By John Lyle Belden
There is much to be said for the magic of the theatre, the blurring of space, distance, and communication between characters and to our silent witness, all on the limited confines right in front of us. Thus, our minds easily suspend disbelief, forego the logic that requires more physical and temporal structure expected in cinema or even a novel, all to give us the essence and substance of the story. Put simply, I believe “Wad,” by Keiko Green, could only work on the stage – and the current world premiere production by American Lives Theatre and The New Harmony Project works brilliantly.
Nyce – pronounced “Neese” – (Mollie Murk) is a Ft. Lauderdale teen fascinated with the macabre who finds a program to mail letters to prison inmates on Florida’s Death Row. She selects Jim (Eric Reiberg) and writes to him noting that she has not read about his case beyond being convicted for “double first-degree murder,” that she would rather find out about it from him, from his perspective. His execution date is five months away.
The black-box confines of the Basile stage in the Phoenix Theatre Cultural Centre are evenly divided between Nyce’s bedroom and Jim’s cell (set design by Matt Mott). Under the direction of Emily Moler, we see Nyce and Jim communicate across the hundred-plus mile distance via balled-up letters thrown across the center line like paper-wads in a classroom (hence the title). What in reality takes days become flowing conversations, complete with mutual-fantasy interactions across the center line. They enact a history lesson, a meet-cute, and even a puppet show. In addition, they each find themselves revealed as lies are discovered and evasions become useless as time grows ever shorter.
Murk nicely embodies the girl at the cusp of adulthood, naively thinking hard truths will come easy. While she is at a turning point at the start of life’s potential, Reiberg gives us a man facing down his end. He is at first indifferent, but finding a non-judgemental friend gives him a cruel dose of hope. Aided by what we learn about his fate through their correspondence, the conclusion is felt more than seen.
While obviously a drama, there is a fair amount of dark comedy, especially in their early interactions – a blend of adolescent sarcasm and genuine gallows humor. Watch closely for deeper elements, such as both characters being Libras – a hint at the scales of Justice, and the fragile sense of balance throughout the narrative.
In all, “Wad” is a fascinating, thought-provoking, and affecting look at two distinct characters, revealing the humanity they share with each other – and us. Performances run through Sept. 28 at 705 N. Illinois St., downtown Indianapolis. Get info and tickets at phoenixtheatre.org.
Plays with John & Wendy 