Review: ‘Lobby Channel’ something to see

CRP Lobby Channel

By John Lyle Belden

Casey Ross Productions’ latest show is a perfect conversation starter for this age in which humanity has never been so connected, yet individuals still find themselves so lonely.

In “Lobby Channel,” a new musical written and directed by Ross’s friend (and local actress) Paige Scott, based on a story once told on NPR’s “This American Life,” a pair of morning radio jocks are trading insults as usual when one tells of something extraordinary – his home VCR managed to pull from the cable system a closed-circuit feed from an unfamiliar building somewhere in the city.

With only one view and no sound, Ted (Bradford Reilly) watches an empty hallway for hours, waiting for the brief appearances of a beautiful woman in a pillbox hat. She approaches, alone, often dropping her keys as she reaches her door, and hours later she departs for destinations unknown.

As the story unfolds, the woman in the black dress and hat (Miranda Nehrig) appears, ghost-like, expressing Ted’s wonder at who she could be. His partner Brian (Evan Wallace), unsure what to think of his story, throws another barb at Ted, saying the woman must be a stripper. In response, her next song takes a seductive turn, almost too much for Ted to bear.

Is Ted a sort of stalker? Is this the beginning of an unconventional love story? The play concludes in a logical manner, but still leaves those questions hanging for us to wonder – as good theatre should.

Reilly ably expresses the frustration of someone trapped in an incomplete puzzle, unsure of what to do with the pieces he has been given. Wallace easily portrays the friend who gives you a hard time, but still has your back. And Nehrig’s beauty and voice are a perfect fit for our mystery woman. Scott’s haunting music and lyrics suit the mood perfectly, providing the right tension to hold this simple-yet-complex story together.

It’s one act, clocking in at just under an hour, yet this show packs a lot into its frame. It echoes both a time not long ago when personal privacy was a sacred thing and today with social media like open books that we all show each other. We all get to know perfect strangers, imperfectly. Do you really understand this person, or are you only watching their “Lobby Channel”?

The musical’s performances are Friday through Sunday, through May 22, at the Grove Haus, 1001 Hosbrook Ave. near Indy’s Fountain Square. See uncannycasey.wix.com/caseyrossproductions/ or Casey Ross Productions on Facebook for info and tickets.

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