Summit shows the ‘Different’ could be any of us

By John Lyle Belden and Wendy Carson

Summit Performance Indianapolis does more than produce great plays. As a community outreach, it presents “This is Different,” an original one-act play, followed by open panel discussion, on living with and looking past the stigma of substance use disorder (SUD).

Quoting Summit: “It is the ninth Community Conversation One-Act produced by Summit and developed in collaboration with Dr. Sally Wasmuth… at the IU Indianapolis School of Health and Human Services… created from local interviews, conducted by Dr. Wasmuth.”

One performance remains, 7 p.m. tonight (June 28) on the main stage of the Phoenix Theatre Cultural Centre, 705 N. Illinois St., downtown Indianapolis. As the production is made possible in part by the City of Indianapolis and the Opioid Settlement Funds through the Indy Arts Council, all tickets are free, but reservations are needed at phoenixtheatre.org.

Told mainly through compelling monologues, the first-person stories collected by Wasmuth were crafted by playwrights Lauren Briggeman, the director and a Summit founder with long experience in drama; and Kelsey Johnson Lyons, who approached the script from her experience as a poet. Briggemen noted that choreographer Mariel Greenlee, formerly a company member with Dance Kaleidoscope, took the initiative in recommending movement used to underscore the performances. Simple yet effective lighting and sound are by Laura Glover and Olivia Lawson; Nico Meisner is stage manager.

The spirit of collaboration is reflected by the cast, each a major local talent: Tracy Herring, Miki Mathioudadkis, Morgan Morton, and Tracy Nakagozi. The source, script, and earnest delivery combine to thoroughly humanize the addicts in recovery that they represent. While additiction is expensive and devastating, they warn, most of all it is “sneaky.” It’s a party – until it’s not. Without excuses or complaint, the women who speak through these four relate their circumstances, their losses, what they salvage, and the human desire to belong, whether among others or just alone in your own yellow house.

You likely know or may even have been someone like these anonymous real souls. Especially if you don’t, it is imperative to understand them. The discussion after the one-hour performance gives plenty of room for exploring what this means to you, and all of us.

The title, “This is Different,” turns out to have a double meaning. It is what that voice within says when it dawns that instead of using a substance, the roles are reversed; then it’s the realization when after all your attempts to get “clean,” you finally see real recovery.

Big thanks to Dove Recovery House for its participation in this production, and to the continued community work of Summit Performance Indianapolis.

Fringe review: Laughing Sober

By John Lyle Belden and Wendy Carson

Rick Garrett tells us the story of the traumas of his child- and adulthood that drove him to the numbing effects of alcohol for solace in his stand-up/monologue, “Laughing Sober,” at ComedySportz.

Garrett relates his restrictive religious upbringing – “We were Amish with lightbulbs” – and how for him love was predicated on rules he couldn’t master and expectations that didn’t fulfill him.

While his tales are honest and raw, the delicate humor surrounding them prevents the subject matter from getting too somber. Garrett is an excellent storyteller as well as comic, so even when he’s not zinging the punchlines – which he often does – he still holds our attention and earns our sympathy.

This show reminds us that we are all damaged people in some way, and that the only true healing powers in the world are laughter and love, both of which you will feel before the final applause break.

Review: Say yes to the dresses

The Cast of Theatre on the Square's "Love, Loss and What I Wore" by Nora and Delia Ephron, playing on the TOTS Second Stage through Aug. 1 -- TOTS photo by Abdul-Shaheed
The Cast of Theatre on the Square’s “Love, Loss and What I Wore” by Nora and Delia Ephron, playing on the TOTS Second Stage through Aug. 1 — TOTS photo by Abdul-Shaheed

By John Lyle Belden

A local production of “Love, Loss and What I Wore” by Nora and Delia Ephron returns to Indianapolis, now playing at Theatre on the Square (the first production was a couple of years back at the Phoenix) and is, again, a funny and heartwarming little show about how our wardrobe links to our memories.

The play is mostly a set of monologues performed by five women. In the center is Adrienne Reiswerg as Gingy, the central recurring character who has lived a full life and, to remember it, has made drawings of the various dresses and outfits she has worn along the way. As stage manager Stacy Ricks hangs the drawings up behind her, Gingy relates the story behind each garment.

In addition, Rhoda Ludy, Miki Mathiodakis, Lucinda Phillips and Bridget Schlebecker portray numerous characters – mothers, daughters, sisters, fiances – who remember boldy and fondly a certain dress, or bra, or shoes, or even finding a unique purse.

The delivery brings out a lot of laughs – “You’re not wearing that, are you?” – as well as a few tender moments. It will no doubt also stir up some memories of your own favorite item.

You don’t have to be female or fashion-obsessed to love this show. The well-crafted script is in very able hands on the TOTS Second Stage. But if clothes are your thing, you simply have to see it.

This production runs through Aug. 1 at 627 Massachusetts Ave.; call 317-685-8687.