By John Lyle Belden
If you missed the recent run of the Tracy Letts drama “Killer Joe” at Theatre on the Square, it’s understandable. Sellouts were common, even with an additional performance added.
Still, you would have missed one heck of a show. The raw impact of the story of a redneck Texas family hiring a hitman to kill one of its members, with the titular character agreeing to take the young woman of the family as a “security deposit,” was enforced by a top-shelf cast – including local stage veterans Dan Scharbrough, Nate Walden, Lisa Marie Smith and Jaddy Ciucci.
But the most triumphant performance was by Ben Asaykwee as Joe. For those who only know his work with darkly comic characters – like the many he developed as founder of Q Artistry and shows like “Cabaret Poe” – his chilling transformation into the no-nonsense Texas hitman bordered on shocking. With surprisingly little effort, he projected menace and put us all on notice that his true range and depth is much greater than many ever suspected.
This weekend, TOTS, 627 Massachusetts Ave., Indianapolis, opened the classic Stephen Sondheim musical, “Passion,” playing weekends through March 26. (See www.tots.org.)
Meanwhile, Asaykwee has left downtown and set his sights on entertaining us with the story of an actual killer.
Apparently unafraid of ghosts – working as he has for the past several years in former Masonic Lodge 666 in the haunted neighborhood of Irvington – Asaykwee, with megatalent Claire Wilcher, present “White City Murder,” a new musical based on the exploits of America’s first known serial killer, H.H. Holmes, performed just blocks away from where Holmes briefly lived and is believed to have killed at least one child, who is said to still haunt the home.
The musical runs March 18-20, March 26 and March 31-April 2 at the lodge, 5515 E. Washington St., Indianapolis. It’s plot concerns the “murder hotel” where dozens of young women disappeared during the 1893 Chicago Worlds Fair. The events are recounted in the book “The Devil in the White City” by Erik Larson, which tells of Holmes’ many murders to collect on victims’ insurance and the building he had constructed to make the process of killing and disposal more efficient.
If anyone can set such a macabre topic to music in an entertaining fashion, it’s Asaykwee – who has already succeeded with the works of Edgar Alan Poe and writing an opera about the tragic Donner Party. And if anyone can help make such an odd show work, it’s Wilcher, who just helped co-write “Babes in Toyland,” is a comic legend with 3-Dollar Bill and ComedySportz, and gave brilliant performances in musicals including “Cabaret” and “Man of LaMancha.”
Find ticket information at www.qartistry.org, or follow “Qartistry” on Facebook.
(This story also posted on The Word.)