ATI presents romantic pen-pal predicament

By John Lyle Belden

Easing us out of the Spooky Season and into the Holidays, Actors Theatre of Indiana presents the classic musical, “She Loves Me.”

With book by Joe Masteroff, music by Jerry Bock, and lyrics by Sheldon Harnick (who would next write “Fiddler on the Roof”), this “Holiday Love Story,” based on a 1937 play by Miklos Laszlo, so perfectly fits the template of the modern rom-com, it even inspired one – the 1998 film “You’ve Got Mail.”

In 1930s Budapest, Maraczek’s Parfumerie opens with a sales staff that includes anxious yet jaded family man Sipos (John Vessels), hopeless romantic Ilona (Nathalie Cruz), suave ladies’ man Kodaly (Eric Olson), shy yet competent Georg (Jacob Butler), eager delivery and stock boy Arpad (Ben Friessen), and Mr. Maraczek (Darrin Murrell) himself. Business is brisk this summer day, but there is uncertainty that the new musical cigarette boxes will sell. The boss bets Georg its price that at least one box will – then Amalia (Sophie Jones), a headstrong woman seeking a job at the shop, persuades a customer to gladly buy.

With her costing him money, then taking a job alongside her at the store, Georg and Amalia bicker. They can’t stand each other. However, each has also privately written lonely-hearts letters to an anonymous lover – of course, unknowingly, each other. As the calendar turns to December, the “dear friends” decide to meet in person, at a café notorious for romantic rendezvous. What could go wrong?

Butler and Jones are nicely cast as the sweet and sassy secret (to each other) lovers, whose angry sparks generated at work hide a flame growing in spite of itself. Vessels gives dignified charm to his Hungarian everyman that contributes to the comedy without stealing scenes. Likewise Cruz, who in her Act II solo makes being barely literate sound like an adventure. Friesen, whose character has the same last name as the original playwright, makes an interesting catalyst to several scenes while cheerfully playing the maturing lad making his way in the world. Olson gives us a bad boy in both the playful and eventually literal sense, breaking hearts and making scenes with panache. It was good to see Murrell, a steady hand both on stage and off (as ATI’s Associate Artistic Director), as the good-natured but firm – and troubled – boss.

Customers adding little touches of fun in the shop, and appearing in other roles, are Elizabeth Akers, Cynthia Collins, Terrance Lambert, Josh Maldonado, Carrie Neal, and Brett Mutter, who has a wonderful turn as the café head waiter.

Note that it’s not all fun and romance, as subplots include infidelity and a moment of self-harm. But true to romantic stories throughout the ages, all will be well in the end.

The show is directed by Richard J. Roberts, who is also resident dramaturg at Indiana Repertory Theatre. Thus, he found this story interesting as a look into the relatively carefree atmosphere of Eastern European cities in the years before World War II and the strife that followed. Unlike the air of denial that permeates “Cabaret,” this reflects more of a genuine joy that – especially from our perspective – is worth celebrating though (or because) it can prove fleeting.

Choreography is by Carol Worcel, with music and vocal direction by Nathan Perry, and Jessica Greenhoe is stage manager.

For those who enjoy watching the journey from meet-cute to “I do,” or need an idea for your next romantic date, may I suggest “She Loves Me,” performances through Nov. 17 in The Studio Theater at The Center for the Performing Arts in downtown Carmel. Get info and tickets at atistage.org or thecenterpresents.org.

IRT does A-OK with the B-E-E

By John Lyle Belden

Funny how so much of your life seems to hinge on what happens in your middle-school years. Funny enough, in fact, that it’s good to laugh – with, not at – the struggles of the kids caught up in “The 25th Annual Putnam County Spelling Bee” at Indiana Repertory Theatre.

Being the IRT, you can expect and experience a highly professional production, including the nicely constructed Gym setting (in a fictional “Putnam County, USA,” though the program notes there is such a county in Indiana, to the west of Indy) with a lively scoreboard that lights up to cleverly illustrate and comment on the goings-on below. A sharp cast of local and visiting actors give us characters we can all relate with or knew in our school days.

We meet Rona Lisa Peretti (Michelle Lauto), our upbeat emcee and past champion; assistant principal Doug Panch (Ryan Artzberger), who calls out the words and promises to behave this time; and Mitch Mahoney (R.J. Griffith), who is “comfort counselor” as part of his court-ordered community service.

The contestants are: Chip Tolentino (Matheus Barbee), noble Boy Scout and last year’s winner; Logaine Schwartzandgrubenniere (Devin Mathias), a budding activist with two very involved dads; Leaf Coneybear (Dominique Lawson), a homeschooled free spirit unsure of his own worth; William Barfeè (Brett Mutter), armed with confident bluster and his “magic foot;” Marcy Park (Ayana Strutz) an overachiever (six languages!) who was spelling champ at her previous school; Olive Ostrovsky (Ariana D. Burks), a shy girl with distant parents, her best friend is the Dictionary; and some spellers chosen from the audience (don’t worry, you have to apply to be selected).

This musical, by Rebecca Feldman with Rachel Sheinkin (book) and William Finn (music and lyrics), directed and choreographed for IRT by Patdro Harris, is lively, funny, and heartfelt. We get both the present challenge for these youths, the stress of the bee expressed in the song “Pandemonium,” as well as a look into their inner lives, as each gets at least a song of their own. Castmates step in to portray family members as needed. The humor comes from their situations, as well as great one-liners such as an interesting “fact” given about each contestant – including the selected audience members – and the replies to “please use the word in a sentence.”

The elements of improv keep the show fresh and unpredictable (these actors are up to the challenge), and even yielded some of the biggest laughs on opening night. If you are familiar with the show, you know who wins the contest – but the finalists’ performance lends sufficient tension to make the ending work. It is also uplifting to see most who don’t hoist the trophy each find victory in their own way.

It’s hard singling out individual performances, as this was such a great ensemble. Artzberger is such an IRT mainstay that it’s easy to overlook just how naturally he puts on every character he’s called on to play. Lauto isn’t local, but as Peretti has a natural chemistry as though she truly was this county’s top realtor and past spelling champ. Griffith gives the right balance of “street” and sweet called for in Mitch’s situation.

Mathias is familiar to local audiences, though not necessarily her earnest lisping inner child as Logaine. Lawson demonstrates wonderful versatility by leaving behind his turn as Seymour from “Little Shop” a few months ago to give us the charmingly naïve, yet brave, Leaf – reflecting many of us in the audience when blurting “is that even a word?” when given something obscure to spell – as well as an important moment as one of Logaine’s dads. Barbee also has some great moments (including one Chip would rather forget) and a good pitching arm with the snack tray. When done right, you just want to give Olive a big reassuring hug – and I think Burks had us all that smitten. Barfee is so many things – obnoxious, aggrieved, confident to a fault, needing to succeed to feel worthy, wanting to be appreciated, and on the edge of unsure – Mutter nails them all. As Marcy, Strutz was perfectly cast as she is not only wonderful in the role, but also capable of the dance and gymnastics that make her solo number really pop.

Kudos also to scenic design (mentioned above) by Britton Mauk, and music director Joshua Burniece. In the lobby balcony, there is a display that includes how costume designer Linda Pisano reflected the characters’ personalities in their outfits.

This show is at the IRT for just a short spell, through Oct. 13, at 140 W. Washington St. in the heart of Downtown Indianapolis. See irtlive.com for information and tickets.