IndyFringe: small Gods/BIG Problems

This is part of IndyFringe 2021, Aug. 19-Sept. 5 (individual performance times vary) in downtown Indianapolis. Details and tickets at IndyFringe.org.

By Wendy Carson

Jay (Aaron Henze) used to be a Satyr; he partied with Dionysus, but now he exists merely as the God of Small Pleasures. He discovers that he is about to be de-Deified and is desperate to prevent it. His friends Sage (Courtney Peacock), a former Vestal virgin, and Nelson (Robert Webster Jr.), God of Functional Anxiety, try to help advise him on how to prevent his fate.

Devin (Trick Blanchfield), the demonic “Competition,” offers to help him out but Jay decides to try to become a member of another team.

Jay begs Inanna (Leslie Root), Goddess of Love and Justice, to allow him to join her team. She gives him a test to decide. He must make a couple (Allison Reddick and Ryan Reddick) fall in love without the help of her team, Chemistry (Case Jacobus), Shared Interests (Webster) and Timing (Marie McNelis).

Will Jay succeed, or will he lose his powers – and maybe even his horns? Come see this delightful show by Mary Karty at the IndyFringe Theatre and find out. You will truly feel blessed by its sweet sincerity and charm.

IndyFringe: Joyous Faggotry – The Ron Popp Story

This is part of IndyFringe 2021, Aug. 19-Sept. 5 (individual performance times vary) in downtown Indianapolis. Details and tickets at IndyFringe.org.

By Wendy Carson

Ron Popp is back, and his comedy chops are as honed as ever. He chose the title for this show because it sounded like something from a Tennessee Williams play.

Topics here range from how he coped with the Covid lockdown; to his favorite book as a child; to dating, marriage, and drugs.

You will also learn some fun ways to get revenge on your conservative family members without them knowing it. Also, why are guns the only thing that someone can purchase to collect in order to make others feel threatened?

As with his last show here, I am at a loss to say more about the show without spoiling his jokes. Needless to say, he will have you close to rolling out of your seat with laughter. Popp is quickly becoming one of my favorite comedians of the Fringe and you should really see him now before he becomes so famous he won’t do shows in Indy anymore.

See him at the Indy Eleven Theatre.

IndyFringe: Chasing Temples

This is part of IndyFringe 2021, Aug. 19-Sept. 5 (individual performance times vary) in downtown Indianapolis. Details and tickets at IndyFringe.org.

By Wendy Carson

It’s raining as Betsy Murphy is on the way to sign her divorce papers. It’s been ten years, she’s had four children, how did this happen? Still, she and her ex are still friends. After signing the papers, she gets a sore throat and loses her voice for three weeks.

Two years later she tries to join eHarmony (their site has pictures of how she wants her life to look) but they reject her because her personality is not optimal for a long-term relationship. She tries psychics, retreats, gurus, etc, and nothing is helping her fill the void she feels in her life.

After another 10 years her children decide to go live with their father. Still searching for her truth, she thinks she has it figured out when Menopause hits. However, she is given a chance to make a real difference in the world so she jumps on it.

She ends up in Zimbabwe during the most severe economic crisis they’ve ever endured. She’s caring for children that have been abandoned by their parents because they can’t afford to feed or care for them, The heat is unbearable, she doesn’t know anyone and she is allergic to everything.

Into her life comes a handsome professional soccer player who takes her on a journey to find her lost spirituality, connection to the earth, the truth of who she really is, and her divine destiny. These lessons are not easy and do come with a cost but they also allow her to finally find her voice.

Come witness her story.

Performances on the Indy Eleven stage of the IndyFringe Theatre

IndyFringe: Shakespeare’s Histories – Ten Epic Plays at a Breakneck Pace

This is part of IndyFringe 2021, Aug. 19-Sept. 5 (individual performance times vary) in downtown Indianapolis. Details and tickets at IndyFringe.org.

By John Lyle Belden

Timothy Mooney returns to IndyFringe with the show that started his series of “Breakneck” Shakespeare presentations. He sets up a one-hour timer (also the limit of a Fringe show) and proceeds to get everything said before it hits 60:00:00.

As he had done here with “Julius Caesar,” this is more a historical lecture — giving real-world context in which Shakespeare worked — than just a presentation of a play. This is essential when dealing with 10 dramas, extending through the centuries from the infamous King John all the way to Henry VIII (father of Elizabeth I, ruler in the Bard’s era). But if you are thinking of the dull, dry lessons you had in high school or college, fear not! Mooney makes the history come alive, complete with projected visual aids, and punctuated with the words Shakespeare put in these monarchs’ and nobles’ mouths. 

The keyword to all of this, Mooney explains, is succession, and the more unclear the passing of the throne goes, the more people fight and die, inspiring some great stage drama. We “tell tales of the death of kings” as “we happy few” in the audience actually get a sense of what the Wars of the Roses were, and why poor Richard would give “my kingdom for a horse!”

We even get a few words from Joan of Arc, who doesn’t come off as a saint in Shakespeare’s telling.

Those familiar with Mooney’s work will not be disappointed, and those who aren’t are in for a treat. This rapid-fire jam-packed entertainment is on the main stage of the District Theatre — one of the bigger venues, yet this might still sell out.

IndyFringe: Being Black: The Play – The Life

This is part of IndyFringe 2021, Aug. 19-Sept. 5 (individual performance times vary) in downtown Indianapolis. Details and tickets at IndyFringe.org.

By Wendy Carson

The show begins with a young lawyer being called by his buddy to go downtown to protest the George Floyd killing. He’s about to go but his psychiatrist wife begs him not to. He’s got kids and responsibilites and while ten or twenty years ago they would have been leading the charge, they need to work for change in a different way.

We shift to a woman landing her dream job because her qualifications were beyond belief, her test scores were off the charts and everyone loved her at the interviews. As she begins filling out her hiring package she is then told that the comapany wants her to change her hairstyle to something less “ethnic”. We she balks she is notified that this is a non-negotiable requirement.

Now the smooth talking DJ on WBLK is playing love songs when he gets a call from his baby sister. She things his soul is in danger because he plays secular music on the radio. He tries to defend his choices by illustrating that Jesus was preaching love throughout the bible but she refuses to hear him. Later he is almost arrested at a coffee shop for refusing to give up his seat to a white customer (even though they are the only ones in the shop).

Mike, our lawyer’s buddy from before, ends up shot during the protest because he tried to hit on a girl and she went crazy and started a riot. He bemoans that fact that during his two tours of duty, he never felt so threatened and scared as he did that night. It was like the military declared war on blacks using the same tanks and guns he used to defend the country.

My words here will never convey any of the powerful messages delivered in this show. Your emotions will range from anger, sorrow, horror, laughter and hopefullness. This world needs to change because these stories are far too typical of a day in the life of a black person in America.

Hear their voices, watch their truth and join the fight for real change in our country. “Being Black,” by Vernon A. Williams, is presented by OnyxFest at the IndyFringe Theatre, featuring Grant Berry, Monica Cantrell, Tommy Gray, Ms. Latrice, Deserae Kay, Ricky Kortez, Rav’n Partee, and Leonard Harris.

IndyFringe: Radium Girls

This is part of IndyFringe 2021, Aug. 19-Sept. 5 (individual performance times vary) in downtown Indianapolis. Details and tickets at IndyFringe.org.

By John Lyle Belden

In the 1920s, there was huge demand for items with glow-in-the-dark numbers and letters from paint that contained radium, recently discovered and believed by many to be perfectly harmless — maybe even beneficial, as it was used to treat cancer. This meant plenty of high-paying jobs for young women suited to the delicate work of applying the paint. To get a precise point, they were told to put the brush tip to their lips.

But eventually, mysteriously, their jaws began to hurt…

Christian Youth Theater presents “Radium Girls,” based on the true story of these women’s battle with the U.S. Radium Corporation to get it to admit to the dangers of the deadly substance they worked with, and to set things right. Many wouldn’t live to see justice. 

As we meet these “girls,” they talk of a coworker who had passed away. The obfuscation by the company is already in effect, with a rumor the deceased had syphilis, and having their own illnesses attributed to exposure to phosphorus in matches, or from bad nutrition. One of the women, Grace Fryer, leaves the company with plans to start a family, but her persistent illnesses are only getting worse. Fortunately, she finds help in arguing her case, presented both before a judge and, more importantly, the court of public opinion. 

Seeing this portrayed by a cast of talented teenagers brings to mind how young the actual victims were — not much older than the actors — as through effective makeup we see their fresh faces go sallow as their characters’ bodies fall apart. The script by D.W. Gregory pulls no punches: we see the lengths the company goes to put off its reckoning; the temptations of the women, dying and deep in debt, to take a small settlement; and the reactions of strangers that range from authentic sympathy to cold exploitation.

I don’t have a cast list, so I’ll just applaud an excellent ensemble, members of which we will likely see more of in seasons to come. But the important people are the ones they represent, real people in an American scandal and tragedy we should never forget. Performances are in the Basle auditorium at the Athenaeum. 

IndyFringe: How I Got My Warts Prayed Off

This is part of IndyFringe 2021, Aug. 19-Sept. 5 (individual performance times vary) in downtown Indianapolis. Details and tickets at IndyFringe.org.

By Wendy Carson

Mandee McKelvey grew up in a trailer park in rural South Carolina. Her family was so poor that she had to take a bath with her brother well into her teens to conserve hot water.

During her teen years she began having warts all over her hands and feet. After suffering both physically and socially for more than two years, her mom asked her if she wanted to see a doctor about them. However, she ended up in a dry cleaners with a guy named Bob praying that she would be alleviated of her burden.

While that may have worked, at 13 she became aware that she was developing another physical deformity, and prayer was not going to help this out at all. In fact, she is still coping with this situation. Yet her story is light, funny and hopeful, even if she has become the basis for medical research due to the uniqueness of her plight.

You should definitely come and witness her saga, and learn the truth of the “Pumpkin Nut Foundation.”

IndyFringe: Honk Squawk Love

This is part of IndyFringe 2021, Aug. 19-Sept. 5 (individual performance times vary) in downtown Indianapolis. Details and tickets at IndyFringe.org.

By John Lyle Belden

In the Beginning, God allows Satan to create the ultimate nuisance for Man, the dreaded Branta Canadensis (a/k/a Canada goose).

At least this is what Abigail believes. She hates these foul waterfowl, which infest every parking lot and corporate park — and they hate her, triggering her terror. It’s bad enough that events have taken her from a teaching job she enjoys to occupying a cubicle in a corporate processing center, but also the path to her workplace is beset by one of these horrid creatures, which gives chase. Then one day, Chris, a nonplussed IT tech outside on a smoke break, stands up to the goose. Man and bird lock eyes, and something changes.

I must curse the genius of playwright and director Paige Scott, who, in her comic drama, “Honk Squawk Love,” actually gets me — and other otherwise rational people — to feel for a damn Canada goose. We also see the struggle of Abigail (Elysia Rohn) as we learn not only of her phobia but also her recent backstory, which left another deep emotional scar. And we learn about Chris (Tyler Lyons) as he comes to understand more of himself through his unlikely and oddly tender relationship with the bird they call Lucy (Courtney McClure Murray).

This is an outstanding short play, possibly the best show of this year’s Fringe. The story unfolds with genuine feeling as the humans’ bizarre circumstance brings on needed changes and growth. Rohn proves a reliable narrator, even of her own pain. Lyons gives what starts as a loner-nerd caricature, dimension and likability. And Murray masterfully moves and squawks as a sort of full-body puppet with her arm the graceful neck of our heroine, Lucy. We even feel comfortable with the absurd conversations between Chris and his avian friend (perhaps it’s just hashing things out with himself as the goose honks along, but Scott’s script puts it through his perception).

If at all possible, you must see this, playing at the District Theatre. Don’t let any bird stand in your way, Tippy.

IndyFringe: Wife Material

This is part of IndyFringe 2021, Aug. 19-Sept. 5 (individual performance times vary) in downtown Indianapolis. Details and tickets at IndyFringe.org.

By Wendy Carson

While Toni Smith has known his wife over half of his life, they have only been married for three years.

Marriage changes a person, as does any commitment that lasts until you die. It made Toni want to eat healthier, exercise more, and become a better wife — wait, what?!

Toni’s realization that, at the age of 30, he is actually a she came as a bit of a shock to him, his wife, and, of course, his family. Still, considering her parents were married in a drive-through chapel in Vegas and her sister came out as a lesbian several years ago, they shouldn’t be too shocked, right?

However, this show is about so much more than this one topic. It covers The true perversion of “Gender Reveal Parties,” the cult of the “American Girl” dolls, sex talks from your dad, and, of course, sexuality through ice cream.

Smith is a hilariously original new comedic voice and this is a show not to be missed. Also, note that being a smaller venue, the Indy Eleven stage at the IndyFringe building will likely sell out quickly.

So get your tickets now, and remember that it’s OK to order vanilla ice cream in public.

IndyFringe: Downtown Magic! With Jordan Rooks

This is part of IndyFringe 2021, Aug. 19-Sept. 5 (individual performance times vary) in downtown Indianapolis. Details and tickets at IndyFringe.org.

By John Lyle Belden

Note: There are two magicians (both excellent) named Jordan in this year’s festival. This is the one in the jacket that looks like it’s made of newsprint.

This very friendly and charming young man does familiar tricks and illusions, such as with cards and scarves, but in his own particular style. He also relies a LOT on audience volunteers (“You make the magic,” he says), so bring friends, and especially children. 

Rooks is a natural with youngsters, though he’ll fool folks of any age. He embraces the silly — such as the popular “yellow bandana” routine — while engaging your sense of wonder.

Anyone seeking an all-ages fun diversion at Fringe, I’ve been steering them to this guy, performing at the Murat Oasis.