CCP stages locally penned inspiring comedy

By Wendy Carson

Things are not going well for Nikki. She postponed her wedding, moved out of her fiancé’s  apartment, dropped the majority of her law clients, and rented a new place of her own which may or may not be haunted. Add to this an obsessive landlord, a clingy fiancé, and a very grumpy police officer and you have the makings for this tender and rollicking play, “aMUSEd,” presented by Camel Community Players. 

The script, by local playwright Megan Ann Jacobs, was originally presented as part of 2019’s DivaFest. She has since expanded the story and enriched each character involved.  

Sebastian (Joe Wagner), the current Muse of Comedy, has tried to avoid serious entanglements with his past “instruments,” but made a single exception for novelist Anita (Wendy Brown) and stays with her to the very end. Even for an immortal, losing someone close scars you deeply.  

Enter Nikki (Ameetha Widdershins), who knows this pain all too well herself. She rented the amazing and affordable apartment where Anita had died, and Sebastian is wallowing in pity. Sparks fly, as they move from standoff to compromise. His lack of a corporeal body makes for some great slapstick humor and mistaken identities involving Nikki’s fiancé, Ryan (Malcolm Marshall), landlord Tyler (Austin Uebelhor), and Officer Bridges (Ahnn Christopher). Plus, Anita makes a post-death appearance or two herself. 

Director Kelly Keller does a great job balancing the zany humor with the touching glimpses of the pain both lead characters must work through.  

The whole cast is a delight to behold and thoroughly immersed in the story. In fact, at our performance, a small scuffle within the show rolled nearly into the audience. Widdershins manages to be both soft and prickly as the moment demands. Marshall, who only recently made his community stage debut, shows steady improvement in taking on a meaty role. Wagner, looking like a mid-level executive (which he sorta is for the gods), has fun being as much trickster as inspiration. Uebelhor is a hoot and nearly steals his every scene. Christopher and Brown give their moments the right touch, as well.   

John and I both loved the show when we originally saw it, and I really like this more fully fleshed-out version, nicely paced and never feeling padded. It lovingly brings all of the characters to a just and happy ending.

Performances are Friday through Sunday at The Switch Theatre, 10029 E. 126th St., Suite D, Fishers. For info and tickets, see carmelplayers.org.

DivaFest: Truly inspiring

This is part of the 2019 Diva Fest, presented by IndyFringe at 719 E. St. Clair St., Indianapolis, through April 21. All shows are by women playwrights, presented as one-hour one-acts at a Fringe price. For information and tickets, see www.indyfringe.org.

By John Lyle Belden

In “aMUSEd,” by Megan Ann Jacobs, one of the lesser-known Greek Muses — Sebastian, the Muse of Comedy (Kyle Dorsch) — breaks his own rule against staying too long, remaining with his latest charge, author Anita (Becky Schlomann), until the moment she passes. He promises to finish their last work with a new human, but in his grief, chases off every person who moves in.

Enter Nikki (Kyrsten Lyster), a woman as determined to stay as Sebastian is for her to leave — New York apartments at this price don’t come along every day. The landlord, Tyler (Jerry Beasley), is just grateful someone is staying in his “haunted” flat.

Grant Nagel plays Nikki’s fiance, Ryan, a victim of Sebastian’s pranks, and Ilandia Johnson is Kasey, a local police officer tired of being called to arrest a “trespasser” she cannot see.

Jacob’s sweet story excellently showcases the comic talents of manic Beasley, wonderfully frustrated Lyster, and Dorsch’s acid wit like a young Jack Benny. Schlomann’s presence gives this all the right amount of heart.

Remaining performance is 4:45 p.m. Saturday, April 20.