Year: 2021

IndyFringe: Rocket in Your Pocket! Father Ned in Space – The Musical

PWJW_Indy IndyFringe, Reviews, Stage , , , , , ,

This is part of IndyFringe 2021, Aug. 19-Sept. 5 (individual performance times vary) in downtown Indianapolis. Details and tickets at IndyFringe.org.

By Wendy Carson

The wacky group from Perpendicular Island are back again and this time they have a divine mission to assist the Vatican (and Ned’s mortal enemies, the Jesuits) in beating the Lutherans into space.

General Jesuit (David Molloy) and Captain Jesuit (Manny Castillas) must endure the ever-suffering Father Ned (John Lindley) and questionable housekeeper Mrs. O’Boyle (Kate Duffy), because Ned’s imbecilic Priest-in-training Father Dermott McDermott (Blake Mellencamp) is the nephew of the regional Bishop. Luckily, the perverted sot Father Finn Flannagan (David Whicker) has been left back at the Parish – or has he?

Add to this group May Anne Mathews as a Cosmic Otter, Krysten Lyster as a very “Random” Alien as well as Shari Grinnell as the Voice of the Vatican, who keeps trying to keep this mission in check.

Needless to say, things go hilariously awry. Plus, there are several fun songs punctuating the story (wait until you hear Ned’s!).

So strap in and launch into a galaxy of silliness that pokes fun not only at the British sitcom “Father Ted,” but also Star Trek, Star Wars, Monty Python, and others. Launchpad is the District Theatre.

IndyFringe: Copyright/Safe

PWJW_Indy IndyFringe, Reviews, Stage , , , , , , , , ,

This is part of IndyFringe 2021, Aug. 19-Sept. 5 (individual performance times vary) in downtown Indianapolis. Details and tickets at IndyFringe.org.

By Wendy Carson and John L. Belden

Playwright Casey Ross has brought to the Fringe her love letter to the comics industry, particularly Marvel and its X-Men franchise.

In “Copyright/Safe,” the characters are members of a superhero team who are self-aware in a manner much like professional wrestlers — they know their lives are scripted, but it still hurts when they fall.

The show begins with Badger (Dave Pelsue) and Creature (Doug Powers) graveside, mourning the loss of their creator. With his passing, the team’s future seems to be in limbo, adding to the tension among team members. Eyepatch (Zach Stonerock), the ersatz leader, is missing and while their final issue is at the printer, no one seems to know what the future holds.

Badger deals with the situation by drinking heavily and expressing his feelings through music (songs written by Pelsue) at his small club. He also tolerates sharing his apartment with Mask (Taylor Cox) a fan-fiction character who appeared in an episode of the Z-Men cartoon, which makes him an official part of the world.

Whether or not you are familiar with comic books, the very real dynamic of a group of people wondering about their futures is indentifiable to all. Ross is brilliant at tense and relatable dialogue, even in a setting such as this. For fans of “sequential art,” note that atmospherically this play brings the style of a graphic novel to life better than most superhero films.

This touching drama is also comic in the sense of having truly hilarious moments.

One important note, however: though comic books are traditionally for children, the language in this show is quite “Rated M for Mature.”

Performances are in the IndyFringe Theatre.

IndyFringe: Transitory State

PWJW_Indy IndyFringe, Reviews, Stage , , , , ,

This is part of IndyFringe 2021, Aug. 19-Sept. 5 (individual performance times vary) in downtown Indianapolis. Details and tickets at IndyFringe.org.

By Wendy Carson

Fledgling theater group Theatre Unchained brings a spooky sort of offering to this year’s Fringe, “Transitory State” by Vic Rodriguez.

Best friends Bee and Hudson meet in a graveyard with sentimental offerings to their dearly departed friend and former roommate, Riley, in order to try to connect with his spirit. Since it is obvious that Bee is not really all that serious about this, their attempt fails but they do spend hours upon end talking and reminiscing about the past.

The next day as Bee and her partner Karla are headed out to Karla’s improv show, they call Hudson to come along and although he reluctantly agrees, he ends up alone at home remembering happier times past. It is also obvious that he has never gotten over Riley’s death.

Later, Hudson is sitting alone in his apartment once again when Riley’s ghost suddenly appears. Needless to say, this is a shock. He tries to convince Bee this is real but even though Karla believes, Bee just won’t accept it.

Bee feels that since she and Karla are moving away to Chicago and Riley’s parents have decided to move his body to their new home in Paris, Hudson is just trying to cope with these changes.

Is Riley really back or just a figment of Hudson’s imagination? You will have to check out the show, playing at the IndyFringe Theatre, to see.

IndyFringe: The Breakfast Clue

PWJW_Indy IndyFringe, Reviews, Stage , , , , , , ,

This is part of IndyFringe 2021, Aug. 19-Sept. 5 (individual performance times vary) in downtown Indianapolis. Details and tickets at IndyFringe.org.

By Wendy Carson

Defiance Comedy brings us annother hilarious Fringe show. Blending the movies “The Breakfast Club” and “Clue” with about a half a dozen song parodies, they give us a delightful sendup of ’80s comedies.

It turns out that all of the charcters are in detention because they were being blackmailed. Someone is going to die, and they group must solve the mystey before they end up in detention forever,

Shelby Myers delights as Allison P. Cock, the weird and kind of sexy basket case. Emily Schaab sparkles as Claire Scarlett, the Princess doing whatever it takes to keep herself on top, Pat Mullen seems perfectly cast as the nerdy Anthony Michael Mustard. John Kern brings an endearing fragility to his character of Jock Estevez. While Clay Mabbitt’s portrayal of John Jacob JingleHeimerPlum falls a bit flat at first, it does perk up very near the end. And of course, who could forget the enimetable Rob Johansen as the zany principal trying to keep this group in line.

Come to the show to find out who was killed and why. Just remember, there’s no crying over skimmed milk. Performances at the District Theatre.

IndyFringe: small Gods/BIG Problems

PWJW_Indy IndyFringe, Reviews, Stage , , , , , ,

This is part of IndyFringe 2021, Aug. 19-Sept. 5 (individual performance times vary) in downtown Indianapolis. Details and tickets at IndyFringe.org.

By Wendy Carson

Jay (Aaron Henze) used to be a Satyr; he partied with Dionysus, but now he exists merely as the God of Small Pleasures. He discovers that he is about to be de-Deified and is desperate to prevent it. His friends Sage (Courtney Peacock), a former Vestal virgin, and Nelson (Robert Webster Jr.), God of Functional Anxiety, try to help advise him on how to prevent his fate.

Devin (Trick Blanchfield), the demonic “Competition,” offers to help him out but Jay decides to try to become a member of another team.

Jay begs Inanna (Leslie Root), Goddess of Love and Justice, to allow him to join her team. She gives him a test to decide. He must make a couple (Allison Reddick and Ryan Reddick) fall in love without the help of her team, Chemistry (Case Jacobus), Shared Interests (Webster) and Timing (Marie McNelis).

Will Jay succeed, or will he lose his powers – and maybe even his horns? Come see this delightful show by Mary Karty at the IndyFringe Theatre and find out. You will truly feel blessed by its sweet sincerity and charm.

IndyFringe: Joyous Faggotry – The Ron Popp Story

PWJW_Indy IndyFringe, Reviews, Stage , , , , , ,

This is part of IndyFringe 2021, Aug. 19-Sept. 5 (individual performance times vary) in downtown Indianapolis. Details and tickets at IndyFringe.org.

By Wendy Carson

Ron Popp is back, and his comedy chops are as honed as ever. He chose the title for this show because it sounded like something from a Tennessee Williams play.

Topics here range from how he coped with the Covid lockdown; to his favorite book as a child; to dating, marriage, and drugs.

You will also learn some fun ways to get revenge on your conservative family members without them knowing it. Also, why are guns the only thing that someone can purchase to collect in order to make others feel threatened?

As with his last show here, I am at a loss to say more about the show without spoiling his jokes. Needless to say, he will have you close to rolling out of your seat with laughter. Popp is quickly becoming one of my favorite comedians of the Fringe and you should really see him now before he becomes so famous he won’t do shows in Indy anymore.

See him at the Indy Eleven Theatre.

IndyFringe: Chasing Temples

PWJW_Indy IndyFringe, Reviews, Stage , , , , ,

This is part of IndyFringe 2021, Aug. 19-Sept. 5 (individual performance times vary) in downtown Indianapolis. Details and tickets at IndyFringe.org.

By Wendy Carson

It’s raining as Betsy Murphy is on the way to sign her divorce papers. It’s been ten years, she’s had four children, how did this happen? Still, she and her ex are still friends. After signing the papers, she gets a sore throat and loses her voice for three weeks.

Two years later she tries to join eHarmony (their site has pictures of how she wants her life to look) but they reject her because her personality is not optimal for a long-term relationship. She tries psychics, retreats, gurus, etc, and nothing is helping her fill the void she feels in her life.

After another 10 years her children decide to go live with their father. Still searching for her truth, she thinks she has it figured out when Menopause hits. However, she is given a chance to make a real difference in the world so she jumps on it.

She ends up in Zimbabwe during the most severe economic crisis they’ve ever endured. She’s caring for children that have been abandoned by their parents because they can’t afford to feed or care for them, The heat is unbearable, she doesn’t know anyone and she is allergic to everything.

Into her life comes a handsome professional soccer player who takes her on a journey to find her lost spirituality, connection to the earth, the truth of who she really is, and her divine destiny. These lessons are not easy and do come with a cost but they also allow her to finally find her voice.

Come witness her story.

Performances on the Indy Eleven stage of the IndyFringe Theatre

IndyFringe: Shakespeare’s Histories – Ten Epic Plays at a Breakneck Pace

PWJW_Indy IndyFringe, Reviews, Stage , , , , , , ,

This is part of IndyFringe 2021, Aug. 19-Sept. 5 (individual performance times vary) in downtown Indianapolis. Details and tickets at IndyFringe.org.

By John Lyle Belden

Timothy Mooney returns to IndyFringe with the show that started his series of “Breakneck” Shakespeare presentations. He sets up a one-hour timer (also the limit of a Fringe show) and proceeds to get everything said before it hits 60:00:00.

As he had done here with “Julius Caesar,” this is more a historical lecture — giving real-world context in which Shakespeare worked — than just a presentation of a play. This is essential when dealing with 10 dramas, extending through the centuries from the infamous King John all the way to Henry VIII (father of Elizabeth I, ruler in the Bard’s era). But if you are thinking of the dull, dry lessons you had in high school or college, fear not! Mooney makes the history come alive, complete with projected visual aids, and punctuated with the words Shakespeare put in these monarchs’ and nobles’ mouths. 

The keyword to all of this, Mooney explains, is succession, and the more unclear the passing of the throne goes, the more people fight and die, inspiring some great stage drama. We “tell tales of the death of kings” as “we happy few” in the audience actually get a sense of what the Wars of the Roses were, and why poor Richard would give “my kingdom for a horse!”

We even get a few words from Joan of Arc, who doesn’t come off as a saint in Shakespeare’s telling.

Those familiar with Mooney’s work will not be disappointed, and those who aren’t are in for a treat. This rapid-fire jam-packed entertainment is on the main stage of the District Theatre — one of the bigger venues, yet this might still sell out.

IndyFringe: Being Black: The Play – The Life

PWJW_Indy IndyFringe, Reviews, Stage , , , , , , ,

This is part of IndyFringe 2021, Aug. 19-Sept. 5 (individual performance times vary) in downtown Indianapolis. Details and tickets at IndyFringe.org.

By Wendy Carson

The show begins with a young lawyer being called by his buddy to go downtown to protest the George Floyd killing. He’s about to go but his psychiatrist wife begs him not to. He’s got kids and responsibilites and while ten or twenty years ago they would have been leading the charge, they need to work for change in a different way.

We shift to a woman landing her dream job because her qualifications were beyond belief, her test scores were off the charts and everyone loved her at the interviews. As she begins filling out her hiring package she is then told that the comapany wants her to change her hairstyle to something less “ethnic”. We she balks she is notified that this is a non-negotiable requirement.

Now the smooth talking DJ on WBLK is playing love songs when he gets a call from his baby sister. She things his soul is in danger because he plays secular music on the radio. He tries to defend his choices by illustrating that Jesus was preaching love throughout the bible but she refuses to hear him. Later he is almost arrested at a coffee shop for refusing to give up his seat to a white customer (even though they are the only ones in the shop).

Mike, our lawyer’s buddy from before, ends up shot during the protest because he tried to hit on a girl and she went crazy and started a riot. He bemoans that fact that during his two tours of duty, he never felt so threatened and scared as he did that night. It was like the military declared war on blacks using the same tanks and guns he used to defend the country.

My words here will never convey any of the powerful messages delivered in this show. Your emotions will range from anger, sorrow, horror, laughter and hopefullness. This world needs to change because these stories are far too typical of a day in the life of a black person in America.

Hear their voices, watch their truth and join the fight for real change in our country. “Being Black,” by Vernon A. Williams, is presented by OnyxFest at the IndyFringe Theatre, featuring Grant Berry, Monica Cantrell, Tommy Gray, Ms. Latrice, Deserae Kay, Ricky Kortez, Rav’n Partee, and Leonard Harris.

IndyFringe: Radium Girls

PWJW_Indy IndyFringe, Reviews, Stage , , , , , , , ,

This is part of IndyFringe 2021, Aug. 19-Sept. 5 (individual performance times vary) in downtown Indianapolis. Details and tickets at IndyFringe.org.

By John Lyle Belden

In the 1920s, there was huge demand for items with glow-in-the-dark numbers and letters from paint that contained radium, recently discovered and believed by many to be perfectly harmless — maybe even beneficial, as it was used to treat cancer. This meant plenty of high-paying jobs for young women suited to the delicate work of applying the paint. To get a precise point, they were told to put the brush tip to their lips.

But eventually, mysteriously, their jaws began to hurt…

Christian Youth Theater presents “Radium Girls,” based on the true story of these women’s battle with the U.S. Radium Corporation to get it to admit to the dangers of the deadly substance they worked with, and to set things right. Many wouldn’t live to see justice. 

As we meet these “girls,” they talk of a coworker who had passed away. The obfuscation by the company is already in effect, with a rumor the deceased had syphilis, and having their own illnesses attributed to exposure to phosphorus in matches, or from bad nutrition. One of the women, Grace Fryer, leaves the company with plans to start a family, but her persistent illnesses are only getting worse. Fortunately, she finds help in arguing her case, presented both before a judge and, more importantly, the court of public opinion. 

Seeing this portrayed by a cast of talented teenagers brings to mind how young the actual victims were — not much older than the actors — as through effective makeup we see their fresh faces go sallow as their characters’ bodies fall apart. The script by D.W. Gregory pulls no punches: we see the lengths the company goes to put off its reckoning; the temptations of the women, dying and deep in debt, to take a small settlement; and the reactions of strangers that range from authentic sympathy to cold exploitation.

I don’t have a cast list, so I’ll just applaud an excellent ensemble, members of which we will likely see more of in seasons to come. But the important people are the ones they represent, real people in an American scandal and tragedy we should never forget. Performances are in the Basle auditorium at the Athenaeum.