatre experience.

Shown online on-demand through Feb. 21, Cardinal’s production of the musical “Ordinary Days” by Adam Gwon relies on technological wizardry to allow four actors to interact while performing their parts in Covid-safe separate locations. Set in New York, circa 2008, we meet four “ordinary” individuals who will have an extraordinary influence on one others’ lives.

Our introduction to them, and this play, initially struck us with an uneasy “what’s this?” feeling. The obviously green-screen NYC backdrop, with our struggling artist-slash-artist’s-assistant-slash-pamphleteer? singing about – what’s this about, again? – but he sure is eager. And wordy. This song could have been written better. And there’s just a single piano in the background. Why does this feel like an audition tape?

If it all seems puzzling to you as well, stick with it. It gets much better.

After Warren (Henry Miller) ends his song with a winning smile, we jump to frustrated grad student Deb (Nina Donville) singing the foundation of her character arc, then to Jason (Julian Diaz-Granados) and Claire (Kayla Marie Eilers) who we discover are moving in together. So that connects two of the characters, but how about the others? A lost-and-found, followed by an odd but artsy rendezvous, kicks off an unlikely relationship between two souls seeking their purpose in art and words. And by the time this hour and a half (no intermission) is over, one pair will affect the other in a subtle but profound way.

Donville delivers as a woman struggling with the expectations of others, and herself, brought to a personal crossroads by impish Warren, in whom Miller channels the “if I can make it there” spirit of the Big Apple, even when his perpetual optimism is challenged. Diaz-Granados’ Jason is a hopeful romantic, wishing to communicate the depth of his feelings for Claire, but instead, at the worst moment, blurts out a proposal. Eilers effectively presents Claire as someone yearning to move forward, but held by a nagging uncertainty. Under the direction of Cardinal Artistic Director Kate Galvin, Gwon’s plot gently weaves together these “ordinary” yet interesting lives with a gust of the wind through the high-rises.

Also tying the scenes and thematic threads together are music director Ray Fellman on piano, and video editor Alyssa V. Gomez of CO-OP Productions, who brilliantly creates character interaction in this strange (for live stage fans) medium. For the vocal harmonies, I’m guessing credit goes in part to sound editor Robert Hornbostel. Rounding out the crew is stage manager Corey Hollinger.

To experience “Ordinary Days,” go to CardinalStage.org, and gather around the screen for a $25 “household” ticket, but only through Sunday.