Lots to unpack in Center Stage rom-com

By John Lyle Belden

A good comedy skit relates the concept of past relationship “baggage” to literal suitcases. A good play takes that idea and makes it so much more.

Center Stage Community Theatre in Lebanon presents “Baggage,” by Sam Bobrick (acclaimed playwright and writer for shows ranging from Captain Kangaroo and Bewitched to helping create Saved by the Bell), directed by Veronique Duprey.

Phyllis Novak (Lauren Johnson) and Bradley Naughton (Mark Livingston) accidentally picked up each other’s identical bags at the airport. She cautiously lets him come to her apartment to switch them back. While hers is the heavier piece of luggage, he carries the larger emotional burden, still pining – openly weeping, actually – for his ex-wife. Phyllis tries to stay aloof, but her “curiosity problem” kicks in and despite their rough first encounter, they get to know each other better.  While he tries to get over his loss and she seeks to adjust her impossible standards for dating men, they agree to go out with each other platonically.

Do you see an improbable romantic comedy coming on? So does Dr. Jonathan Alexander (David Shaul), holder of degrees from prestigious universities and a couples expert, having written three books on the topic (which he will sell you). He enters along the fourth wall, instructing the audience and warning Phyllis of the folly of this entire plot, especially her doomed belief that she can change Bradley to her liking.

We also meet Phyllis’s best friend Mitzi Cartwright (Amy Keitt), a free spirit who gladly takes the play’s events as they come while hoping for a happy ending of her own.

In all, we get a clever and funny romantic adventure, complete with snappy dialogue – Bradley: “You’re a nutcase.” Phyllis: “That’s possible.” The meta element of Dr. Alexander weaving in and out of the play enhances the experience, a fresh way of acknowledging this often-told kind of story.

Johnson makes Phyllis engaging and relatable, having transformed fear of relationships into an impossible need for certainty. Livingston manages the tricky job of keeping some degree of dignity in Bradley, even while little more than a living puddle of tears. Keitt spritely presents Mitzi as someone you would believe had built a koi pond in her living room, because, why not? Shaul bridges the on- and offstage worlds effectively, his PhD-fueled ego adding to the humor.

Duprey has brought out the best in the talented cast; she is assisted by daughter Audrey, who also lurks in the shadows as stage manager (hat-tip to elder daughter Sabrina for helping on preview night). Center Stage’s comfy stage design is by Christy Summersett and David Wines, with decoration by Wines and Lauren Johnson. Like other community theatres, all labor is volunteer, including costumes by Kathie Criss and props by Elizabeth Ruddell.

Pick up “Baggage” for the next two weekends, through March 8, at 604 Powell St., Lebanon. Get info and tickets at centerstagecommunitytheatre.com.

Viva Carmel Players, where love is King

By Wendy Carson

Director Nicole Amsler and Carmel Community Players approach the Holiday season by giving audiences the gift of joy with their hilariously quirky offering, “Four Weddings and an Elvis,” by Nancy Frick.

Centering around Sandy (Veronique Duprey) and her Las Vegas wedding chapel, we are privy to four incredibly diverse sets of nuptials. Sandy herself is on Marriage No. 4 to the same man, Ken, who is never seen but is always present.

Beginning with Bev (Audrey Duprey) and Stan (Mark Livingston), who have flown out from the East Coast to marry each other as vengeance against their exes – who also plan to marry each other. They chose to have their wedding live-streamed to the exes and with Ken, Sandy’s usual minister, being passed out drunk, opt to use a nearby chapel’s minister, John (Joshua Payne-Elliot).

Sandy then hires Lou (David Dessauer) to be the new minister, but his age keeps her questioning if he can really pass for Elvis. They are to officiate the low key, high publicity, marriage of fading stars Vanessa Wells (Amanda Falcone) and Bryce Cannon (James Kenjorski) – both desperate to get their careers back on track. Sadly, the press and paparazzi decline their invitations.

We then meet Marvin (Jacob Bradford) and Fiona (Kelly Melcho), an extremely unlikely pair. He, an expert in everything regarding the Post Office, will wed her, an ex-con with a wild and colorful past. Their bliss is briefly interrupted by the arrival of her past boyfriend, Fist (Gregory Roberts), who broke out of prison to get his girl back. Hilarity – and a police standoff – ensues.

About a year later, we return to the chapel for the final wedding. It seems Sandy is ready to take the plunge for a fifth time, and all the previous characters return to celebrate with her.

Veronique Duprey maintains her charm throughout with the air of a Sin City sister who has seen it all, while the others indulge in all manner of silliness. However, these hopeful romantics indulge in these events without cynicism – each character, in their own way, wants love.

Amsler is assisted by Grant Bowen; Samantha Kelly is stage manager.

Will Sandy make it down the aisle? Will we finally meet Ken? How are the others’ relationships working out? And finally, who is the uncredited “Elvis”?

These questions and many more are answered by attending “4 Weddings and an Elvis,” Thursday through Sunday, Nov. 20-23, at The Cat, 254 Veterans Way in downtown Carmel. For tickets and info, see carmelplayers.org.